Originally published in 2004. Inculturation - the creative and dynamic relationship between the Christian message and culture or cultures - is of interest to many churches throughout the world, particularly since the Second Vatican Council made it part of the Roman Catholic agenda. This book looks at the question of the inculturation of Christian worship, particularly in the Eucharist. Looking at the relationship of worship and culture requires insights from both theology and anthropology; Tovey develops the tools to interconnect perspectives into an interdisciplinary exploration of different models of inculturation. Inculturation of Christian Worship is both interdisciplinary and ecumenical in approach. Case studies are drawn from the Ethiopian Orthodox Church, African Independent Churches, The Roman Catholic Church and the Anglican Communion. While there is a focus on Africa for particular examples, the issues are discussed in a world wide context.

Drawing together international and Indian sources, and new research on the ground in South India, this book presents a unique examination of the inculturation of Christian Worship in India. Paul M. Collins examines the imperatives underlying the processes of inculturation - the dynamic relationship between the Christian message and cultures - and then explores the outcomes of those processes in terms of architecture, liturgy and ritual, and the critique offered of these outcomes, especially by Dalit theologians. This book highlights how the Indian context has informed global discussions, and how the decisions of the World Council of Churches, Vatican II and Lambeth Conferences have impacted upon the Indian context.

This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines – music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia.

"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.

This compelling account of how Andean Christians have inculturated the Gospel and the challenges that confront them provides a real-world view of the urgent process of inculturation. In the context of pluri-cultural development of the church, this process is one that affirms that both culture and history are transformed by the Spirit of God. Inculturation surveys Andean culture and religious traditions, drawing from day-to-day experience in the transformation of education and social action, personal and communal life, spirituality, and the whole of Christian mission in today's world. It also discusses current evangelization trends worldwide, examining negative as well as positive examples of inculturation, and offers guidelines for future efforts.

In his quest to identify practices that strengthen the faith of African Christians, Magesa examines the nature of being church today in Kenya, Tanzania, and Uganda.

Perhaps nothing is as important to the future of the Church as continuing to make the liturgy meaningful to those who celebrate it. Inculturation, the dynamic translation of the typical editions into the cultures of local Churches, is the key. Inculturation as a branch of liturgical study has a dauntingly wide scope. It covers the areas of history and theology, liturgical and cultural principles, process and methods, sacraments and sacramentals, Liturgy of the Hours, liturgical year, liturgical music, liturgical arts and furnishings, and such related topics as popular religiosity and catechesis. So where does the average pastor, liturgist, or student begin? With this volume the reader is introduced to the different technical terms expressing the relationship between liturgy and culture (indigenization, incarnation, contextualization, adaptation, acculturation ... ). The subsequent discussion on the question of sacramentals, popular religiosity, and liturgical catechesis explains how these disparate topics share the same basic concern of inculturation. Throughout the book the focus is on method. Method encompasses both how one may remain true to the liturgy while also considering what culture offers the liturgy or requires of it. The question of how creativity relates to inculturation is also answered. For the serious student of the liturgy, whether or not you serve a culturally diverse community, this work provides foundations, principles, and methods for creating a liturgy of the people and for the people.