Bell examines the history of the index and the depiction of the indexer (from diffident drudge to frankly insane) in both fact and fiction. A fascinating look at a previously little-considered element of the book.

A New York Times Editors' Choice Book Named a Most Anticipated Book of 2022 by Literary Hub and Goodreads A playful history of the humble index and its outsized effect on our reading lives. Most of us give little thought to the back of the book—it’s just where you go to look things up. But as Dennis Duncan reveals in this delightful and witty history, hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists’ living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and—of course—indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart—and we have been for eight hundred years.

An index could be the thing your book is missing. Take a look in a library or bookstore and you will find few nonfiction books that don't have indexes. That's because publishers know how important the presence of an index is to readers - and therefore how vital it is for sales. Indies often don't realize this - and miss out on potential sales and potential good reviews. A book index is like a guidepost or map for your readers. It tells them what to expect from your book, where to find topics that interest them, and - importantly - what isn't in the book. This means that it reduces the chances of poor reviews and increases the chances of positive reviews. An index helps usability, which makes it more useful to readers.If you are an author thinking of creating your own index, you're in good company. There is quite a precedent for author-indexes (especially in the world of academia, where subjects are so specialist that it's hard to find a professional indexer with relevant experience). This book will guide you through the process and show you how to do it yourself in Microsoft Word. (Sorry, no Mac instructions.) This book is for you if... You need easy-to-understand instructions on how to create your own index for a non-fiction book using Microsoft Word; Your [traditional] publisher is insisting on an index and expecting you to pay for it; You don't have a big budget; You aren't a computer or publishing expert; You don't want to spend weeks (or months) learning how to index. This book is not for you if... You need an in-depth, theory-based book. Many people like the jump-right-in, workbook approach. You are looking for something to help you become a professional indexer, or to win indexing awards. Most professional training courses and organizations often recommend Nancy C. Mulwary's Indexing Books. Also check out the American Society of Indexers (ASI) - www.asindexing.org - and other professional and standards organizations in other countries. You can find courses on indexing in local colleges, as well as online. If you do buy this [print] book, you will have the opportunity of joining the forthcoming online course based on it - free of charge. You will be able to ask questions, receive help, and see in real-time what the creation of an index involves.

'In August 1981 my bag was packed for my fifth visit to Panama when the news came to me over the telephone of the death of General Omar Torrijos Herrera, my friend and host. . . At that moment the idea came to me to write a short personal memoir. . . of a man I had grown to love over those five years' GETTING TO KNOW THE GENERAL is Graham Greene's account of a five-year personal involvement with Omar Torrijos, ruler of Panama from 1968-81 and Sergeant Chuchu, one of the few men in the National Guard whom the General trusted completely. It is a fascinating tribute to an inspirational politician in the vital period of his country's history, and to an unusual and enduring friendship.

How can we develop a cultural theory starting with the basic insight that human beings are "storytelling animals"? Within literary studies, narratology is a highly developed field. However, literary historians have not paid much attention to the large and small stories abounding in everyday discourse, guiding all kinds of social activity, and providing common ground for whole societies—but also fueling controversies and hostilities. Moreover, "narrative" is not only a scholarly category but has come into use in many fields of social activity as a tool for cultural self-fashioning. This book is based on the assumption that to a large extent, social dynamics is modeled in an aesthetic manner via narratives. It explores the narrative organization of cultural spaces and time-frames, the mythological shaping of communities and adversaries, and the co-production of narratives and institutions aimed at stabilizing social life. In this framework, the epistemological problem looms large of how an instrument as unreliable as narrative can participate in the creation of a social consensus regarding truth. This problem endows the general topics explored in this book with a particularly contemporary dimension.

This book offers an analysis of paratextual infrastructures in editions of Ovid’s Metamorphoses and shows how paratexts functioned as important instruments for publishers and commentators to influence readers of this ancient text.

Maps in a Mirror brings together nearly all of Orson Scott Card's short fiction written between 1977 and 1990. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain. "One of the genre's most convincing storytellers. An important volume."--Library Journal At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.