The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies. This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the “lore” and the “life” of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent’s cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general. This book was originally published as a special issue of South Asian History and Culture.

In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.

The essays are written in the context of the so-called tribal areas of the north-eastern region of India. The base data in most cases have however been collected from Meghalaya, the Khasi-Jaintia Hills in particular, my primary research universe. However, the ethnic groups living in the mountainous terrain of India’s north-east, show a characteristic unity, despite linguistic and cultural diversities, that of being in a state of social format called ‘tribal’ facing similar problems of static life, economy and under-development. Added to this are the tensions generated in recent years when education and some waves of development reached the region and tribal self-governing states in the Indian Union came in to being. Consequently, new issues have come into the fore–the issues relating to self-assertion, retention of the age-old cultural identity, the crisis of adjustment between tradition and modernity, and above all, the tensions of a change-over from the tranquil folklife to modern hurly-burly including those of the fast moving world in the days of globalization. Consequently, there also appeared a concern with folklore, the search for a ‘lore’ of essential core, to write a new history. Khasi Jaintia Oral Texts Folklore and Development Antithetic NorthEast India Mentalities,The Folklife and the Socio Psychologial Issues of Development Identity Narrative, Ritual and Historical Jaintia Religion and Identity Khasi Orality Khasi-Jaintia Genre of Folklore The Nongkrem Dances of Khasi Meghalaya Hills, Dales and Groves Folk, Court, Popular Hermeneutics of Religious Practices Verrier Elwin North-East Frontier

Folklore Studies in India: Critical Regional Responses is an interesting compilation of twenty-eight critical articles on the beginning of folklore studies in the different parts of India. In the absence of a book that could map the history of Indian folklore studies single-handedly, this book can be deemed as the first-of-its-kind to feature the historical development of folklore studies in the different states of India. This book succinctly introduces the readers to the folk culture, folk arts, and folk genres of a particular region and to the different aspects of folkloristic researches carried out in that region.