This volume sheds light on two brilliant but lesser known ghetto journalists: Josef Zelkowicz and Peretz Opoczynski. An ordained rabbi, Zelkowicz became a key member of the archive in the Lodz ghetto. Opoczynski was a journalist and mailman who contributed to the Warsaw ghetto’s secret Oyneg Shabes archive. While other ghetto writers sought to create an objective record of their circumstances, Zelkowicz and Opoczynski chronicled daily life and Jewish responses to ghettoization by the Nazis with powerful immediacy. Expertly translated by David Suchoff, with an elegant introduction by Samuel Kassow, these profound writings are at last accessible to contemporary readers.

Zelkowicz (b. 1897) was the scion of a wealthy Hassidic family, and had been ordained as a rabbi by age 18, but he soon left the study hall, and became teacher, bookkeeper and writer. He wrote short stories, folk tales, humorous pieces, plays, literary studies, reportage and articles. His pieces on Jewish folklore and history were published in newspapers and literary supplements in Poland and America. He became a member of the executive board of YIVO, the Institute for Jewish Research, and joined the staff in Lodz.When he was deported to Auschwitz in August 1944, the rich amount of research and copious notes that he took with him disappeared with him, but 27 notebooks remained behind in the Lodz Ghetto. His personal diary and the variety of articles that he wrote reflect the diversity and richness of his writings even under conditions of extreme physical deprivation and present a moving document of the nightmarish days with great precision and vivid details.

The powerful writings and art of Jews living in the Warsaw Ghetto Hidden in metal containers and buried underground during World War II, these works from the Warsaw Ghetto record the Holocaust from the perspective of its first interpreters, the victims themselves. Gathered clandestinely by an underground ghetto collective called Oyneg Shabes, the collection of reportage, diaries, prose, artwork, poems, jokes, and sermons captures the heroism, tragedy, humor, and social dynamics of the ghetto. Miraculously surviving the devastation of war, this extraordinary archive encompasses a vast range of voices—young and old, men and women, the pious and the secular, optimists and pessimists—and chronicles different perspectives on the topics of the day while also preserving rapidly endangered cultural traditions. Described by David G. Roskies as “a civilization responding to its own destruction,” these texts tell the story of the Warsaw Ghetto in real time, against time, and for all time.

Enter the most terrifying place of all...the mind of R.L. Stine! The Nightmare Hour...the time when the lights fade, the real world slips into shadow, and the cold, moonlit world of evil dreams takes over your mind. What horror awaits a boy who has to spend Halloween in a darkened hospital? How do you outwit a ghost who wants your skin? What makes Nightmare Inn the most frightening place to visit? In this spine-tingling collection of stories that inspired the hit TV show R.L. Stine’s The Haunting Hour, bestselling author R.L. Stine spins a web of terror that will trap you in the world of nightmares. And there’s more... In Nightmare Hour, the author shares the secrets behind his twisted tales. Where did the idea for each bone-chilling story come from?

From Alan Gratz, the #1 New York Times bestselling author of Refugee, comes this wrenching novel about one boy's struggle to survive ten concentration camps during the Holocaust. Based on the inspiring true life story of Jack Gruener. 10 concentration camps. 10 different places where you are starved, tortured, and worked mercilessly. It's something no one could imagine surviving. But it is what Yanek Gruener has to face. As a Jewish boy in 1930s Poland, Yanek is at the mercy of the Nazis who have taken over. Everything he has, and everyone he loves, have been snatched brutally from him. And then Yanek himself is taken prisoner -- his arm tattooed with the words PRISONER B-3087. He is forced from one nightmarish concentration camp to another, as World War II rages all around him. He encounters evil he could have never imagined, but also sees surprising glimpses of hope amid the horror. He just barely escapes death, only to confront it again seconds later. Can Yanek make it through the terror without losing his hope, his will -- and, most of all, his sense of who he really is inside? Based on an astonishing true story.

A A A Written in 1935 but never published until now, this novel depicts a world ruled by women some 4,000 years into the future. Men live alone and rear boys in a cheerful atmosphere of sports, physical labor, and healthy sexuality, but without the consciousness of anxiety or knowledge of history claimed by women. The plot of the novel described by Choice as "a forgotten masterpiece", turns on the desire of one woman to teach her son about the past. Risking their lives, she tells the story of the rise of fascism and the subsequent world transformation as life-loving women took over from death-lovign men. "Burdekin's novel is one of the few serious role-reversal utopias we have. I read it in one sitting." - Joanna Russ , author of The Female Man

In 1940, in the Jewish ghetto of Nazi-occupied Warsaw, the Polish historian Emanuel Ringelblum established a clandestine scholarly organization called the Oyneg Shabes to record the experiences of the ghetto's inhabitants. For three years, members of the Oyneb Shabes worked in secret to chronicle the lives of hundereds of thousands as they suffered starvation, disease, and deportation by the Nazis. Shortly before the Warsaw ghetto was emptied and razed in 1943, the Oyneg Shabes buried thousands of documents from this massive archive in milk cans and tin boxes, ensuring that the voice and culture of a doomed people would outlast the efforts of their enemies to silence them. Impeccably researched and thoroughly compelling, Samuel D. Kassow's Who Will Write Our History? tells the tragic story of Ringelblum and his heroic determination to use historical scholarship to preserve the memory of a threatened people.