A fierce, searing response to the chaos of the war on terror—an utterly original and blackly comic debut In the early years of the Iraq War, a severely burned boy appears on a remote rock formation in the Akkad Valley. A shadowy, powerful group within the U.S. government speculates: Who is he? Where did he come from? And, crucially, what does he know? In pursuit of that information, an interrogator is summoned from his prison cell, and a hideous and forgotten apparatus of torture, which extracts "perfect confessions," is retrieved from the vaults. Over the course of four days, a cavalcade of voices rises up from the Akkad boy, each one striving to tell his or her own story. Some of these voices are familiar: Osama bin Laden, L. Paul Bremer, Condoleezza Rice, Mark Zuckerberg. Others are less so. But each one has a role in the world shaped by the war on terror. Each wants to tell us: This is the world as it exists in our innermost selves. This is what has been and what might be. This is The Infernal.

A dark god rises, and a queen to meet him... As librarian in the most gorgeous library in the world, I'm living my book nerd dreams. The hallowed halls are my haven, until the specter of a dark god begins to haunt my days and nights. When he kidnaps me, the lethally beautiful god gains a name: Hades. That should make me Persephone, but I'm no goddess. I barely have any magic. So why does he want me? The mystery deepens at his fortress, where I must learn my neglected magic. I'll do whatever it takes to foil his deadly plans and escape, including seducing the brooding dark god. But there's more to him than I realized. More to us. Despite the cracks that I put in his armor, he still wants me for a darker purpose--something that would bring about the end of the world. It's up to me to stop him. And maybe, to save him.

Repairman Jack and his brother Tom go on a wild treasure hunt that sends them to a desolate wreck off the coast of Bermuda.

In a world that's blacker than a demon's soul, only darkness can drive out darkness... Name's Ethan Drake: cop, vigilante, and bearer of more darkness than any single soul should possess. My partner's a demon, which ain't exactly the easiest thing to work with, if you know what I mean. But beggars can't be choosers, and when you're knee-deep in occult cases, you take what you can get. And we just caught a whiff of something rotten - real rotten. Seems some creepazoid's snatching bodies to bring forth something so nasty, it could make Satan himself retch. Not like I care about humanity's fate, but somebody's gotta stop this thing, right? Of course, it doesn't help that a demon has decided it wants to ride shotgun in my body, while the brass is breathing down my neck over some punk who deserved what he got. Oh, and I'm trying to solve the murders of my ex-wife and kid, too. And did I mention the Hellicorn with the sassiest mouth this side of Hell? Let's just say, that thing threatening humanity's future? I might just give it a helping hand... If Harry Bosch and John Constantine had a love child, it'd be this pulse-pounding, urban fantasy noir. Immerse yourself in a world of noir-ish mystery, urban fantasy, and action with the first book in the ETHAN DRAKE SERIES. Don't miss out on the thrills - get your copy now!

Includes a new, previously unpublished short story — "A Very Bad Day in Hell" Hell is a city. Forget the old-fashioned sulphurous pit you may have read about. Over the millennia, Hell has evolved into a bustling metropolis with looming skyscrapers, crowded streets, systemized evil, and atrocity as the status quo. Cassie thought she knew all about Hell. But when her twin sister, Lissa, committed suicide, Cassie found that she was able to travel to the real thing—the city itself. Now, even though she's still alive, Cassie is heading straight to Hell to find Lissa. And the sights she sees as she walks among the damned will never be in any tourist guidebook.

Lars Schoultz offers a comprehensive chronicle of U.S. policy toward the Cuban Revolution. Using a rich array of documents and firsthand interviews with U.S. and Cuban officials, he tells the story of the attempts and failures of ten U.S. administrations to end the Cuban Revolution. He concludes that despite the overwhelming advantage in size and power that the United States enjoys over its neighbor, the Cubans' historical insistence on their right to self-determination has been a constant thorn in the side of American administrations, influenced both U.S. domestic politics and foreign policy on a much larger stage, and resulted in a freeze in diplomatic relations of unprecedented longevity.

"A mesmerizing study of books by despots great and small, from the familiar to the largely unknown." —The Washington Post A darkly humorous tour of "dictator literature" in the twentieth century, featuring the soul-killing prose and poetry of Hitler, Mao, and many more, which shows how books have sometimes shaped the world for the worse Since the days of the Roman Empire dictators have written books. But in the twentieth-century despots enjoyed unprecedented print runs to (literally) captive audiences. The titans of the genre—Stalin, Mussolini, and Khomeini among them—produced theoretical works, spiritual manifestos, poetry, memoirs, and even the occasional romance novel and established a literary tradition of boundless tedium that continues to this day. How did the production of literature become central to the running of regimes? What do these books reveal about the dictatorial soul? And how can books and literacy, most often viewed as inherently positive, cause immense and lasting harm? Putting daunting research to revelatory use, Daniel Kalder asks and brilliantly answers these questions. Marshalled upon the beleaguered shelves of The Infernal Library are the books and commissioned works of the century’s most notorious figures. Their words led to the deaths of millions. Their conviction in the significance of their own thoughts brooked no argument. It is perhaps no wonder then, as Kalder argues, that many dictators began their careers as writers.