Shirley Jackson meets The Virgin Suicides, set at an all-girls orphanage.

Goes through the letters from A to Z to describe things small hands can do.

Winner of the 2015 Forward Prize for Best First Collection Mona Arshi’s debut collection, 'Small Hands', introduces a brilliant and compelling new voice. At the centre of the book is the slow detonation of grief after her brother’s death but her work focuses on the whole variety of human experience: pleasure, hardship, tradition, energised by language which is in turn both tender and risky. Often startling as well as lyrical, Arshi’s poems resist fixity; there is a gentle poignancy at work here which haunt many of the poems. This is humane poetry. Arshi’s is a daring, moving and original voice.

Kids love magic. They love to see it, and they love to do it. Enter Joshua Jay, who started doing magic when he was 7 and was named champion at the World Magic Seminar (the Olympics of magic) by the time he was 16. His Big Magic for Little Hands is packed with 25 astonishing illusions for kids ages 7 and up. In other words, it’s sleight of hand for the small of hand. These are tricks that require little prep time and dexterity yet are guaranteed to deliver a big payoff. The large format, oversized ext, and black-and-white vintage-style illustrations make Big Magic particularly easy to follow and kid-friendly. Here’s how to levitate your sibling several feet off a bed. Escape Houdini-like from tightly bound ropes. There are also impromptu effects that can be performed anytime, anywhere, like Spook-Key, in which an antique key mysteriously rotates in your hand. Each easy-to-perform feat is clearly illustrated with step-by-step drawings and accompanied by insider tips. Joshua Jay is a master who guides his apprentices through every aspect of the magician’s art, from the first step—taking the Magician’s Oath—to how to minimize nervousness (Rule #1: Rehearse. A lot).

A terrifying ghost story by the bestselling author of The Woman in Black. Late one summer evening, antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn. He stumbles across a derelict Edwardian house and, compelled by curiosity, approaches the door. Standing before the entrance, he feels the unmistakable sensation of a small cold hand creeping into his own, 'as if a child had taken hold of it'. At first he is merely puzzled by the odd incident but then begins to suffer attacks of fear and panic, and is visited by nightmares. He is determined to learn more about the house. But when he does, he receives further, increasingly sinister, visits from the small hand.

"The perfect introductory art book for little hands with lots to express! Instructions are kept to a minimum, and resulting art is very clever as kids' imaginations take flight with simple materials."--Back cover

For fans of HBO’s Girls, Abigail Ulman’s heartbreakingly tender and often darkly funny fiction is a fresh take on the experiences of contemporary young women. “A familiar yet highly inventive collection of short fiction which hits virtually all my buttons: dark humor, complex female characters, and a strong summer camp storyline.”—Lena Dunham, Lenny Claire is magnetic. On the cusp of adulthood and letting go of her adolescence one miserable responsibility at a time, she’s moved from London to San Francisco to work toward her PhD and minor in cheap whiskey, pour-over coffee, and guys who can’t be bothered to shower. When she finds out she’s pregnant by a heartsick ex-boyfriend, the solution seems clear, if only to her. Kira is a talented thirteen-year-old Russian gymnast who leaves her traditional family to travel to America. Elise and Jenni, two Australian high school students, seek asylum from the hooking up and heavy drinking they’ve been doing for years by reenrolling in their childhood sleepaway camp. Over the course of nine loosely connected stories, Hot Little Hands introduces us to young women, at once clever and naïve, who struggle to navigate the chronic uncertainty and very real dangers that come with being impatient for the future and reluctant to leave childhood behind. Abigail Ulman’s voice feels of the moment—sharp and powerful—as she deftly explores ageless themes of sex and maturity among girls who are both confident and frighteningly exposed. Praise for Hot Little Hands “In this sardonic, smart, and thoroughly modern debut collection, Ulman presents nine stories about young women on the verge of adulthood, motherhood, and more who make momentous decisions while delirious with desire.”—O: The Oprah Magazine “[Ulman] excels at dialogue and narrative. The more you get to know her characters, the funnier it is to witness their verbal code-switching as they navigate between nosy parents, fumbling love interests, and trusted friends. That none of these stories is constrained by any need for tidy endings makes them all the more believable.”—The Atlantic “Deftly written with a fresh and realistic style . . . Each female protagonist is wonderfully complicated and charming in her own way.”—Bookreporter “The captivating women in this collection leave a lasting impression.”—Publishers Weekly “Genuinely insightful . . . Hot Little Hands is the rare collection that portrays how life pivots around mundane moments as readily as earth-shaking events.”—Shelf Awareness “It is rare for a collection to so adeptly capture the way life can be at once facile and intense. Ulman’s details are lifelike and droll, her style lucid and engaging, and the overall effect stirring.”—Kirkus Reviews “A noteworthy debut. . . . Ulman writes without judgment, and this is what gives her characters life. They are multifaceted, flawed beings—sometimes victims of others, but often victims of their own actions—in whom readers will recognize flashes of themselves.”—Booklist “The stories are beautifully paced, the dialogue perfect. There is a lovely comedy underpinning the cool tone. Often this becomes hilarious, but it is also controlled and well-judged. Abigail Ulman knows how to write a story, manage a buildup, hold your attention, suggest that somehow nothing much is happening while, in fact, everything is going on.”—Colm Tóibín, author of Brooklyn