Gennem interviews med Hubert Sumlin og hans nærmeste samarbejdspartnere beskrives den særlige Sumlin-bluesguitarstil, som gennem tiden har inspireret navne som Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan m.fl.

A member of Muddy Waters' legendary late 1940s-1950s band, Jimmy Rogers pioneered a blues guitar style that made him one of the most revered sidemen of all time. Rogers also had a significant if star-crossed career as a singer and solo artist for Chess Records, releasing the classic singles "That's All Right" and "Walking By Myself." In Blues All Day Long, Wayne Everett Goins mines seventy-five hours of interviews with Rogers' family, collaborators, and peers to follow a life spent in the blues. Goins' account takes Rogers from recording Chess classics and barnstorming across the South to a late-in-life renaissance that included new music, entry into the Blues Hall of Fame, and high profile tours with Eric Clapton and the Rolling Stones. Informed and definitive, Blues All Day Long fills a gap in twentieth century music history with the story of one of the blues' eminent figures and one of the genre's seminal bands.

This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.

Despite the influence of African American music and study as a worldwide phenomenon, no comprehensive and fully annotated reference tool currently exists that covers the wide range of genres. This much needed bibliography fills an important gap in this research area and will prove an indispensable resource for librarians and scholars studying African American music and culture.

With lessons covering more than a dozen sure-fire techniques, this book/CD combo is designed to light a fire under any player's fingers. Shredding is difficult, but "Shred!" breaks it down by demystifying guitar solos that sound intimidating on record. The book is about technique first, with a fearsome roster of shred's biggest stars revealing their tricks. Each chapter tackles one killer technique in depth. Guitarists are walked through these skill sets with a hands-on approach, and are shown connections to the monster players who employ the technique. With this book, guitarists can switch gears from careful chord progressions by unleashing their inner shredder, ready to blister the paint right off the walls and annihilate any nonbelievers.

One of the greats of blues music, Willie Dixon was a recording artist whose abilities extended beyond that of bass player. A singer, songwriter, arranger, and producer, Dixon's work influenced countless artists across the music spectrum. In Willie Dixon: Preacher of the Blues, Mitsutoshi Inaba examines Dixon's career, from his earliest recordings with the Five Breezes through his major work with Chess Records and Cobra Records. Focusing on Dixon's work on the Chicago blues from the 1940s to the early 1970s, this book details the development of Dixon's songwriting techniques from his early professional career to his mature period and compares the compositions he provided for different artists. This volume also explores Dixon's philosophy of songwriting and its social, historical, and cultural background. This is the first study to discuss his compositions in an African American cultural context, drawing upon interviews with his family and former band members. This volume also includes a detailed list of Dixon's session work, in which his compositions are chronologically organized.