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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Indian Art at Delhi, 1903: Being the Offical Catalogue of the Delhi Exhibition, 1902-1903 This work has been written primarily as a catalogue and guide to the Indian Art Exhibition, but a secondary purpose has been kept clearly in view, namely, its possible future use as a simple and practical account of the more noteworthy art industries of India. The writer has personally experienced, during many years' association with the crafts of India, the greatest inconvenience from not being possessed of a brief descriptive catalogue that afforded a sufficiently comprehensive account to admit of identification of each style of Indian work in association with the names of the centres of production and of the chief producers. In pursuance of this necessity, the endeavour has been made to propose a classification which, while directly suited to the collections now on view and to the configuration of the exhibition buildings, might still be capable of adoption in our Indian Museums. The attempt to associate Indian art-wares in a systematic sequence, under certain classes, divisions, and sections, it is hoped may greatly simplify inspection and facilitate future research. But the aim has been to afford descriptions by which the articles might be severally identified, rather than to furnish traditions and historic details regarding them. In adopting this bald treatment, the writer has been fully conscious that he was of necessity depriving the subject of much of the beauty and poetry that appertains to the art crafts of this country. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.