As treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich--the aesthetic, conceptual cosmos and life's work of the aristocratic artist Franz von Stuck--this unique volume integrates the artist's house as a category into the international discourse and is the first to assign these buildings the status of major works. About 20 examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures and photographs, plans and models convey the interrelationship between art and life as well as the harmony of the arts expressed by Richard Wagner's historical concept of the total work of art. Among the houses featured are Sir John Soane's Museum, London; William Morris's Red House, Bexleyheath; Louis Comfort Tiffany's Tiffany House, New York City; Mortimer Menpes' flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle's villa and garden, Marrakesh; Kurt Schwitters' Merzbau, Hanover; and Max Ernst's house, Arizona.

Leon Aron considers the “mystery of the Soviet collapse” and finds answers in the intellectual and moral self-scrutiny of glasnost that brought about a profound shift in values. Reviewing the entire output of the key glasnost outlets in 1987-1991, he elucidates and documents key themes in this national soul-searching and the “ultimate” questions that sparked moral awakening of a great nation: “Who are we? How do we live honorably? What is a dignified relationship between man and state? How do we atone for the moral breakdown of Stalinism?” Contributing both to the theory of revolutions and history of ideas, Aron presents a thorough and original narrative about new ideas’ dissemination through the various media of the former Soviet Union. Aron shows how, reaching every corner of the nation, these ideas destroyed the moral foundation of the Soviet state, de-legitimized it and made its collapse inevitable.

Man has long dreamed of visiting the legendary Shamballa and the spiritual enclaves of the lost continents of Lemuria and Atlantis. When darkness fell on the earth, the ancient temples were hidden from the outer world or withdrawn to the etheric plane. The Aquarian age brings new opportunity to those who would enter the temples and retreats of the masters.

This book explores the ways in which the early rabbis reshaped biblical laws of ritual purity and impurity and argues that the rabbis’ new purity discourse generated a unique notion of a bodily self. Focusing on the Mishnah, a Palestinian legal codex compiled around the turn of the third century CE, Mira Balberg shows how the rabbis constructed the processes of contracting, conveying, and managing ritual impurity as ways of negotiating the relations between one’s self and one’s body and, more broadly, the relations between one’s self and one’s human and nonhuman environments. With their heightened emphasis on subjectivity, consciousness, and self-reflection, the rabbis reinvented biblically inherited language and practices in a way that resonated with central cultural concerns and intellectual commitments of the Greco-Roman Mediterranean world. Purity, Body, and Self in Early Rabbinic Literature adds a new dimension to the study of practices of self-making in antiquity by suggesting that not only philosophical exercises but also legal paradigms functioned as sites through which the self was shaped and improved.

Poetry. Editors' Selection from the 2020 Frost Place Chapbook Competition. In THE TEMPLE, Michael Bazzett has created a testament to inhabiting, for a while, a body in this world. It's a hymnal to the absurdity of believing, and believing in the absurd. THE TEMPLE seeks glimpses of the great beyond, a heaven fashioned out of earth and questions, in the here and now.

The Pulitzer Prize–winning author of The Color Purple weaves a “glorious and iridescent” tapestry of interrelated lives in this New York Times bestseller (Library Journal). Includes a new letter written by the author In The Temple of My Familiar, Celie and Shug from The Color Purple subtly shadow the lives of dozens of characters, all dealing in some way with the legacy of the African experience in America. From recent African immigrants, to a woman who grew up in the mixed-race rainforest communities of South America, to Celie’s own granddaughter living in modern-day San Francisco, all must come to understand the brutal stories of their ancestors to come to terms with their own troubled lives. As Walker follows these astonishing characters, she weaves a new mythology from old fables and history, a profoundly spiritual explanation for centuries of shared African American experience. This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection. The Temple of My Familiar is the 2nd book in the Color Purple Collection, which also includes The Color Purple and Possessing the Secret of Joy.

In the age of the selfie, this book traces self-portraiture in film and video from the Western tradition in painting and literature into present-day digital media. The essays assess the significance of the self-portrait in the moving image and new media by exploring a varied and international body of works.