‘To say that, in fact, writing has been no more than a way of talking about the body and nothing but the body...’ Lost to the meaning of her life, a foreign writer arrives in Delhi seeking the wordless company of strangers. Delhi is an exploded sun, bleeding everywhere its untrammelled chaos: the feral dampness of bus fumes; the suicidal rush of scooters; the autorickshaw seats impregnated with thousands of odours—nauseous accretions of India’s muddy human tide. The men with their stinking bidis rule as masters and the women remain walled in by centuries of tradition. The author, infatuated by a quiet lady on the street, begins to seek the untamed and undiscovered country that lies below her sari, the delicate throbbing hidden beneath her silence. As she rediscovers her voice and the ability to write a story, and as monsoon arrives, low and heavy-bellied, washing away the concrete barricades of custom, a secret encounter in a music store opens up an ancient darwaza of forbidden pleasures. Bursting with sharp irreverence, Indian Tango is a story of fleshly transgression and unlikely liberation in the patriachopolis of New Delhi.

Presents a repertoire for Black against queen's pawn openings based on the dynamic Black Knights Tango. Using illustrative games, this book gives a grounding on the key tactics and strategies behind this ambitious opening, while also highlighting the various tricks and traps that both sides have to watch out for.

Global Tangos: Travels in the Transnational Imaginary argues against the hackneyed rose-in-mouth clichés of Argentine tango, demonstrating how the dance may be used as a way to understand transformations around the world that have taken place as a result of two defining features of globalization: transnationalism and the rise of social media. Global Tangos demonstrates the cultural impact of Argentine tango in the world by assembling an unusual array of cultural narratives created in almost thirty countries, all of which show how tango has mixed and mingled in the global imaginary, sometimes in wildly unexpected forms. Topics include Tango Barbie and Ken, advertising for phone sex, the presence of tango in political upheavals in the Middle East and in animated Japanese children’s television programming, gay tango porn, tango orchestras and composers in World War II concentration camps, global tango protests aimed at reclaiming public space, the transformation of Buenos Aires as a result of tango tourism, and the use of tango for palliative care and to treat other ailments. They also include the global development of queer tango theory, activism, and festivals. Global Tangos shows how the rise in social media has heralded a new era of political activism, artistry, solidarity, and engagement in the world, one in which virtual global tango communities have indeed become very “real” social and support networks. The text engages some key concepts from contemporary critics in the fields of tourism studies, geography, dance studies, cultural anthropology, literary studies, transnational studies, television studies, feminism, and queer theory. Global Tangos underscores the interconnectedness of cultural identity, economics, politics, and power in the production, marketing, distribution, and circulation of global images related to tango—and, by extension, Latin America—that travel the world.

This volume investigates identity discourses and self-constructions/de-constructions in various texts through imagological readings of films, narratives, and art works, examining different layers of cultural identities, on the one hand, and measuring the literary reception of ethnic identity constitution to reveal both the self and hetero images, on the other. The book features theoretical and analytical approaches with insights borrowed from multiple disciplines, and mainly focuses on the application of imagological perspectives in the fields of literature and translation, and specifically in literary works “carried over” from one culture to another. It will be of interest for scholars and researchers working in the fields of literature, translation, cultural studies, and imagology, as well as for students studying in these fields.

Continuing the memoir that began in The Original Sin, Anthony Quinn describes his life from age twenty-five to the present, discussing his Hollywood career, celebrity friendships, and his son's death.

"At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ... entirely devoted to the study of MAN - the Indian - in all spheres ..."--Introduction to facsimile volumes, published 1985

Following a long tradition of objectification, 20th-century French feminism often sought to liberate the female body from the confines of patriarchal logos and to inscribe its rhythms in writing. Amaleena Damle addresses questions of bodies, boundaries and philosophical discourses by exploring the intersections between a range of contemporary philosophers and authors on the subject of contemporary female corporeality and transformation.