This fifth revised edition features approximately 1,900 items, most of which are annotated. It addresses several interdisciplinary studies that have become prominent in the last decade, especially on popular culture, racial and other minorities, Native Americans and Chicanos, and literary regionalism. It allots more space to computer aids, science fiction, children's literature, literature of the sea, film and literature, and linguistic studies of American English and includes a new section on psychology. The appendix lists the biography of each of 135 deceased American authors. ISBN 0-8223-0592-5 : $22.50 (For use only in the library).

This anthology brings together twenty outstanding works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays--all written within the past two decades--reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects--from colonial portraits to nineteenth-century sculptures of women to photographic images of New York--and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O'Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.

This fourth volume continues a series emerging from the Penn State Project on Anglo-German and American-German Literary and Cultural Relations. All articles contained in the volume focus on the theme of the Project and reflect the wealth of scholarly resources to be found in the Allison-Shelley Collection, located in the Pattee Library of The Pennsylvania State University. Contents: Goethe in the American Annuals and Gift-Books, Philip Allison Shelley; John Quincy Adams and Alexander Hill Everett: Pathfinders of German Studies in America, Walter J. Morris; Alexander Hill Everett: Early Advocate of American Interest in German Literature and Culture, Kenneth B. Hunsaker and Maureen C. Devine; Henry Edwin Dwight: Evocator of American Interest in Germany, Kenneth B. Hunsaker; Thomas Medwin: Intermediary of German Literature and Culture, Heimy Taylor; The German Experience of William and Mary Howitt, William Stupp; James Lorimer Graham: Fosterer of American-German Literary Rela Andrew M. Kovalecs; Adolf Strodtmann's Letters to Bayard Taylor: A Further Fostering of German-American Relations, Edward J. Danis; Publications of Philip Allison Shelley, Edward J. Danis; Index

Like other well-known writers of the time, Hogg was a contributor to the annuals, and this book brings together all the Hogg texts that were either written for, or first published in, annuals and gift-books.