Set in Wyoming and India, the stories in Cowboys and East Indians explore the immigrant experience and collisions of cultures in the American West as seen through the eyes of outsiders. From Indian motel owners to a kleptomaniac foreign exchange student, a cross-dressing sari-wearing cowboy to oil-rig workers, an adopted cowgirl to a medical tourist in India - the characters in these stories are lonely and are looking for connection, and yet they can also be problematic and aggressive in order to survive in an isolated landscape. These stories focus on the not-often-mentioned rural immigrant experience. For these characters, identity is shaped not just by personal history but by place, the very land they live on.

Cowboys and Indian: A Doctor's First Year in Texas is an exciting and entertaining account of a doctor's first year of practice in an underserved Texas hospital. Besides the challenges of being an immigrant and a husband and father, the doctor manages medical emergencies like cardiac arrests, collapsed lungs, industrial accidents, lacerations, and other traumas--all with minimal resources. In the course of that fateful first year, the heart-warming and often hilarious events show medical science at its best. This book shows a doctor's life at an intimate level, with its many rewards, struggles, and exchanges. This memoir reveals that humor, compassion, and humility make the practice of medicine fulfilling and inspiring.

An action-packed story of the days when ranchers vied with the native peoples to rule the plains of North America. Reproductions of Western art will introduce readers to Marrin's vivid re-creation of history. His accurate, carefully researched text makes it a valuable reference tool as well. Illustrated with photos, prints, and paintings.

The first novel by Joseph O'Connor, bestselling author of Star of the Sea and Shadowplay. Eddie Virago, proud owner of the last mohican haircut in Dublin, leaves his home town to find the fame and fortune he's convinced awaits in the wild world of the London rock scene. Things don't quite go as planned, however. He finds himself living in a ramshackle hotel with a girl he met on the ferry over, while a bewildering array of acid-house ravers, saloon-bar revolutionaries, music-business wideboys and media primadonnas all seem very anxious to help Eddie on his way... 'Very funny... An immensely readable and entertaining book, full of truth about the world we live in' Sunday Independent 'Clever, wry and often hilarious...with sardonic, very knowing digs at youthful pretension' Time Out

*Winner of the European Union Prize for Literature. There is a liveliness and effervescence to Jana Benová’s prose that is magnetic. Whether addressing the loneliness of relationships or the effectiveness of rat poison, her voice and observations call to mind the verve and sophistication of Renata Adler or Jenny Offill, while remaining utterly singular. Seeing People Off follows Elza and Ian, a young couple living in a humongous apartment complex outside Bratislava where the walls play music and talk, and time is immaterial. Drawing on her memories, everyday interactions, observations of post-socialist realities, and Elza’s attraction to actor, Kalisto Tanzi, Seeing People Off is a kaleidoscopic, poetic, and deeply funny portrait of a relationship.

When J.J. Harper of the Island Lake Tribal Council was fatally shot on a wintry Winnipeg street in 1988, the city police department was quick to absolve the officer involved from all blame. Less than a day after the shooting, Police Chief Herb Stephen announced that Harper had died during a struggle for Constable Robert Cross’s gun. But the truth was not so cut and dried. Far from closing the case, Stephen’s remarks were just the start of this dramatic tale of sex, death, threats, flimsy charges, and a police force so out of control that a prominent lawyer, a senior Crown attorney, and a respected journalist all had reason to suspect they were being watched by the police. Pursued doggedly byWinnipeg Free Presscolumnist Gordon Sinclair Jr., the stranger-than-fiction story of the shooting of J.J. Harper points a finger at the growing disaster of race relations and policing in Canada’s inner cities.