Both architecture and anthropology emerged as autonomous theoretical disciplines in the 18th-century enlightenment. Throughout the 19th century, the fields shared a common icon—the primitive hut—and a common concern with both routine needs and ceremonial behaviours. Both could lay strong claims to a special knowledge of the everyday. And yet, in the 20th century, notwithstanding genre classics such as Bernard Rudofsky’s Architecture without Architects or Paul Oliver’s Shelter, and various attempts to make architecture anthropocentric (such as Corbusier’s Modulor), disciplinary exchanges between architecture and anthropology were often disappointingly slight. This book attempts to locate the various points of departure that might be taken in a contemporary discussion between architecture and anthropology. The results are radical: post-colonial theory is here counterpoised to 19th-century theories of primitivism, archaeology is set against dentistry, fieldwork is juxtaposed against indigenous critique, and climate science is applied to questions of shelter. This publication will be of interest to both architects and anthropologists. The chapters in this book were originally published within two special issues of Architectural Theory Review.

Housing has changed in Sub-Saharan Africa since the Europeans arrived. Africans no longer live in traditional homes. This historical transition from "hut to house," from traditional to Western style, reflects slavery, colonialism and other social influences. This book focuses on Cameroon, known as "Africa in Miniature" because of its geographical and cultural representation of the continent at large. Architectural styles, materials and construction techniques are discussed within a larger context, examining how lifestyle changes and architectural trends influence each other. This work is a rich examination of the challenges and opportunities for a new generation of African architects to integrate the lessons of the past and create a future more responsive to the region's needs.

Niger is sand, light, and heat. Starting from the necessity of the Mission Catholique du Dosso, which has worked in Niger for several years, this book speaks about the Nigerien situation which is characterized by a countrywide spread of poverty. Along with studying the country’s environmental, geographical conditions, the book discusses raw earth architecture in both vernacular and contemporary contexts. A number of the most common techniques are described. The possibilities for these methods to adapt to the contemporary language of architecture without losing the technical and physical benefits inherent in them are illustrated. The book embraces some topics that are not common but highly relevant in the Developing World, such as identity through the evolution of architecture and the value of transmitting knowledge related to the vernacular building process. Nowadays, Niger’s condition is characterized by a lack of resources, both physical and cultural. Earthen technology appears to be a valid solution in this situation for the creation of an environmentally sustainable approach. The book aims to provide an overview of the possibility of constructing new buildings related to the climate and traditional context, applying vernacular technology and solutions in a contemporary application. Providing a balance between teaching vernacular knowledge and the contemporary architectural language could help face this out-of-resource situation, aiming to get comfortable and affordable living spaces.

Blier illuminates the extraordinary architecture of the Batammaliba people of Western Africa, revealing these buildings as texts through which we can read the beliefs, psychology, traditions, and social concerns of their inhabitants. In doing so, she explores the role of vernacular architecture as an expression of culture. "A splendid analysis of the centrality of architecture in the daily lives of the Batammaliba and its integral role in articulating social values....The story is beautifully told in the best of anthropological traditions."—Judith R. Blau, Contemporary Society "A remarkable study....Blier's volume carries the study of African architecture to a qualitatively new level of scholarship. It introduces a new dimension whereby the architectural medium can be used to illuminate much of the entire belief system of any culture."—Labelle Prussin, African Arts "In this excellent book Blier provides a richly detailed and searching account of what architecture means to the Batammaliba of northern Togo and Benin....The finest account I have yet read of the relations between systems of beliefs, ritual practices, and African aesthetics and plastic arts....The ethnography and basic insight should be the envy of any social anthropologist."—T.O. Beidelman, Man