theSkimm Reading Pick! Blurring the lines of blame and moral ambiguity, Indecent by Corinne Sullivan is a smart, sexy debut. Shy, introverted Imogene Abney has always been fascinated by the elite world of prep schools, having secretly longed to attend one since she was a girl in Buffalo, New York. So, shortly after her college graduation, when she’s offered a teaching position at the Vandenberg School for Boys, an all-boys prep school in Westchester, New York, she immediately accepts, despite having little teaching experience—and very little experience with boys. When Imogene meets handsome, popular Adam Kipling a few weeks into her tenure there, a student who exudes charm and status and ease, she’s immediately drawn to him. Who is this boy who flirts with her without fear of being caught? Who is this boy who seems immune to consequences and worry; a boy for whom the world will always provide? As an obsessive, illicit affair begins between them, Imogene is so lost in the haze of first love that she’s unable to recognize the danger she’s in. The danger of losing her job. The danger of losing herself in the wrong person. The danger of being caught doing something possibly illegal and so indecent. Exploring issues of class, sex, and gender, this smart, sexy debut by Corrine Sullivan shatters the black-and-white nature of victimhood, taking a close look at blame and moral ambiguity.

Edgar Award finalist, Best Fact Crime American Masters (PBS), “1 of 5 Essential Culture Reads” One of CrimeReads’ “Best True Crime Books of the Year” “A fast–paced, meticulously researched, thoroughly engaging (and often infuriating) look–see into the systematic criminalization of gay men and widespread condemnation of homosexuality post–World War I.” —Alexis Burling, San Francisco Chronicle Stories of murder have never been just about killers and victims. Instead, crime stories take the shape of their times and reflect cultural notions and prejudices. In this Edgar Award–finalist for Best Fact Crime, James Polchin recovers and recounts queer stories from the crime pages―often lurid and euphemistic―that reveal the hidden history of violence against gay men. But what was left unsaid in these crime pages provides insight into the figure of the queer man as both criminal and victim, offering readers tales of vice and violence that aligned gender and sexual deviance with tragic, gruesome endings. Victims were often reported as having made “indecent advances,” forcing the accused's hands in self–defense and reducing murder charges to manslaughter. As noted by Caleb Cain in The New Yorker review of Indecent Advances, “it’s impossible to understand gay life in twentieth–century America without reckoning with the dark stories. Gay men were unable to shake free of them until they figured out how to tell the stories themselves, in a new way.” Indecent Advances is the first book to fully investigate these stories of how queer men navigated a society that criminalized them and displayed little compassion for the violence they endured. Polchin shows, with masterful insight, how this discrimination was ultimately transformed by activists to help shape the burgeoning gay rights movement in the years leading up to Stonewall.

At the end of W.W. II Sister Langtry is in charge of a ward of mentally unbalanced patients. When she falls in love with a new patient tensions are created and a patient is murdered.

Indecent Theology brings liberation theology up to date by introducing the radical critical approaches of gender, postcolonial, and queer theory. Grounded in actual examples from Latin America, Marcella Althaus-Reid's highly provocative, but immaculately researched book reworks three distinct areas of theology - sexual, political and systematic. It exposes the connections between theology, sexuality and politics, whilst initiating a dramatic sexual rereading of systematic theology. Groundbreaking, intriguing and scholarly, Indecent Theology broadens the debate on sexuality and theology as never before.

For award-winning poet James Fujinami Moore, the past is never past. In this brutal debut, sensual, political, and imagined worlds collide, tracing a history of diaspora and trauma that asks: what do we do in the aftermath of violence, and why do we long to inflict it? From Vegas boxing rings and the restless sands of Manzanar to the scrolling horrors of a Facebook feed, Moore's poems trace over intimate details with surprising humor, fierce eroticism, and a restless eye.

In this action-packed adventure from #1 New York Times bestselling author Stuart Woods, Stone Barrington learns that privacy is hard to come by when you’re one of the rich and mighty. As an eligible bachelor, man-about-town, and mover in the highest social echelons, Stone Barrington has always been the subject of interest and gossip. But when he’s unwittingly thrust into the limelight, he finds himself scrambling to take cover. Before too long Stone’s fending off pesky nuisances left and right, and making personal arrangements so surreptitiously it would take a covert operative to unearth them. Unfortunately, Stone soon discovers that these efforts only increase the persistence of the most troublesome pests...and when he runs afoul of a particularly tenacious lady, he’ll be struggling to protect not just his reputation, but his life.

When the head of Columbia Pictures, David Begelman, got caught forging Cliff Robertson's name on a $10,000 check, it seemed, at first, like a simple case of embezzlement. It wasn't. The incident was the tip of the iceberg, the first hint of a scandal that shook Hollywood and rattled Wall Street. Soon powerful studio executives were engulfed in controversy; careers derailed; reputations died; and a ruthless, take-no-prisoners corporate power struggle for the world-famous Hollywood dream factory began. First published in 1982, this now classic story of greed and lies in Tinseltown appears here with a stunning final chapter on Begelman's post-Columbia career as he continued to dazzle and defraud . . . until his last hours in a Hollywood hotel room, where his story dramatically and poignantly would end.