In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions. Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.

Sarah Kay s interests in this book are, first, to examine how medieval bestiaries depict and challenge the boundary between humans and other animals; and second, to register the effects on readers of bestiaries by the simple fact that parchment, the writing support of virtually all medieval texts, is a refined form of animal skin. Surveying the most important works created from the ninth through the thirteenth centuries, Kay connects nature to behavior to Christian doctrine or moral teaching across a range of texts. As Kay shows, medieval thought (like today) was fraught with competing theories about human exceptionalism within creation. Given that medieval bestiaries involve the inscription of texts about and images of animals onto animal hides, these texts, she argues, invite readers to reflect on the inherent fragility of bodies, both human and animal, and the difficulty of distinguishing between skin as a site of mere inscription and skin as a containing envelope for sentient life. It has been more than fifty years since the last major consideration of medieval Latin and French bestiaries was published. Kay brings us up to date in the archive, and contributes to current discussions among animal studies theorists, manuscript studies scholars, historians of the book, and medievalists of many stripes."

After falling off the roof, fifteen-year-old misfit Dylan must attend a therapy group for self-harmers where he meets Jamie, a beautiful and amazing person he doesn't know is transgender.

"I have never resented Ivan's good looks. But there are times, once I became of age to date girls and women, that I wish I could look more like him than myself. Women are not often quick to date a monster. I was okay with that. Until now. Until Winter. She changed everything..."Ivan Petrov is a ruthless Russian businessman who is only six degrees off mob boss. He doesn't give a rat's ass about anything other than getting what he wants. And he wants Winter Rose, the prodigy opera singer, and is willing to torment her sexually until she begs for it. He could care less that Yury, his disfigured and most trusted guard has fallen for her.Winter's Beast is one part sugar and sweet, two parts sex and sweat. It is not your typical Romance and although it has an HEA, it's a dark, twisty road to get there.***WARNING***This novel is filled with angsty consensual non-consent. Yeah, you read that right. I'll say it again...consensual non-consent. It might be triggering for some. As for everyone else... Shake off those strict Puritan morals and enjoy... Because Ivan Petrov, The Sexual Sadist certainly has.With Love, Twyla

The Beast is an animal You'd better lock the Gate Or when it's dark, It comes for you Then it will be too late Alys was the only one to see the soul eaters when they came to her village. The others were sleeping. They never woke up... Now, an orphan, Alys knows the full danger of the soul eaters. She's heard the nursery rhymes the chidren sing about the twin sisters who feed on souls. She's seen people disappear into the fforest and never come back. So why, then, does she find herself mysteriously drawn to the fforest? Is she what everyone around her says she is? A witch? Alys soon finds herself on a journey that will take her to the very heart of the fforest. There she must decide where true evil lies. And face the thing they call ... The Beast. A fairy tale with a difference: shivery, dark, and deeply satisfying. 'Read it if you loved The Handmaid's Tale' - Entertainment Weekly

What if Beauty became the Beast? Discover a new angle on the classic fairytale in this fantasy retelling that's perfect for anyone who can't get enough of Beauty and the Beast. In the city of Yuan, the blind Princess Isra is raised to be a human sacrifice. Her death will ensure her city’s vitality. In the desert, a mutant beast named Gem fights to save his people, known as the Monstrous, from starvation. Neither dreams that, together, they can return balance to their worlds. When Gem is captured for trying to steal Yuan’s enchanted roses, he becomes a prisoner of the city. Isra enlists his help, and soon begins to care for him—and to question everything she has been brought up to believe. . . . “Engrossing tale . . . [an] intense love story.” —Kirkus Reviews “The bones of the classic Beauty and the Beast story are all here, imaginatively fleshed out with tropes from science fiction, fantasy, and even political drama.” —The Bulletin, Recommended “Jay’s characters are well-realized . . . [the] setup is intriguing and her writing assured.” —Publishers Weekly “Revelations and plot twists keep the action flowing and romance growing. . . . A satisfying read for fans of romantic fantasy.” —School Library Journal

Gorgeous Beasts takes a fresh look at the place of animals in history and art. Refusing the traditional subordination of animals to humans, the essays gathered here examine a rich variety of ways animals contribute to culture: as living things, as scientific specimens, as food, weapons, tropes, and occasions for thought and creativity. History and culture set the terms for this inquiry. As history changes, so do the ways animals participate in culture. Gorgeous Beasts offers a series of discontinuous but probing studies of the forms their participation takes. This collection presents the work of a wide range of scholars, critics, and thinkers from diverse disciplines: philosophy, literature, history, geography, economics, art history, cultural studies, and the visual arts. By approaching animals from such different perspectives, these essays broaden the scope of animal studies to include specialists and nonspecialists alike, inviting readers from all backgrounds to consider the place of animals in history and art. Combining provocative critical insights with arresting visual imagery, Gorgeous Beasts advances a challenging new appreciation of animals as co-inhabitants and co-creators of culture. Aside from the editors, the contributors are Dean Bavington, Ron Broglio, Mark Dion, Erica Fudge, Cecilia Novero, Harriet Ritvo, Nigel Rothfels, Sajay Samuel, and Pierre Serna.