Indigo's mum has had it with her boyfriend, and has moved her girls out of their cozy home and into "the flat from hell." Indie is not about to show anyone how it really feels, especially not her best friend, Jo. But the truth is, the neighborhood is bad, the heat's useless, and there's little to eat. It's hard for Indie to ignore such a drastic change—but with a little sister who's too small to understand and a mum who's feeling desperate, Indie is the one who's got to take charge.

How the extraordinary multisensory phenomenon of synesthesia has changed our traditional view of the brain.

This public domain book is an open and compatible implementation of the Uniform System of Citation.

Alex feels like a fish out of water in her new hometown - the sleepy little lakeside village of Boreen Point where she is reluctantly sent to live with her slightly eccentric aunt for her final year of high school. None of Alex's classmates could care less about the new girl, so Alex couldn't care less about them . . . or so she tries to tell herself. As a distraction from what is quickly shaping up to be a very lonely year, Alex spends her savings on a rundown little yacht and throws herself into restoring it. A curious discovery leads to the beginnings of a friendship, but it's Sam - the sailmaker's apprentice - and his mysterious ways that capture Alex's attention and force her to question what is real and what matters most. A captivating novel about fate, friendship and finding yourself from Young Australian of the Year 2011, Jessica Watson.

Experience the thrill of an unexpected love that defies all boundaries in the third historical romance in New York Times bestselling author Catherine Anderson’s Comanche series... Torn between the white and Comanche worlds of her parents, Indigo Wolf has grown up estranged from the townspeople of Wolf’s Landing, Oregon. No decent woman calls her a friend, and no man understands her strange, elusive spirit—until rugged Jake Rand comes to town. Jake offers to act as foreman of the family mine after a series of mysterious accidents have left Indigo’s father seriously injured. But Jake’s real motives are as secret as his true identity, and as personal as his growing attraction to Indigo...

Indigo is the rich, electrifying history of a precious dye: its relationship to the trans-Atlantic slave trade, its profound influence on fashion, and its spiritual significance - all very much alive today. But it is also the story of a personal quest: Catherine McKinley's ancestors include a clan of Scots who wore indigo tartan, several generations of Jewish 'rag traders' and Massachusetts textile factory owners, and African slaves who were traded along the same Saharan routes as indigo. Her journey takes her to nine West African countries and is resplendent with powerful lessons of heritage and history which shape the way she understands her world at home.

Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves—both black and Native American—made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories—uncovered for the first time during her research—of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.