What if there is no strong evidence that God exists? Is belief in God when faced with a lack of evidence illegitimate and improper? Evidentialism answers yes. According to Evidentialism, it is impermissible to believe any proposition lacking adequate evidence. And if any thesis enjoys the status of a dogma among philosophers, it is Evidentialism. Presenting a direct challenge to Evidentialism are pragmatic arguments for theism, which are designed to support belief in the absence of adequate evidence. Pascal's Wager is the most prominent theistic pragmatic argument, and issues in epistemology, the ethics of belief, and decision theory, as well as philosophical theology, all intersect at the Wager. Other prominent theistic pragmatic arguments include William James's celebrated essay, 'The Will to Believe'; a posthumously published and largely ignored pragmatic argument authored by J.S. Mill, supporting the propriety of hoping that quasi-theism is true; the eighteenth-century Scottish essayist James Beattie's argument that the consoling benefit of theistic belief is so great that theistic belief is permissible even when one thinks that the existence of God is less likely than not; and an argument championed by the nineteenth-century French philosopher Jules Lachelier, which based its case for theistic belief on the empirical benefits of believing as a theist, even if theism was very probably false. In Pascal's Wager: Pragmatic Arguments and Belief in God, Jeff Jordan explores various theistic pragmatic arguments, and the objections employed against them. Jordan presents a new version of the Wager, what he calls the 'Jamesian Wager', and argues that the Jamesian Wager survives the objections hurled against theistic pragmatic arguments and provides strong support for theistic belief. In addition to arguing for a sound version of the Wager, Jordan also argues that there is a version of Evidentialism compatible with a principled use of pragmatic arguments, and that the Argument from Divine Silence fails. Objections found in Voltaire, Hume, and Nietzsche against the Wager are scrutinized, as are objections issued by Richard Swinburne, Richard Gale, and other contemporary philosophers. The ethics of belief, the many-gods objection, the problem of infinite utilities, and the propriety of a hope based acceptance are also examined.

Performative theatre is one of the most important trends of our time. It is emblematic of the work of many European theatrical artists in the early twenty-first century. Annamaria Cascetta does not propose a model or a historical overview, but rather strives to identify the salient features of a significant trend in the theatrical research and transformation of our time by analysing some crucial examples from outstanding works, of great international resonance. She draws on work by artists from different generations, all active between the late twentieth century and the first decades of the twenty-first, and in various European countries, performed in a number of European theatres in recent years. The aim is to apply a method of analysis in depth, bringing out the technical elements of contemporary "performative theatre" in the field, and above all to highlight the close links between it and the urgent and troubled issues and problems of history and society in the phase of cultural and anthropological transition we are experiencing.

Infinity, Faith, and Time is an exploration of Renaissance literature and the importance of a powerful tradition of Christian-Platonist rational spirituality derived from St Augustine and Nicholas of Cusa. John Spencer Hill argues that this tradition had

In A Philosophy of the Unsayable, William Franke argues that the encounter with what exceeds speech has become the crucial philosophical issue of our time. He proposes an original philosophy pivoting on analysis of the limits of language. The book also offers readings of literary texts as poetically performing the philosophical principles it expounds. Franke engages with philosophical theologies and philosophies of religion in the debate over negative theology and shows how apophaticism infiltrates the thinking even of those who attempt to deny or delimit it. In six cohesive essays, Franke explores fundamental aspects of unsayability. In the first and third essays, his philosophical argument is carried through with acute attention to modes of unsayability that are revealed best by literary works, particularly by negativities of poetic language in the oeuvres of Paul Celan and Edmond Jabès. Franke engages in critical discussion of apophatic currents of philosophy both ancient and modern, focusing on Hegel and French post-Hegelianism in his second essay and on Neoplatonism in his fourth essay. He treats Neoplatonic apophatics especially as found in Damascius and as illuminated by postmodern thought, particularly Jean-Luc Nancy’s deconstruction of Christianity. In the last two essays, Franke treats the tension between two contemporary approaches to philosophy of religion—Radical Orthodoxy and radically secular or Death-of-God theologies. A Philosophy of the Unsayable will interest scholars and students of philosophy, literature, religion, and the humanities. This book develops Franke's explicit theory of unsayability, which is informed by his long-standing engagement with major representatives of apophatic thought in the Western tradition.

"Philosophy of Religion is a combined anthology and guide intended for use as a textbook in courses on Philosophy of Religion. It aims to bring to the student the very best of cutting-edge work on important topics in the field. Presenting a sympathetic view of the topics it treats, Philosophy of Religion provides an ideal resource for studying the central questions raised by religious belief."--

Seeks to answer a question that has puzzled readers since the Pensees -- a work conceived principally as an Apology for the Christian Religion -- first appeared in 1670: To whom is Pascal's call to Christian conversion really addressed?