Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."

“Pathbreaking. Approaches the transcultural and religious encounters of Korean and American women with a remarkable degree of sensitivity and nuance, as well as with judicious use of feminist and postcolonial theory. Its rich and diverse historical examples and illustrations are both engaging to read and meticulously documented.”—Namhee Lee, UCLA

South Korea in the 1950s was home to a burgeoning film culture, one of the many “Golden Age cinemas” that flourished in Asia during the postwar years. Cold War Cosmopolitanism offers a transnational cultural history of South Korean film style in this period, focusing on the works of Han Hyung-mo, director of the era’s most glamorous and popular women’s pictures, including the blockbuster Madame Freedom (1956). Christina Klein provides a unique approach to the study of film style, illuminating how Han’s films took shape within a “free world” network of aesthetic and material ties created by the legacies of Japanese colonialism, the construction of US military bases, the waging of the cultural Cold War by the CIA, the forging of regional political alliances, and the import of popular cultures from around the world. Klein combines nuanced readings of Han’s sophisticated style with careful attention to key issues of modernity—such as feminism, cosmopolitanism, and consumerism—in the first monograph devoted to this major Korean director. A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

At the turn of the century, women represented over half of the American foreign mission force and had settled in "heathen" China to preach the lessons of Christian domesticity. In this engrossing narrative, Jane Hunter uses diaries, reminiscences, and letters to recreate the backgrounds of the missionaries and the problems and satisfactions they found in China. Her book offers insights not only into the experiences of these women but also into the ways they mirrored the female culture of Victorian America. "A subtle and finely written book... [on] an aspect of the mission world in China that has never before received such probing, affectionate, detailed treatment."--Jonathan Spence, New York Review of Books "An important and often entertaining work....New angles on imperialism and gentility alike."--Martin E. Marty, Reviews in American History "A triumph of sophisticated subtle intelligence. Though quite cognizant of the dark side of the confluence of American nationalism and the missionary enterprise, Hunter's interest is in moving beyond that understanding to explore how the meeting of two cultures affected, and was shaped by, a female angle of vision."--Regina Morantz-Sanchez, Signs "Jane Hunter writes better than most novelists, and she has a topic more demanding and rewarding than the subjects many novelists deal with. Her story of the valiant and ofttimes guilt-ridden women who ventured to China, singly or with spouses, to win the country for Christ creates a world and beckons readers into it."--Christian Century

In an exploration of the complex relations between women and the modern, this work challenges conventional male-centred theories of modernity. It examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution and perversion.

The Woman’s Bible (1895-1898) is a work of religious and political nonfiction by American women’s rights activist Elizabeth Cady Stanton. Despite its popular success, The Woman’s Bible caused a rift in the movement between Stanton and her supporters and those who believed that to wade into religious waters would hurt the suffragist cause. Reactions from the press, political establishment, and much of the reading public were overwhelmingly negative, accusing Stanton of blasphemy and sacrilege while refusing to engage with the book’s message: to reconsider the historical reception of the Bible in order to make room for women to be afforded equality in their private and public lives. Working with a Revising Committee of 26 members of the National American Woman Suffrage Association, Stanton sought to provide an updated commentary on the Bible that would highlight passages allowing for an interpretation of scripture harmonious with the cause of the women’s rights movement. Inspired by activist and Quaker Lucretia Mott’s use of Bible verses to dispel the arguments of bigots opposed to women’s rights and abolition, Stanton hoped to establish a new way of framing the history and religious representation of women that could resist similar arguments that held up the Bible as precedent for the continued oppression of women. Starting with an interpretation of the Genesis story of Adam and Eve, Stanton attempts to show where men and women are treated as equals in the Bible, eventually working through both the Old and New Testaments. In its day, The Woman’s Bible was a radically important revisioning of women’s place in scripture that Stanton and her collaborators hoped would open the door for women to obtain the rights they had long been systematically denied. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Cady Stanton’s The Woman’s Bible is a classic of American literature reimagined for modern readers.