A new commentary for today's world, The Story of God Bible Commentary explains and illuminates each passage of Scripture in light of the Bible's grand story. The first commentary series to do so, SGBC offers a clear and compelling exposition of biblical texts, guiding everyday readers in how to creatively and faithfully live out the Bible in their own contexts. Its story-centric approach is ideal for pastors, students, Sunday school teachers, and laypeople alike. Each volume employs three main, easy-to-use sections designed to help readers live out God's story: LISTEN to the Story: Includes complete NIV text with references to other texts at work in each passage, encouraging the reader to hear it within the Bible's grand story. EXPLAIN the Story: Explores and illuminates each text as embedded in its canonical and historical setting. LIVE the Story: Reflects on how each text can be lived today and includes contemporary stories and illustrations to aid preachers, teachers, and students. —Ruth, Esther— The book of Ruth presents a compelling account of how most of us experience God in our everyday lives. We see God working indirectly behind the scenes, giving us a theology of divine and human cooperation, as those who pray for God’s blessings participate in answering their own petitions as well as the prayers of others. In Esther’s story, we recognize our own world today, often experiencing it as a place where God seems hidden. Her book challenges us in unique ways. Edited by Scot McKnight and Tremper Longman III, and written by a number of top-notch theologians, The Story of God Bible Commentary series will bring relevant, balanced, and clear-minded theological insight to any biblical education or ministry.

In the Judeo-Christian tradition, the deity Yahweh is often portrayed as an old man. One of the epithets used of Yahweh in the Hebrew Bible, the Ancient of Days, is a source for this depiction of God as elderly. However, when we look closely at the early traditions of biblical Israel, we see a different picture: God is relatively youthful, a warrior who defends his people. This book is an examination of the question How did God become old? To answer this question, Bembry examines the way that aging and elderly human beings are portrayed in the Hebrew Bible. Then he makes a similar foray into the texts written in Ugaritic (a language quite close to ancient Hebrew), which provide a window into the ancient culture just north of Israel during the Late Bronze Age. He finds that Israel’s God shared attributes with the Ugaritic deities Baal and El. One prominent aspect of the similar attributes was that Yahweh’s depiction as a youthful warrior paralleled the way Baal was portrayed. The transformation from young deity to Ancient of Days took place at the intersection of two trajectories in the traditions of Israel. One trajectory is reflected in the way that apocalyptic traditions found in the book of Daniel recast the old Canaanite mythic imagery seen in the Ugaritic and early biblical texts. This trajectory allows Yahweh to take on qualities, such as old age, that were not associated with him during most of Israel’s history but were associated with El in the Canaanite traditions. The second trajectory, a depiction of Israel’s God as elderly, is connected with the development of the idea of Yahweh as father. The more comfortable the biblical tradents became with portraying Yahweh as a father—a metaphor that was not embraced in the early traditions—the easier it became for the people of Israel to think of Yahweh as occupying a stage of the human life cycle. These two trajectories came together in the 2nd century B.C.E., the chronological backdrop for Daniel 7, and found expression in a new epithet for Yahweh: Ancient of Days.

Since Indiana joined the Union in 1816, residents and visitors alike have pondered the essential question: "What is a Hoosier?" The final answer may never be determined, but there are, at least, ways to understand the Hoosier character. It was African American pilots taking a stand for equal rights. It was a speech by a presidential candidate that helped keep peace on a tragic night. It was the triumph and near tragedy involving a Mercury Seven astronaut. And it was a sacrifice that ensured a crucial American victory in the Pacific during World War II. As Kurt Vonnegut once said, "I don't know what it is about Hoosiers, but wherever you go there is always a Hoosier doing something very important there." Award-winning biographer Ray E. Boomhower tells us why.

This lecture by Mott, delivered 17 December 1849, was in response to one by an unidentified lecturer criticizing the demand for equal rights for women. She makes a very gentle appeal, here, for women's enfranchisement, placing emphasis, instead on the injustices done to women in marriage.

The monograph produces a new interpretation of the opening chapter of 1 Samuel by combining several hermeneutical models, including the theory of chaotic (dynamically unstable) systems and the most recent, essentially post-modern, form criticism, to produce a new interpretation of the opening chapters of 1 Samuel. It argues that 1 Samuel 1-8 is an integral literary unit whose stance on such pivotal issues as monarchy and cultic centralization poorly agrees with that of the balance of Deuteronomy - Kings. In the diachronic perspective, this unit can be construed as a post-Deuteronomistic redactional interpolation polemically directed against several planks of the Deuteronomic/Deuteronomistic agenda. In the synchronic perspective, the pattern of relationship between 1 Samuel 1-8 and the balance of Genesis - Kings calls for a non-linear, multi-dimensional reading of the corpus. Both interpretational trajectories lead to the conclusion that the thrust of the Former Prophets in its final form is controlled to a considerable extent by non-Deuteronomistic elements.

Annotation After a general discussion of methods and approaches, Walls explores the construction of desire in the Gilgamesh Epic; a Freudian analysis of Horus and Seth; and sex, power, and violence in Nergal and Ereshkigal. Annotation c. Book News, Inc., Portland, OR (booknews.com).