A New Republic Editors' and Writers' Pick 2012 A New Yorker Contributors' Pick 2012 A Newsweek "Must Read on Modern India" “For people who savored Katherine Boo’s Behind the Beautiful Forevers.”—Evan Osnos, newyorker.com From the author of Better To Have Gone, a portrait of the incredible change and economic development of modern India, and of social and national transformation there told through individual lives Raised in India, and educated in the U.S., Akash Kapur returned to India in 2003 to raise a family. What he found was an ancient country in transition. In search of the life that he and his wife want to lead, he meets an array of Indians who teach him much about the realities of this changed country: an old landowner sees his rural village destroyed by real estate developments, and crime and corruption breaking down the feudal authority; a 21-year-old single woman and a 35-year-old divorcee exploring the new cultural allowances for women; and a young gay man coming to terms with his sexual identity – something never allowed him a generation ago. As Akash and his wife struggle to find the right balance between growth and modernity and the simplicity and purity they had known from the Indian countryside a decade ago, they ultimately find a country that “has begun to dream.” But also one that may be moving away too quickly from the valuable ways in which it is different.

A New Republic Editors' and Writers' Pick 2012 A New Yorker Contributors' Pick 2012 A portrait of incredible change and economic development, of social and national transformation told through individual lives The son of an Indian father and an American mother, Akash Kapur spent his formative years in India and his early adulthood in the United States. In 2003, he returned to his birth country for good, eager to be part of its exciting growth and modernization. What he found was a nation even more transformed than he had imagined, where the changes were fundamentally altering Indian society, for better and sometimes for worse. To further understand these changes, he sought out the Indians experiencing them firsthand. The result is a rich tapestry of lives being altered by economic development, and a fascinating insider's look at many of the most important forces shaping our world today. Much has been written about the rise of Asia and a rebalancing of the global economy, but rarely does one encounter these big stories with the level of nuance and detail that Kapur gives us in India Becoming. Among the characters we meet are a broker of cows who must adapt his trade to a modernizing economy; a female call center employee whose relatives worry about her values in the city; a feudal landowner who must accept that he will not pass his way of life down to his children; and a career woman who wishes she could "outsource" having a baby. Through these stories and many others, Kapur provides a fuller understanding of the complexity and often contradictory nature of modern India. India Becoming is particularly noteworthy for its emphasis on rural India-a region often neglected in writing about the country, though 70 percent of the population still lives there. In scenes reminiscent of R. K. Narayan's classic works on the Indian countryside, Kapur builds intimate portraits of farmers, fishermen, and entire villages whose ancient ways of life are crumbling, giving way to an uncertain future that is at once frightening and full of promise. Kapur himself grew up in rural India; his descriptions of change and modernization are infused with a profound-at times deeply poignant- firsthand understanding of the loss that must accompany all development and progress. India Becoming is essential reading for anyone interested in our changing world and the newly emerging global order. It is a riveting narrative that puts the personal into a broad, relevant and revelational context.

... Racial shifter ... are people who have changed their racial self-identification from non-Indian to Indian on the U.S. census. Many racial shifters are people who, while looking for their roots, have recently discovered their Native American ancestry ...

Becoming Young Men in a New India tells the gendered story of a changing India through the lives of its young middle class men. Through time spent ethnographically 'hanging-out' with young men in gyms, bars, clubs, trains and gay cruising grounds in India, this book critically reveals Indian men's violence towards women in various city spaces and also shows the many classed and masculine entitlements and challenges that they experience. The book lays bare the often secretive and hidden social worlds of young Indian men and critically analyses the impact young men's actions and identities have not just for themselves, but for the many women they encounter. In this way, it puts forward a critical queer-feminist perspective of men and masculinities in postcolonial India where the politics of class, gender, sexuality, violence and urban spaces come together.

This book discusses the politics of space and identity in the borderlands of northeastern India between the early 1800s and the 1930s. Critiquing contemporary post-colonial histories where this region emerges as fragments, this book sees these perspectives as continuing to be entrapped in a civilizational approach to history writing. Beginning in the pre-colonial period where it focuses on the negotiated character of state-formation during the Mughal imperium, the book then enters the space of the colonial where it looks at some of the early interventions of the East India Company. The analysis of markets as transmitters of authority highlights an important argument that the book makes. Peasantization and the introduction of the notion of the sedentary agriculturist as the productive subject also come up for a detailed discussion, along with economic change and property settlements, which are seen as important ways through which the institution of colonial legality got entrenched in the region. Underlining the interface between the political economy and practices of cultural studies, the book also explores the connections between speech, production of counter narratives of historical memory, political culture and economy, with a focus on the cultural production of a borderland identity that was marked by hyphenated existence between proto- 'Bengal' and proto- 'Assam'.

Since the 1960s the number of Indian immigrants and their descendants living in the United States has grown dramatically. During the same period, the make-up of this community has also changed—the highly educated professional elite who came to this country from the subcontinent in the 1960s has given way to a population encompassing many from the working and middle classes. In her fascinating account of Indian immigrants in New York City, Madhulika S. Khandelwal explores the ways in which their world has evolved over four decades.How did this highly diverse ethnic group form an identity and community? Drawing on her extensive interviews with immigrants, Khandelwal examines the transplanting of Indian culture onto the Manhattan and Queens landscapes. She considers festivals and media, food and dress, religious activities of followers of different faiths, work and class, gender and generational differences, and the emergence of a variety of associations.Khandelwal analyzes how this growing ethnic community has gradually become "more Indian," with a stronger religious focus, larger family networks, and increasingly traditional marriage patterns. She discusses as well the ways in which the American experience has altered the lives of her subjects.