Inclusive Character Analysis foregrounds representations of race, gender, class, ability, and sexual orientation by blending script analysis with a variety of critical theories in order to create a more inclusive performance practice for the classroom and the stage. This book merges a traditional Stanislavski-based script analysis with multiple theoretical frameworks, such as gender theory, standpoint theory, and critical race theory, to give students in early level theatre courses foundational skills for analyzing a play, while also introducing them to contemporary thought about race, gender, and identity. Inclusive Character Analysis is a valuable resource for beginning acting courses, script analysis courses, the directing classroom, early design curriculum, dramaturgical explorations, the playwriting classroom, and introduction to performance studies classes. Additionally, the book offers a reader-style background on theoretical frames for performance faculty and practitioners who may need assistance to integrate non-performance centered theory into their classrooms.

The highly acclaimed story of a young woman in New Dehli, and the love that both shatters and forever changes her—offering an intimate and raw exploration of female transformation in contemporary India, and an unforgettable hymn to a dangerous, exhilarating city. “Searing.... Intoxicating.” —The New York Times Book Review Our narrator is “twenty and untouched” when her mother dies. Sent by her absentee father to live with a relative in a modest New Delhi apartment, she is ill-equipped to resist the allure of the rich and rebellious young man who approaches her one day at a cafe. He is a few years older, and from a different social class, but they both yearn to break free of tradition. As they drive around Delhi—eating, making love, falling apart—he introduces her to an India that she never knew existed, and will never be able to forget. Told in a voice at once gritty and lyrical, A Bad Character is an astounding book.