The oldest natural dye in use today is indigo. Learn about cultures that have used this wonderful dye and the chemistry of the dyeing process. Then develop varied applications and techniques through the recipes and projects. "...a must-have reference for fiber artist."--Ornament Magazine.

Indigo is the rich, electrifying history of a precious dye: its relationship to the trans-Atlantic slave trade, its profound influence on fashion, and its spiritual significance - all very much alive today. But it is also the story of a personal quest: Catherine McKinley's ancestors include a clan of Scots who wore indigo tartan, several generations of Jewish 'rag traders' and Massachusetts textile factory owners, and African slaves who were traded along the same Saharan routes as indigo. Her journey takes her to nine West African countries and is resplendent with powerful lessons of heritage and history which shape the way she understands her world at home.

The ultimate reference on indigo dyeing techniques across the world, and a compendium of the most beautiful samples of indigo textiles Gloriously pieced together, much like the fine garments it portrays, this colorful book takes the reader on an international tour of indigo-colored textiles, presenting a huge swathe of remarkable clothing, people, and fabric. Catherine Legrand has spent more than twenty years traveling and researching the subject, and she has a deep knowledge of the ancient techniques, patterns, and clothing traditions that characterize ethnic textile design. The book explores the production of indigo textiles throughout America, China, India, Africa, Central Asia, Japan, Laos, and Vietnam. It features more than 500 color photographs and is completed by specially commissioned drawings that provide close-ups of patterns and cloths.

"This book represents an achievement in compiling and putting into order all the facts discovered in an intensive four-year study. Included is an important study of 'Indigofera tinctoria', the beautiful but malodorous dye plant, indigo; the tale reads like a novel and is the complete study in book form of the strange dye plant and of the uses of the blue dye. The book, enhanced by Mrs. Pettit's understanding of techniques and by authoriatative and scholarly facts gleaned from New England archives, also gives a lively picture of the eigteenth-century dyer's and printer's life as an artisan in the American colonies." - book jacket.

This long-awaited guide serves as a tool to explain the general principles of natural dyeing, and to help dyers to become more accomplished at their craft through an increased understanding of the process. Photos of more than 450 samples demonstrate the results of actual dye tests, and detailed information covers every aspect of natural dyeing including theory, fibers, mordants, dyes, printing, organic indigo vats, finishing, and the evaluation of dye fastness. Special techniques of printing and discharging indigo are featured as well. The book is intended for dyers and printers who wish to more completely understand the "why" and the "how," while ensuring safe and sustainable practices. Written by a textile engineer and chemist (Boutrup) and a textile artist and practitioner (Ellis), its detailed and tested recipes for every process, including charts and comparisons, make it the ideal resource for dyers with all levels of experience.

Version bilingue francais/anglais. [...] nous nous demandons quel genie a bien pu les creer et faire preuve d'une telle originalite. Soetsu Yanagi (1889-1961) Le tsutsugaki, qui designe aussi bien une technique japonaise de decor reserve a la colle et de teinture a l'indigo que l'oeuvre textile qui en procede, connait son apogee durant l'epoque d'Edo (1603-1868) pour disparaitre progressivement a la fin de la seconde guerre mondiale. Il faut attendre, a la fin des annees 1930, le regard de Soetsu Yanagi, createur de la notion mingei ( art populaire ), pour que soit reconnu au tsutsugaki sa valeur proprement artistique. L'exposition du musee Guimet rassemble, aux cotes d'un tsutsugaki du peintre Foujita et de la collection Krishna Riboud, des oeuvres pour la premiere fois presentees hors du Japon. Veritables tableaux empreints de puissance et de serenite, ces textiles invitent a penetrer au coeur de la culture japonaise. Ce catalogue richement illustre aborde la technique des tsutsugaki, les contextes de leur apparition, de leur redecouverte et de leurs usages, ainsi que la symbolique des motifs qui les composent.