First published in 1986. Independent Spirits is about the intellectual world of the humbly-born in late nineteenth- and early twentieth-century Britain, focussing on plebeian, or working- and lower middle-class spiritualists. This book is an important study which throws light on the idealism and search for knowledge that were so central in plebeian circles and in certain, very important parts of the labour movement during the nineteenth and early twentieth centuries. This title will be of interest to students of history.

A rich compendium of Western art by women, this book also contains essays which examine the many economic, social, and political forces that have shaped the art over years of pivotal change. The women profiled played an important role in gaining the acceptance of women as men's peers in artistic communities. Their independent spirit resonates in studios and galleries throughout the country today. Photos.

First published in 1986. Independent Spirits is about the intellectual world of the humbly-born in late nineteenth- and early twentieth-century Britain, focussing on plebeian, or working- and lower middle-class spiritualists. This book is an important study which throws light on the idealism and search for knowledge that were so central in plebeian circles and in certain, very important parts of the labour movement during the nineteenth and early twentieth centuries. This title will be of interest to students of history.

This book is not a novel, but rather the confession of a free spirit telling of its mistakes, its sufferings and its struggles from the midst of the tempest; and it is in no sense an autobiography either. Some day I may wish to write of myself, and I will then speak without any disguise or feigned name. Though it is true that I have lent some ideas to my hero, his individuality, his character and the circumstances of his life are all his own; and I have tried to give a picture of the inward labyrinth where a weak spirit wanders, feeling its way, uncertain, sensitive and impressionable, but sincere and ardent in the cause of truth.

Though a primary requirement of God for leaders, very little has been written on this subject. In this book, Dag Heward-Mills outlines very important principles with the intention of increasing the stability of churches. So relevant and practical is the content of this book that it has become an indispensable tool for many church leaders.

The author reveals how a self-centered life is conquered through God's control. Hanson contends that united with Christ's death and resurrection, self-love dies and Christ's life produces a fruitful life. (Christian Religion)

Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilized, superstitious, hypersexual, violent, and cannibalistic. In this book, Danielle Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.