Motherhood, nurture and violence – these are the themes of Elske Rahill's remarkable first collection, In White Ink. Rahill brings to life the psychological and physical reality of mothering, pregnancy and childbirth in ways that few others writers have attempted. Here is a biting realism, in the relations between men and women and in the expectations and failures of their assigned roles. Each story is illumined by moments of harsh poetry. They are carefully crafted snapshots of our condition. In the title story, an isolated young mother is locked in to a custody battle with her abusive husband; 'Right to Reply' shows three generations of women confronting the terrible legacy of their family's past; in 'Toby', a woman obsessed with hygiene finally snaps, when she finds her home is infested with fleas. The precision of Rahill's prose, the stoicism of her unflinching narrative gaze, reveal characters caught up in violently emotional situations. The version of motherhood found here is painful. Yet its endurance, as nature's greatest force, is brilliantly and compassionately rendered.

Helene Cixous is widely regarded as one of the world's most influential feminist writers and thinkers. "White Ink" brings together her most revealing interviews, available in English for the first time. Spanning over four decades and including a new interview with the editor Susan Sellers, this collection presents a brilliant, running commentary on the subjects at the heart of Cixous' writing.Here, Cixous discusses her books and her creative process, her views on and insights into literature, philosophy, theatre, politics, aesthetics, faith and ethics, human relations and the state of the world. As she responds to interviewers' questions, Cixous is prompted to reflect on her roles and activities as poet, playwright, feminist theorist, professor of literature, philosopher, woman, Jew. Each interview is a remarkable performance, an event in language and thought where Cixous' celebrated intellectual and poetic force can be witnessed 'in action'. The accessibility of the interview format provides an excellent starting-point for readers new to Cixous, while those already familiar with her work will find unexpected insights and fresh elucidations of her thought.

Edited by poet Rishma Dunlop, White Ink is a unique collection of poems on mothers and motherhood, by some of the finest poets of the late twentieth and early twenty-first centuries. Unsentimental, unflinching, and edgy, White Ink registers the social and political changes, as well as the imaginative pulse, of recent history through the figure of the mother: a powerful, recurring, and central symbol in contemporary poetry. Spanning multiple cultures, ethnicities, genders, and languages, White Ink is a landmark anthology. Poets include Ann Sexton, Sylvia Plath, Alicia Ostriker, Joy Harjo, Sharon Olds, Gwendolyn Brooks, Gwendolyn McEwan, Patrick Lane, Lorna Crozier, Allen Ginsberg, Irving Layton, Priscila Uppal, Bronwen Wallace, Maxine Kumin, Sandra Gilbert, Grace Paley, John Barton, Samuel Menashe, Marilyn Hacker, Steven Heighton, John Terpstra, John Barton, C.D. Wright, Natasha Trethewey, Rita Dove, Adrienne Rich, Nicole Brossard, Annie Finch, Marie Ponsot, Mahmoud Darwish, Fady Joudah, Naomi Shihab Nye, Deema Shehabi, Claudia Rankine, Ingrid de Kok, Gabeba Baderoon, Carolyn Forché, Mary Karr, Philip Levine, Jean Valentine, Meena Alexander, Goran Simic, and many others.

“The pigments he concocts from these humble beginnings are as fun to make as they are eye-opening to work with . . . the world never quite looks the same.” —MarthaStewart.com A 2018 Best Book of the Year—The Guardian The Toronto Ink Company was founded in 2014 by designer and artist Jason Logan as a citizen science experiment to make eco-friendly, urban ink from street-harvested pigments. In Make Ink, Logan delves into the history of inkmaking and the science of distilling pigment from the natural world. Readers will learn how to forage for materials such as soot, rust, cigarette butts, peach pits, and black walnut, then how to mix, test, and transform these ingredients into rich, vibrant inks that are sensitive to both place and environment. Organized by color, and featuring lovely minimalist photography throughout, Make Ink combines science, art, and craft to instill the basics of ink making and demonstrate the beauty and necessity of engaging with one of mankind’s oldest tools of communication. “Logan demystifies the process, encouraging experimentation and taking a fresh look at urban environments.” —NPR “The book is full of inspiration and takes a lot of the mystery out of ink making, at least at its simplest level. And it also reminds me why I love ink—any ink or liquid color as much as I do.” —The Well-Appointed Desk “Quite a few recipes . . . that use color from the kitchen: carrots, black beans, blueberries, turmeric, and onion skins all make beautiful ink colors.” —Design Observer “Make Ink opens up about methods, providing an open source guide to DIY ink.” —CityLab

A deliciously dark, gorgeously written YA mystery that'll prickle your skin . . . and leave a permanent mark. There are no secrets in Saintstone.From the second you're born, every achievement, every failing, every significant moment are all immortalized on your skin. There are honorable marks that let people know you're trustworthy. And shameful tattoos that announce you as a traitor. After her father dies, Leora finds solace in the fact that his skin tells a wonderful story. That is, until she glimpses a mark on the back of his neck . . . the symbol of the worst crime a person can commit in Saintstone. Leora knows it has to be a mistake, but before she can do anything about it, the horrifying secret gets out, jeopardizing her father's legacy . . . and Leora's life.In her startlingly prescient debut, Alice Broadway shines a light on the dangerous lengths we go to make our world feel orderly--even when the truth refuses to stay within the lines. This rich, lyrical fantasy with echoes of Orwell is unlike anything you've ever read, a tale guaranteed to get under your skin . . .

An analysis of the use made of five structuring devices, or motifs -- the Bildungsroman, the patriarchal prison, the fairy tale, sexual politics and gender trouble --in a selection of representative women's novels from Spain and Latin America written between 1936 and the present. STEPHEN M. HART is Reader in the Department of Spanish and Latin American Studies at University College London.

From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets. With calligraphic precision and Rembrandtesque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now. Walt Disney's pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many "firsts" for women within the entertainment industry along the way. Focusing on talent, Disney sought female story specialists and concept artists to expand the scope and sensibility of his storytelling. Upon establishing the first animation-training program for women, ink pens were traded for pencils as ladies made their way into the male-laden halls of animation. World War II further opened roles traditionally held by men, and women quickly progressed into virtually every discipline within animation production. Disney's later development of the Xerox process and eventual digital evolution once again placed women at the forefront of technological advancements applied to animated storytelling. In her latest landmark book, Ink & Paint: The Women of Walt Disney's Animation, author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments, and tea. From the earliest black-and-white Alice Comedies to the advent of CAPS and digital animation, meet the pioneering women who brought handrendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation.