Meet twenty-one women throughout history who broke fashion and norms to do something groundbreaking in this unique middle-grade collection that celebrates trailblazers and troublemakers. Girls and women have historically been denied access to work, been blocked from the arts, refused the opportunity to lead and fight, and much more, simply because of their gender. From Hatshepsut to Joan of Arc to Frida Kahlo, Troublemakers in Trousers highlights twenty-one women who, for different reasons, wore men’s clothing, pretended to be men, and broke the rules in order to do something they wanted—or needed—to do. The perfect modern-day introduction to women throughout history who broke boundaries and pushed the limits set by society.

Comfortable, flattering pants can be challenging to make - but they're wonderful to wear. In this book, David Coffin provides his inventive, sure-fire methods for getting it right. With his characteristic precision and straight talk - and with the help of photographs, drawings, and exclusive access to a series of online video sequences - Coffin teaches the reader how to get great results, whether making a showcase garment or just whipping out an everyday pair. For more information and book-related extras, visit http://makingtrouserswithdpc.blogspot.com/, David Coffin's blog all about making trousers and specifically designed for the readers of this book.

March of the Falsettos" is the title song of this act of the show. William Finn planned on calling the show "The Pettiness of Misogyny", but then he decided to go with a less direct and more subtle title, calling it "March of the Falsettos". But what does the title mean? The central theme of the show is the characters lack of maturity (as they also state themselves in this song) and their journey of growing out of their childish behavior. Something that for instance Marvin needs to do to be the father Jason needs. Jason, whose voice hasn't yet changed, sings an octave higher than the other three men throughout the show. This is the only song, that all four men sing in the same register, since Marvin, Medel and Whizzer sing in the falsetto, losing the symbol of manhood - their changed voices. None of these men have grown up yet. All of them are still very self-centered, self-involved and insist on getting whatever they want. The "March of the Falsettos" is their journey from childhood to becoming adults.

An "immensely accessible tour (which tells) how the physics lab became another Vatican with a no-girls-allowed sign on its door" (Susan Faludi) this spirited look at the relationship between physics and religion argues that gender inequity in physics is a result of the religious origins of the enterprise.

Little Bear has lost his trousers. All the toys have seen them and used them in some way - Rabbit as a skiing hat, Duck as a flag and Dog as a holder for his bones. From the author of Little Bear Lost.

The International Bestseller from the author The New York Times called "blisteringly funny" — it's the wild and wooly crew from Trainspotting back for one last adventure You don't need to have seen the blockbuster movie—nor read the earlier mega-bestselling books—to get what's going on in Dead Men's Trousers: Four no-longer-young men who constantly think back to their bawdy, drug-filled youth together on the streets of Edinburgh, decide they want to join forces for one last caper. Careful what you wish for... "Manages a sort of ragged glory, a life-affirming comic energy . . . A whooping last hurrah for the Trainspotting gang." —The Guardian "Crackles with idiomatic energy and brio." —Publishers Weekly Mark Renton is finally a success. He now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms, and broken relationships have left him dissatisfied with life. Then he runs into his old partner in crime, Frank Begbie, from whom he'd been hiding for years. But the psychotic Begbie appears to have reinvented himself as a celebrated artist in Los Angeles, and doesn't seem interested in revenge. Meanwhile, back in Edinburgh, Sick Boy and Spud are intrigued to learn that their old friends are back in town, and concoct a new scheme for them all . . . Which is when things start to go horribly wrong. The four men, driven by their personal histories and addictions, circle each other, confused, angry, and desperate. One of these four will not survive . . . Which one is wearing Dead Men's Trousers? Fast and furious, scabrously funny, and weirdly moving, this is a spectacular return of the crew from Trainspotting.