In this precious poetic autobiography, Gabriella Bianco not only tells the final hour of an existencethat of her son Robert Steve but also the loss of a great love, in a world full of absences. Gabriella Bianco challenges her destiny, inviting us to the caducity of all that surrounds usfeelings, love, life and even the most precious gift, a son. In the loving relation not only with language and poetry, but also with the drama of life, Bianco needs to reveal a secrether sons deathand share it with her sons father, as a moral and absolute duty. From the point of view of the truth and the death of a child, this text is sacred, although, refusing to take the place of the victim under the circumstances, Bianco knowslike all tragic heroes that nothing different would have been possible with her destiny. This valuable literary narration reaches a deeply dramatic effect, as it is so painfully connected to a vital experience. The story always speaks about love, charging this word with immense emotion, whispering words in their agonizing beauty. Bianco tells us what she knows about herself and about the facts, digging in her own soul, with perplexity and nostalgia. In this story, the past is a split mirror, where nothing turned out to be the same. Here the theme of love has the marks of time and renunciation, the mark of destiny. In this narration, Bianco reaches a balance of great beauty, between said and unspoken words, between suggested and explicit thoughts, in a great richness of nuances, when the text turns unstable, facing the emotions stirred up by this testimony.

Renowned science writers John and Mary Gribbin team up with one of the most historic scientific sites in the world--the Royal Observatory, Greenwich--to take readers on a stunning visual tour of the universe. This riveting journey moves from our home planet outwards to the Moon, Sun, Inner and Outer Solar Systems, Milky Way, and other galaxies. Not only do the Gribbins discuss the always-intriguing topic of alien life, but they divulge little-known facts (Venus is the only planet in our solar system to rotate backwards), as well as all the basics beginning armchair astronomers need to know. Dramatic four-color photographs complement the informative text, giving readers a sense of what it might be like to be an astronaut...and go where no one has gone before.

The most important and known world faith traditions of humankind have similar spiritual values and share many aspects of belief, culture, and ritual. In Infinity, author Minerva speaks to those who understand the importance of oneness and unity despite the diversity in spiritual beliefs. The reverence for the infinite, the universal God of your heart, the wanting and promoting the need for collective unity, love, peace, and respect for life is across the foundation and the shared belief of all religions. Based on her personal experiences and spiritual journey, she offers inspiring twirls of rhyme, invocations, magical prayers, positive verses, devotional hymns, and everyday common positive mindfulness remedies that will strengthen your mind and soul. Infinity has the power to transform the mundane into a fantastic realm, a powerful instrument that aims to express feelings, transforming powerful emotions into moving noble actions and to create healthy minds and balanced emotions. Minerva gives valuable and practical guidance to help you navigate the complex and often confusing terrain of your inner journey. By following her advice, you may find greater clarity, peace, and fulfilment in your quest for spiritual truth.

Over 120 delightful pen-and-ink illustrations by the author add another dimension of good-natured charm to these wide-ranging explorations. A mind-expanding volume for the layman and the science-minded.

Most scholars would agree that there is an epochal threshold between the world of the Middle Ages and the modern world. Agreement on the nature and dynamic structure of that threshold is harder to come by. Hans Blumenberg's original and compelling account of the transition from medieval to modern, given in his 1966 work The Legitimacy of the Modern Age, has received wide attention. Elizabeth Brient begins her own account of the transition with an extensive, critical assessment of central aspects of Blumenberg's work. She elucidates his "dialogical" method of historical explanation, then discusses the shortcomings of his defense of the "legitimacy" of modernity. The transition to the modern world is marked by the process of making infinite the finite medieval cosmos. Whereas Blumenberg focused on the spatial infinitization of the universe, Brient claims that the process must be understood intensively as well as extensively. In the now-infinite universe of the new science, the problem of finding a measure for man's self-assertive activity, and for human knowledge, comes to the fore. The second half of the book focuses on the way in which this difficulty is addressed with conceptual resources developed in the tradition of late medieval Neoplatonism, in particular in the speculative thought of Meister Eckart and Nicholas of Cusa. Specific attention is given to the way in which Cusanus' notion of the immanence of the infinite in the finite responds to the need for a regulative ideal for human knowing. This is the first book-length treatment of Blumenberg to appear in English and will be a most welcome resource for readers engaged by debates concerning the status of modernity. It will be of equal interest to students of Eckhart and Cusanus, and to those generally concerned with the transition between the medieval and the modern world. ABOUT THE AUTHOR: Elizabeth Brient is Assistant Professor of philosophy at The University of Georgia. PRAISE FOR THE BOOK: "Blumenberg could not have wished for a more reverent critique of his achievements or a more exacting textual exegesis regarding the sources of their philosophical content, all written in a lucid style that is forthright in the defense of the depth of thought during the Middle Ages but also pleasing in its subtle irony with respect to Blumenberg's and the author's own metaphysical creed."- Walter F. Veit, Speculum "Brient's analysis of Blumenberg's philosophy sheds significant light in the debate concerning modernity. . . ." --Albrecht Classen, University of Arizona, German Studies Review

Reproduction of the original: Science and the Infinite by Sydney T. Klein