-Barnes & Noble Best Horror Books of 2017 Pick -Runner-up for the American Library Association's Horror Book of 2017 "One of the most enthralling novels I've read in the last ten years. Dubeau is a force to be reckoned with." —Jerry Smith, Fangoria Magazine and Blumhouse.com "This is the page-turner you've been looking for." —Barnes & Noble The village of Saint-Ferdinand has all the trappings of a quiet life: farmhouses stretching from one main street, a small police precinct, a few diners and cafés, and a grocery store. Though if an out-of-towner stopped in, they would notice one unusual thing—a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It’s not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play. When a dark spirit reveals itself to Venus McKenzie, one of Saint-Ferdinand's teenage residents, she learns that this creature's power has a long history with her town—and that the serial murders merely scratch the surface of a past burdened by evil secrets.

Farm animals wonder who is in the shed making all the nose

The Shed is a place full of memories. Memories of a tragic accident. For Steve, cleaning it will mean a chance to rid the horrors of the day he lost his son. But there is something else in the shed. Something dark & evil that will make Steve question both his sanity and his grasp on reality.

Sunny is part of a community living on a farm, where the residents are effectively imprisoned and everything is governed by strict regulations. As girls approach maturity they're rounded up and herded into a mysterious shed, out of bounds to younger children. Sunny's mother urges her adolescent daughter to escape with her best friend, but in trying to save her friend, Sunny too is caught, and the chilling secrets of The Shed are revealed. An act of courage and defiance, along with help from a mysterious outside agency, result in an escape which is only the first step in a journey of revelation and self-discovery.

Adeze Wilford, Alex Poots, Ashley James, Hans Ulrich Obrist, Howardena Pindell

After James tells a scary story, Thomas the tank engine imagines there is a horrible, engine-eating monster coming after him.

"Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her." -Karrie Jacobs, New York Times Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed "the queen of land art" by the New York Times, famed for her iconic Wheatfield--A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers. A major undertaking, this superb catalog includes a comprehensive text by the exhibition's curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes' multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert. Budapest-born, New York-based artist Agnes Denes (born 1931) rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental and ecological art. A pioneer of several art genres, she has created work in many mediums, utilizing various disciplines--such as science, philosophy, linguistics, ecology and psychology--to analyze, document and ultimately aid humanity.