This book explains the postcolonial Indian polity by presenting an alternative historical narrative of the British Empire in India and India's struggle for independence. It pursues this narrative along two major trajectories. On the one hand, it focuses on the role of imperial judicial institutions and practices in the making of both the British Empire and the anti-colonial movement under the Congress, with the lawyer as political leader. On the other hand, it offers a novel interpretation of Gandhi's non-violent resistance movement as being different from the Congress. It shows that the Gandhian movement, as the most powerful force largely responsible for India's independence, was anchored not in western discourses of political and legislative freedom but rather in Indic traditions of renunciative freedom, with the renouncer as leader. This volume offers a comprehensive and new reinterpretation of the Indian Constitution in the light of this historical narrative. The book contends that the British colonial idea of justice and the Gandhian ethos of resistance have been the two competing and conflicting driving forces that have determined the nature and evolution of the Indian polity after independence.

This book offers a comprehensive new interpretation of the complex and seemingly contradictory nature of Indian democracy and polity. It explains the postcolonial Indian polity by presenting an alternative historical narrative of the British Empire in India and India's struggle for independence.

Explaining the postcolonial Indian polity by presenting an alternative historical narrative of the British Empire in India and India's struggle for independence, this book follows two strands: firstly, the role of imperial judicial practices and institutions in the making of both the British Empire and the anti-colonial movement under the Congress, with the lawyer as political leader. Secondly, it shows that Gandhi's non-violent resistance movement was anchored not in western discourses of political and legislative freedom but rather in Indic traditions of renunciative freedom.

Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia. Though Javanese shadow theater (wayang) has existed for hundreds of years, our knowledge of its history, performance practice, and role in Javanese society only begins with Dutch documentation and interpretation in the nineteenth century. Analyzing the Mahabharata and Ramayana tales in relation to court poetry, Islamic faith, Dutch scholarship, and nationalist journals, Sears shows how the shadow theater as we know it today must be understood as a hybrid of Javanese and Dutch ideas and interests, inseparable from a particular colonial moment. In doing so, she contributes to a re-envisioning of European histories that acknowledges the influence of Asian, African, and New World cultures on European thought--and to a rewriting of colonial and postcolonial Javanese histories that questions the boundaries and content of history and story, myth and allegory, colonialism and culture. Shadows of Empire will appeal not only to specialists in Javanese culture and historians of Indonesia, but also to a wide range of scholars in the areas of performance and literature, anthropology, Southeast Asian studies, and postcolonial studies.

From the romantic conflicts of the Victorian Great Game to the war-torn history of the region in recent decades, Tournament of Shadows traces the struggle for control of Central Asia and Tibet from the 1830s to the present. The original Great Game, the clandestine struggle between Russia and Britain for mastery of Central Asia, has long been regarded as one of the greatest geopolitical conflicts in history. Many believed that control of the vast Eurasian heartland was the key to world dominion. The original Great Game ended with the Russian Revolution, but the geopolitical struggles in Central Asia continue to the present day. In this updated edition, the authors reflect on Central Asia's history since the end of the Russo-Afghan war, and particularly in the wake of 9/11.

The untold story of India's Partition. The partition of India in 1947 was the only way to contain intractable religious differences as the subcontinent moved towards independence - or so the story goes. But this dramatic new history reveals previously overlooked links between British strategic interests - in the oil wells of the Middle East and maintaining access to its Indian Ocean territories - and partition. Narendra Singh Sarela reveals here how hte Great Gane against the Soviet Union cast a long shadow. The top-secret documentary evidence unearthed by the author sheds new light on several prominent figures, including Gandhi, Jinnah, Mountbatten, Churchill, Attlee, Wavell and Nerhu. This radical reassessment of one of the key events in British colonial history is important in itself, but its claim that many of the roots of Islamic terrorism sweeping the world today lie in the partition of India has much wider implications.

Now a major DisneyPlus Hotstar Special - THE EMPIRE is streaming now TRAITORS IN THE SHADOWS is the sixth gripping novel in the action-packed Empire of the Moghul series by Alex Rutherford, perfect for fans of Simon Scarrow and Robyn Young. 'Totally absorbing... Authentic characters and sweeping action' Wilbur Smith A dynasty at war A new emperor, Aurangzeb, sits on India's glittering Peacock Throne - the throne he seized from his father while the old emperor still lived. He has paid for it with blood: during the brutal civil war he hunted down and killed his brothers. Now he must return the Moghul Empire to the true path and achieve new glory. But the exercise of great power is isolating. With enemies everywhere, who should he trust? Certainly not his sons. He must rely on himself and the knowledge that there are more ways to subdue a man than on the battlefield. But as the years pass memories haunt him - memories of a father who never loved him and a mother who lies in the Taj Mahal; of murdered brothers and of sons and daughters locked in sunless prisons. He tells himself that everything he has done has been necessary - moral, even. But how will his God judge him? 'A totally absorbing narrative filled with authentic historical characters and sweeping action set in an age of horrifying but magnificent savagery. The writing is as compelling as the events described and kept me eagerly leaping from one page to the next' Wilbur Smith 'Rutherford's glorious, broad-sweeping adventure in the wild lands of the Moghul sees the start of a wonderful series...In Babur, he has found a real-life hero, with all the flaws, mistakes and misadventures that spark true heroism... Breathtaking stuff' Manda Scott 'Alex Rutherford has set the bar high for his sequels' Daily Mail 'Alex Rutherford brings the period and the history of the region alive. The characters are dynamic, and the deadly regional politics of alliances and treaties are reflected by the internal tensions at court' US Historical Novel Society