"The 43 innovative fictions in Infinite Constellations showcase the voices and visions of 30 remarkable writers, both new and established, from the global majority: Native American/First Nation writers, South Asian writers, East Asian writers, Black American writers, Latinx writers, and Caribbean and Middle Eastern writers. These are visions both familiar and strange, but always rooted in the mystery of human relationships, the deep honoring of memory, and the rootedness to place and the centering of culture"--

An occurrence is explained by being related to prior events through known laws. Other intellectual activities may also constitute explanation - but this much certainly does. Ideally, an explained occurrence (0) could have been predicted in a connected way - by extrapolation from prior events (e) via the same laws (L). Schematically, 1 Explanation: 0 -Lt, 2, 3-(e e e )'-AI t 2 3 01 Prediction: (e e e )I-L , 2, 3_ +.11 t 2 3 t Thus Mars' backward loop in late summer, 1956, is explained by showing how this follows from (e ) its mean distance from sun and earth, (e ) its t 2 mean period of revolution, (e ) its past positions relative to earth, etc. 3 - by way of the laws of Celestial Mechanics (including (Lt) Kepler's Laws and Galileo's, (L2) Newton's, and (L3) those of Laplace and Lagrange. Moreover, this loop (0) could have been predicted from such events (e -e ) via the laws of Celestial Mechanics. t 3 This is an ideal situation. It crystallized late in the history of planetary theory. The Greeks found explanations for heavenly motions: the back ward loops were explained to their satisfaction. But they could not predict these motions, not in terms of Attic explanatory cosmologies.

Unifying information theory and digital communication through the language of lattice codes, this book provides a detailed overview for students, researchers and industry practitioners. It covers classical work by leading researchers in the field of lattice codes and complementary work on dithered quantization and infinite constellations, and then introduces the more recent results on 'algebraic binning' for side-information problems, and linear/lattice codes for networks. It shows how high dimensional lattice codes can close the gap to the optimal information theoretic solution, including the characterisation of error exponents. The solutions presented are based on lattice codes, and are therefore close to practical implementations, with many advanced setups and techniques, such as shaping, entropy-coding, side-information and multi-terminal systems. Moreover, some of the network setups shown demonstrate how lattice codes are potentially more efficient than traditional random-coding solutions, for instance when generalising the framework to Gaussian networks.

Performance Constellations maps transnational protest movements and the dynamics of networked expressive behavior in the streets and online, as people struggle to be heard and effect long-term social justice. Its case studies explore collective political action in Latin America, including the Zapatistas in the mid-’90s, protests during the 2001 Argentine economic crisis, the 2011 Chilean student movement, the 2014–2015 mobilizations for the disappeared Ayotzinapa students, and the 2018 transnational reproductive rights movement. The book analyzes uses of space, time, media communication, and corporeality in protests such as virtual sit-ins, flash mobs, scarfazos, and hashtag campaigns, arguing that these protests not only challenge hegemonic power but are also socially transformative. While other studies have focused either on digital activism or on street protests, Performance Constellations shows that they are in fact integrally entwined. Zooming in on protest movements and art-activism in Mexico, Argentina, and Chile, and putting contemporary insurgent actions in dialogue with their historical precedents, the book demonstrates how, even in moments of extreme duress, social actors in Latin America have taken up public and virtual space to intervene politically and to contest dominant powers.

About the book: Interpretations or judgements are never honest. We never purely express the things we feel directly from our heart. We never appreciate the things we like yet always criticise the things we object to. This may be called as the human psyche. We, as humans may be unwilling to boost others future or progress by openly favouring them while we are always ready to bring down others confidence by consistently nagging them. This is where we try to judge people. We all have our own assessment of the people we meet daily. We all have their respective subconscious images sketched into our brains. And when the time comes to judge their actions, this analysis comes to the rescue. Stars confront the moon, In undying pulchritude - Hoping to meet soon, In the sea of solitude - Bereft of disquietude..

This book provides a new critical reappraisal of the work of modernist writer and artist Mina Loy. Primarily known for her daring and difficult poems, Loy was also the author of a dazzling variety of other literary and visual artworks in different genres and media. My reading demonstrates the richness and complexity of her work beyond the more often-explored path from Futurism to Dada to Surrealism, emphasizing the importance of her perpetual travel between disparate aesthetics. Engaging in a close analysis of her poetry, essays, manifestoes, and novel Insel, I unearth a multiplicity of hidden literary and pictorial intertexts in her works. Tracing the origins of Loy’s often puzzling imagery, I examine the complex strategies of collage, condensation, distortion, and displacement through which she conflates multiple allusions in enigmatic constellations. I challenge T.S. Eliot’s claim that Loy lacks an œuvre, claiming that there is an aesthetic project, or at least a paradoxical unity in her famously fragmented work. I show how her writings critically engage with the turbulence of avant-garde innovation of her time, pinpointing the essential ephemerality of the avant-gardes and their tendency to become dogmatic ideologies. Through a perpetual shift of the aesthetic paradigm, Loy’s work creates dialogic exchanges between different experimental aesthetic programs. Thus, the book positions Loy not only as an important artist, but also as a major theorist of modernist and avant-garde aesthetics.