A coffee-table book.

The pottery of Mohenjo-dara, one of the two major urban centers of the Indus Valley civilization (2500-2000 B.C.) is described and documented. The authors survey Harappan ceramic technology and style, and develop an important and unique approach to vessel form analysis and terminology. Included is Leslie Alcock's account of the pottery from the 1950 excavations by Sir Mortimer Wheeler. University Museum Monograph, 53

This work is a revealing study of the enigmatic Indus civilization and how a rich repertoire of archaeological tools is being used to probe its puzzles. The Ancient Indus Valley: New Perspectives takes readers back to a civilization as complex as its contemporaries in Mesopotamia and Egypt, one that covered a far larger region, yet lasted a much briefer time (less than a millennium) and left few visible traces. Researchers have tentatively reconstructed a model of Indus life based on limited material remains and despite its virtually indecipherable written record. This volume describes what is known about the roots of Indus civilization in farming culture, as well as its far-flung trading network, sophisticated crafts and architecture, and surprisingly war-free way of life. Readers will get a glimpse of both a remarkable piece of the past and the extraordinary methods that have brought it back to life.

WINNER OF THE BANCROFT PRIZE • A Pulitzer Prize finalist that's as unsettling as it is enlightening: a book that brilliantly weaves together the story of cotton with how the present global world came to exist. “Masterly … An astonishing achievement.” —The New York Times The empire of cotton was, from the beginning, a fulcrum of constant global struggle between slaves and planters, merchants and statesmen, workers and factory owners. Sven Beckert makes clear how these forces ushered in the world of modern capitalism, including the vast wealth and disturbing inequalities that are with us today. In a remarkably brief period, European entrepreneurs and powerful politicians recast the world’s most significant manufacturing industry, combining imperial expansion and slave labor with new machines and wage workers to make and remake global capitalism.

This book is a thorough ethnographic field research conducted over a period of twenty years. It delves into the variations of art fostered in the Hunza Valley, from0woodwork to embroidery, by taking into account the geographical and historical0links to Central Asia and Kashmir, hence, exploring the amalgamation of cultures that enrich the work. The author?s interviews of master craftspeople, who are on the verge of disappearing, along with the correct indigenous terminology, help enhance the distinct cultures of that region.

"Already in Greek and Roman antiquity a vibrant series of exchange relationships existed between the Mediterranean regions and China, including the Indian subcontinents along well-defined routes we call the Silk Roads. Among the many goods that found their way from East to West and vice versa were glass, wine, spices, metals like iron, precious stones as well as textile raw materials and fabrics and silk, a luxury item that was in great demand in the Roman Empire. These collected papers connect research from different areas and disciplines dealing with exchange along the Silk Roads. These historical, philological and archaeological contributions highlight silk as a commodity, gift and tribute, and as a status symbol in varying cultural and chronological contexts between East and West, including technological aspects of silk production. The main period concerns Rome and China in antiquity, ending in the late fifth century CE, with the Roman Empire being transformed into the Byzantine Empire, while the Chinese chronology covers the Han dynasty, the Three Kingdoms, the Western and Eastern Jin and Sixteen Kingdoms, ending in 420 CE. In addition, both earlier and later epochs are also considered in order to gather an understanding of developments and changes in long-distance and longer-term relations that involved silk."