Captioned photographs depict over 2,000 examples of North American native-made and used artifacts.

The art of reconstructing civilizations from the artifacts of daily life demands integrity and imagination. Indians of North America displays both in its description of the enormous variation of culture patterns among Indians from the Arctic to Panama at the high points of their histories—a variation which was greater than that among the nations of Europe. For this second edition, Harold Driver made extensive revisions in chapter content and organization, incorporating many new discoveries and interpretations in archeology and related fields. He also revised several of the maps and added more than 100 bibliographical items. Since the publication of the first edition, there has been an increased interest in the activities of Indians in the twentieth century; accordingly, the author placed much more emphasis on this period.

Books by and about the American and Canadian Indian and the Eskimo in print in 1972. Listing indicates price, binding, suitability for school children. Most fictional works are omitted.

Jack Hranicky is a retired U.S. Government contractor, but he has been involved with archaeology as a full-time passion for over 40 years. His main interest is the Paleo-Indian period; however, he has worked in all facets of American archaeology. He has published over 250 papers and over 35 books in archaeology with his most recent being a two-volume, 800-page, 10,000-artifact book on the material culture of Virginia. In Virginia, he is considered an expert on prehistoric stone tools and rockart. The prehistoric Spout Run Observatory site was investigated by him which dated 10,470 YBP. He has served as president of the Archeological Society of Virginia (ASV) and Eastern States Archeological Federation (ESAF), and been past chairman of the Alexandria Archaeology Commission in Virginia. He is a charter member of the Registry of Professional Archaeologists (RPA). And, since he joined the Archeological Society of Virginia (ASV) in 1966, he is its senior member. And finally, his major publication is Bipoints Before Clovis.

This book provides a single-source for projectile points in the literature of American archeology. Its purpose is to provide a quick lookup for point types; the user then utilizes the basic references that are provided for more research information, point comparisons, data, distributions, etc.

Since the 1800's, many European Americans have relied on Native Americans as models for their own national, racial, and gender identities. Displays of this impulse include world's fairs, fraternal organizations, and films such as Dances with Wolves. Shari M. Huhndorf uses cultural artifacts such as these to examine the phenomenon of "going native," showing its complex relations to social crises in the broader American society—including those posed by the rise of industrial capitalism, the completion of the military conquest of Native America, and feminist and civil rights activism. Huhndorf looks at several modern cultural manifestations of the desire of European Americans to emulate Native Americans. Some are quite pervasive, as is clear from the continuing, if controversial, existence of fraternal organizations for young and old which rely upon "Indian" costumes and rituals. Another fascinating example is the process by which Arctic travelers "went Eskimo," as Huhndorf describes in her readings of Robert Flaherty's travel narrative, My Eskimo Friends, and his documentary film, Nanook of the North. Huhndorf asserts that European Americans' appropriation of Native identities is not a thing of the past, and she takes a skeptical look at the "tribes" beloved of New Age devotees. Going Native shows how even seemingly harmless images of Native Americans can articulate and reinforce a range of power relations including slavery, patriarchy, and the continued oppression of Native Americans. Huhndorf reconsiders the cultural importance and political implications of the history of the impersonation of Indian identity in light of continuing debates over race, gender, and colonialism in American culture.

Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.