The 1940s was a time of great change in the psychoanalytic world. The war sounded a deathblow to continental European psychoanalysis and the death of Freud at first brought uncertainty over the future of psychoanalysis but ultimately led to greater creative freedom in exploring new ideas and theories.

This volume presents a series of papers that appeared in the International Journal of Psycho-Analysis during the 1950s. It recognizes a turning of psychoanalytic attention from the exploration of the analysand's intra-psychic experience to mapping out equally relevant psychoanalytic concerns.

Introduction: Seeing in the dark -- Gay rights: "To be nobody but yourself" -- Feminism: "Meet Jane Crow" -- Civil rights: The war after the wars -- Ecology: Before we knew -- Epilogue: The best of us.

This book provides a unique analysis of Lacan’s conception of anxiety as presented in one of his most fascinating seminars, Seminar X. The seminar took place in the lead up to Lacan’s infamous excommunication from the IPA. Revisiting Freud’s work on the topic, Lacan conceives anxiety in an "anxiety chart" which includes adjacent terms such as inhibition, embarrassment, and turmoil. He sees desire as the kernel of anxiety, before turning attention to the body. Anxiety Between Desire and the Body: What Lacan Says in Seminar X is written from the perspective of the analytical experience, its logic, and its surprising discoveries. It will be of great interest to students of Lacanian psychoanalysis, as well as philosophers interested in Lacan’s work.

Nature's shifting audience : 1869-1875 -- Nature's contributors and the changing of Britain's scientific guard : 1872-1895 -- Defining the "man of science" in Nature -- Scientific internationalism and scientific nationalism -- Nature, interwar politics, and intellectual freedom -- "It almost came out on its own" : Nature under L.J.F. Brimble and A.J.V. Gale -- Nature, the Cold War, and the rise of the United States -- "Disorderly publication" : Nature and scientific self-policing in the 1980s.

A large-scale publication dedicated to the 1950s as captured in the pages of American Vogue. This book is illustrated by fashion’s greatest photographs of that period—the era when the magazine became the cultural force it is today. One of only seven editors in chief in American Vogue’s history, Jessica Daves has remained one of fashion’s most enigmatic figures. Diana Vreeland’s direct predecessor in the role, it is Daves who first catapulted the magazine into modernity. A testament to a changing America on every level, Daves’s Vogue was the first to embrace a “high/low” blend of fashion in its pages and to introduce world-renowned artists, literary greats, and cultural icons into every issue, offering the reader a complete vision of how design, interiors, architecture, entertaining, art, literature, and culture all connected and contributed to refining and defining taste and personal style. Daves profiled icons of American style, from John and Jackie Kennedy to Charles and Ray Eames, alongside Dior, Chanel, Givenchy, and Balenciaga creations. Organized in multifaceted, thematic chapters, 1950s in Vogue features carefully curated photographs, illustrations, and page spreads from the Vogue archives (with iconic images as well as lesser-known wonders), and unpublished photographs and letters from Jessica Daves’s personal archives. Revealing a fascinating and hitherto little-explored moment in Vogue history, 1950s in Vogue is a must-have reference for lovers of fashion, photography, and style.

Consists of 73 articles and added items exclusively for this edition.