The doctrinal and structural revolution currently underway in the Roman Catholic Church is alarming for several reasons, not least because of the arbitrary nature of its imposition and the absence of resistance it has encountered. The reluctance of many to challenge the authority of the pope, tied to the increasing personal veneration by the faithful of each successive incumbent of the Holy See, is arguably a symptom of unresolved unclarity surrounding the nature of authority in the Church dating back to the First Vatican Council. In Infallibility, Integrity and Obedience, John Rist unflinchingly exposes the developments that have bred this crisis of understanding - and the resulting rejection of tradition in the papal agenda - over the past hundred and fifty years. Reserving particular attention for the Roman Catholic dilemmas, political and theological, of the 1930s, the mid-twentieth-century debates on reproductive technology, and the advent of 'celebrity autocracy', he shows how a misapprehension of the nature and definition of papal infallibility is at the root of the major issues facing the Church today. Most importantly, he proposes how the conciliar and individual decisions that have led to the current situation might be reversed, and how the proper role of the Pope can be reclaimed for the good of the Church.

The doctrinal and structural revolution currently underway in the Roman Catholic Church is alarming for several reasons, not least because of the arbitrary nature of its imposition and the absence of resistance it has encountered. The reluctance of many to challenge the authority of the pope, tied to the increasing personal veneration by the faithful of each successive incumbent of the Holy See, is arguably a symptom of unresolved unclarity surrounding the nature of authority in the Church dating back to the First Vatican Council. In Infallibility, Integrity and Obedience, John Rist unflinchingly exposes the developments that have bred this crisis of understanding - and the resulting rejection of tradition in the papal agenda - over the past hundred and fifty years. Reserving particular attention for the Roman Catholic dilemmas, political and theological, of the 1930s, the mid-twentieth-century debates on reproductive technology, and the advent of ‘celebrity autocracy’, he shows how a misapprehension of the nature and definition of papal infallibility is at the root of the major issues facing the Church today. Most importantly, he proposes how the conciliar and individual decisions that have led to the current situation might be reversed, and how the proper role of the Pope can be reclaimed for the good of the Church.

Few books in theology have faced the twentieth century with all its horrors and yet revoiced the redemptive Christian antidote as convincingly as Joseph Ratzinger's 1968 masterpiece, Introduction to Christianity. In Gift to Church and World, John Cavadini and Donald Wallenfang present papers from the conference held at the University of Notre Dame to celebrate the fiftieth anniversary of this classic book's publication and, through it, Ratzinger's lasting influence on the world of Christian theology. Bishops, priests, and lay men and women set their hands to 'the trowel of tribute,' honoring the legacy of Joseph Ratzinger and the pivotal role he has played in the recent history of the Catholic Church. Covering Ratzinger's work on fundamental theology, philosophical theology, dogmatic theology, spiritual theology, and pedagogy, the essays gathered here shed new light on Ratzinger's theological genius. Throughout, the authors return to his compelling expression of the divine call to reawaken to our true identity as beloved children of God. Altogether, readers will deepen their appreciation and understanding of the theological contributions of Joseph Ratzinger, and his continued relevance to mission and evangelisation today.

Modernism and Authority presents a provocative new take on the early paintings of Pablo Picasso and the writings of Guillaume Apollinaire. Charles Palermo argues that references to theology and traditional Christian iconography in the works of Picasso and Apollinaire are not mere symbolic gestures; rather, they are complex responses to the symbolist art and poetry of figures important to them, including Paul Gauguin, Charles Morice, and Santiago Rusi–ol. The young Picasso and his contemporaries experienced the challenges of modernity as an attempt to reflect on the lost relation to authority. For the symbolists, art held authority by revealing something compellingÑsomething to which audiences must respond lest they lose claim to their own moral authority. Instead of the total transformation of the reader or viewer that symbolist creators envision, Picasso and Apollinaire imagine a divided self, responding only partially or ambivalently to the work of artÕs call. Navigating these problems of symbolist art and poetry entails considering the nature of the work of art and of oneÕs response to it, the modern subjectÕs place in history, and the relevance of historical truth to our methodological choices in the present.