Afrofuturism, a movement that began in the Black community during the early 20th Century as an escape from racial hostility, economic turmoil, and aggressive policing, is enjoying a renaissance witnessed by the record-breaking success of creative projects, including the Oscar-winning Marvel Studios film, Black Panther; Regina King’s Emmy-winning HBO superhero tale, Watchmen; Janelle Monae’s hit album, Dirty Computer; Jordan Peele’s provocative feature Get Out; Octavia Butler’s famed science fiction novel, Kindred; and Beyonce’s visual album Black Is King. Now comes Afrofuturist Tim Fielder’s beautifully written and rendered INFINITUM. In INFINITUM, King Aja Ọba and Queen Lewa are revered across the African continent for their impressive political and military skills. Yet the future of their kingdom is in jeopardy, for the royal couple do not have an heir of their own. When the King kidnaps his son born to a concubine, Obinrin, she curses Ọba with the “gift” of immortality. After enjoying long, wonderful lives both, Queen Lewa and the crown prince die naturally, leaving the ageless bereaved King Ọba heartbroken and alone. Taking advantage of Ọba’s vulnerability, enemy nations rise to power and kill the king – or so they think. King Aja Ọba survives the fatal attack, finally realizing the bitter fruit of Obinrin’s curse. For millennia, the immortal Ọba wanders the earth, mourning his lost subjects and searching for a new kingdom. His journey leads him across time, allowing him to witness the trans-Atlantic slave trade, the New World, and the American Civil Rights Movement. The expansion of global technology brings about intergalactic travel, first contact with an alien species, and conflicts within and ultimately outside the known universe. Thrust into these seminal events, Ọba, now known by many as “John,” faces harrowing decisions that will determine mankind’s physical and spiritual trajectory. In 280 plus stunningly emotional and evocative full-color images, INFINITUM presents a unique cosmic experience, addressing issues of racism, classism, gender inequity, the encroachment of technology and the spiritual cost of war, while exposing the history behind ancient mysteries.

High-stakes politics and a stolen thermonuclear warhead are only the beginning for one CIA agent. Robert Gray, sent in on a deadly mission to disarm a terrorist group plotting Armageddon, falls prey to a nuclear deathtrap. But death is not an option. Instead, Robert finds himself explicably traveling through time, and he soon discovers that he is being pursued by a much more powerful traveler. He must now discover the secret behind his own traveling, and he must learn the hidden motives of his indomitable pursuer. This time, the truth will either kill him or set him free.

In this first thrilling installment of Gookenschleim's Beanum Infinitum series, Gookenschleim attempts to find a happy median between eloquent prose and absurdity. The eighteen pages that follow are his attempt to demonstrate just how excruciatingly ambitious even the silliest of stories can be. After all, his main character is a talking pinto bean. All that's left is a bean burrito monster in search of talking pinto beans to devour; oh wait, there's one in here too.

The Latin language has been the one constant in the cultural history of the West for more than two millennia. It has been the foundation of our education, and has defined the way in which we express our thoughts, our faith, and our knowledge of how the world functions. Indeed, the language has proved far more enduring than its empire in Rome, its use echoing on in the law codes of half the world, in the terminologies of modern science, and until forty years ago, in the liturgy of the Catholic Church. It is the unseen substance that makes us members of the Western world. In his erudite and entertaining "biography," Nicholas Ostler shows how and why (against the odds, through conquest from within and without) Latin survived and thrived even as its creators and other languages failed. Originally the dialect of Rome and its surrounds, Latin supplanted its neighbors to become, by conquest and settlement, the language of all Italy, and then of Western Europe and North Africa. Its cultural creep toward Greek in the East led it to copy and then ally with it in an unprecedented, but invincible combination: Greek theory and Roman practice, delivered through Latin, became the foundation of Western civilization. Christianity, a latecomer, then joined the alliance, and became vital to Latin's survival when the empire collapsed. Spoken Latin re-emerged as a host of new languages, from Portuguese and Spanish in the west to Romanian in the east. But a knowledge of Latin lived on as the common code of European thought, and inspired the founders of Europe's New World in the Americas. E pluribus unum. Illuminating the extravaganza of its past, Nicholas Ostler makes clear that, in a thousand echoes, Latin lives on, ad infinitum.

Infinitism is an ancient view in epistemology about the structure of knowledge and epistemic justification, according to which there are no foundational reasons for belief. The view has never been popular, and is often associated with skepticism, but after languishing for centuries it has recently begun a resurgence. Ad Infinitum presents new work on the topic by leading epistemologists. They shed new light on infinitism's distinctive strengths and weaknesses, and address questions, new and old, about its account of justification, reasoning, epistemic responsibility, disagreement, and trust, among other important issues. The volume clarifies the relationship between infinitism and other epistemological views, such as skepticism, coherentism, foundationalism and contextualism, and it offers novel perspectives on the metaphysics, epistemology, and ethics of regresses and reasons.

Tom is a hard working detective, with a passion for art. On yet another exhaustive day at work, he encounters an intriguing case of theft assigned to his partner. Tom starts to work on the case alongside his partner, putting themselves through a series of time travel investigations. Little does Tom know about the horrific events that are about to unfold.

An original and insightful account of nature and our place in it from one of France’s preeminent historians of philosophy. One of France’s preeminent historians of philosophy, Marcel Conche has written and translated more than thirty-five books and is recognized for his groundbreaking and authoritative work in Greek philosophy, as well as on Montaigne. In Philosophizing ad Infinitum, one of his most remarkable and daring books, Conche articulates a unique and powerful understanding of nature, inclusive of humanity, as infinite in time and space—ever self-renewing, eternal, and beyond complete understanding or control. In today’s world the notion of infinity is at the core of the crisis humanity faces understanding nature. For the last two hundred years economies have been running at full speed, fueled by the implicit belief that natural resources are infinite; however, it is clear that they are not and that humanity needs to radically rethink the foundations of environmental and economic systems. Conche seeks to begin this rethinking, illustrating along the way insightful and sometimes unorthodox ideas about Plato, Aristotle, Epicurus, Montaigne, Nietzsche, Bergson, and others. “Philosophizing ad Infinitum: this book paints a perfect picture of the life of Marcel Conche, a natural-born philosopher. His aptitude to question absolutely everything drove him to the pre-Socratics, even at an early age, in his relentless quest for the truth. With Montaigne, the thinker to whom he feels most akin, Marcel Conche stands tall as an exceptional figure in contemporary French philosophy, renewing and enriching a great philosophical tradition.” — Françoise Dastur, University of Nice Sophia Antipolis