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Whimsy, anger, love, grief, joy. This book explains how to fit emotions to sonnets, odes, free verse, blues, riddles, and more. A master poet presents best practices, traditions, examples, and prompts for writing. Useful for workshops, classroom, individual study. For new and veteran writers-and all passionate poetry lovers.

This daily devotional of Bible-inspired poetry contains some of the most eloquent, inspiring, and profound poetry ever written. Readers will glean understanding, wisdom, and inspiration for life's struggles and victories. But most of all, they will learn more about their Savior and be inspired to devote their lives to him wholeheartedly. Includes indexes.

For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis

Eclectic Poetry presents a collection of author Ben Sheldons best poems, conceived and written over several years. These verses cover many different moods and unique experiences. Sheldon presents them by topic, making them easily accessible based upon the mindset of the reader. They explore such topics as relationships, humor, personal thoughts, and the dark side of life. Eclectic Poetry allows you to select a poem that suits that moments experience and your needs at that time. From the starkness of Death Row to the sarcasm of Remote Control to the humor of 15 Minutes of Fame, Sheldon explores the wide range of human emotions in this poetry collection. Review Reviewed my life the other day; Unwound myself, rewound my thoughts, And relived againfast forward, Like silent Charlie Chaplin movie, Pushing a cart uphill past rail tracks, While the train steams along closer. Charlie, playing me, nears top then slips, And rolls down over the rail road, Just missing the chugging engine. Ive repeated that pointless effort, So many times in my life across Risky paths that looked deceptively safe.

Have you ever wondered what it would be like to experience different emotions after reading a poem? How would you truly feel? Everyone may feel differently because everyone might react differently to the same poem. Or some people may experience the same emotions. Poems that Express Different Aspects of Emotions uses surrealism, abstraction, realism, and literal kinds of poetry to create a different aspect of emotion from within you. That’s right! This book is designed to bring out what you feel based on what you experience as you read the poem. Amanda Libbers hopes that this book brings out primarily positive emotions, though it might bring out a little sadness too. If you are looking to experience different things in the realm of Christian viewpoints, this is the book for you! (Note: Christian viewpoints are interpreted as literally as possible and referenced as such when using or interpreting scripture directly within a poem.)

"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--