Keenly observed autobiographical fiction and journal entries from acclaimed writer Denton Welch, featuring an introduction by William S. Burroughs “In Youth Is Pleasure” recounts the summer vacation of Orvil Pym—a sensitive, withdrawn, and deeply unhappy boy of fifteen. Following a trying year at public school, Orvil spends the summer with his father and two older brothers. The quotidian events of a seemingly ordinary summer are rendered dazzling by the intensity of adolescence and Welch’s gift for human observation. First published in 1945, “In Youth Is Pleasure” is based closely on Welch’s own adolescent experiences of solitude and introspection. This volume also includes “I Left My Grandfather’s House,” an unforgettable account of a walking tour through the British countryside. These two works feature Welch at his autobiographical best.

In Literary/Liberal Entanglements, Corrinne Harol and Mark Simpson bring together ten essays by scholars from a wide range of fields in English studies in order to interrogate the complex, entangled relationship between the history of literature and the history of liberalism. The volume has three goals: to investigate important episodes in the entanglement of literary history and liberalism; to analyze the impact of this entanglement on the secular and democratic projects of modernity; and thereby to reassess the dynamics of our neoliberal present. The volume is organized into a series of paired essays, with each pair investigating a concept central to both literature and liberalism: acting, socializing, discriminating, recounting, and culturing. Collectively, the essays demonstrate the vivid capacity of literary study writ large to reckon with, imagine, and materialize durative accounts of history and politics. Literary/Liberal Entanglements models a method of literary history for the twenty-first century.

What if the Renaissance had the right idea about character? Most readers today think that characters are individuals. Poets of the Renaissance understood characters as types. They thought the job of a character was to collect every example of a kind, in the same way that an entry in a dictionary collects definitions of a word. Character as Form celebrates the old meaning of character. The advantage of the old meaning is that it allows for generalization. Characters funnel whole societies of beings into shapes that are compact, elegant, and portable. This book tests the old meaning of character against modern examples from poems, novels, comics, and performances in theater and film by Shakespeare, Molière, Austen, the Marx Brothers, Raul Ruiz, Denton Welch, and Lynda Barry. The heart of the book is the character of the misanthrope, who, in Shakespeare's phrase, “banishes the world.”

An expanded edition of the classic exploration of the English esoteric musical underground—with the first biography of Coil, Current 93, and Nurse With Wound. This newly expanded edition of England's Hidden Reverse, the classic exploration of the English esoteric musical underground that includes the first, and only, biographies of Coil, Current 93, and Nurse With Wound, is based on exclusive interviews and unprecedented access to all three bands’ personal archives. Together, these genre-defying bands and their circles represent the English underground in all its cultural, artistic, and sexual variety. Over four decades, the three intertwined groups have maintained a symbiotic, yet uneasy, relationship with the mainstream of popular culture, even as their music, beliefs, and practices have repelled them from it. Theirs was a clandestine scene whose work accents the many occulted peculiarities of Englishness that flow through generations of outsiders, channeling personalities as diverse as Aleister Crowley, Arthur Machen, Joe Orton, Shirley Collins, Björk, and Marc Almond. The story of this Hidden Reverse has, necessarily, remained a secret. Until now. This new volume contains almost 100 pages of extra material culled from Furfur, a collection of interviews with musicians and artists whose careers intersected with the bands’, initially published alongside Strange Attractor's first limited edition of the book.

This book identifies memory a previously unexamined concern in both literary and popular writing of the 1940s. Emphasizing the use of memory as a structural device, this book traces developments in narrative, during and immediately after the war. Authors include Margery Allingham, Elizabeth Bowen, Graham Greene, Patrick Hamilton and Denton Welch.

The record of a thrilling and tormenting gay love affair in World War II England, these letters also reveal a devastating experience of disability and, above all, the awakening of a remarkable and unforgettable literary voice.

Maiden Voyage is Denton Welch's debut novel, a frankly autobiographical account of a short period in his life when - at the age of 16 - he ran away from his English boarding school, before being sent back to Shanghai to live with his businessman father. "Trembling with sex", is how Alan Bennett wonderfully describes Maiden Voyage; and as well as portraying so acutely the passions and nameless longings of a teenage boy, and the strange quirks and brutalities of public school life, it is also a novel that deals with the agony of childhood bereavement - the suffering of a boy who has only recently lost his mother. When Maiden Voyage was first published in 1943 it was an overnight sensation, and so graphic in its depiction of adolescence and the schooling system that Welch's publisher - Herbert Read - was forced to seek legal advice. Seventy years on, there is little to shock the modern reader - but more than enough to earn a new generation of fans and admirers. William Burroughs said, "If ever there was a writer who was neglected, it was Denton. He makes you aware of the magic that is right beneath your eyes."