This emotionally resonant novel in verse by award-winning author Nikki Grimes celebrates choosing to be true to yourself. Garvey's father has always wanted Garvey to be athletic, but Garvey is interested in astronomy, science fiction, reading—anything but sports. Feeling like a failure, he comforts himself with food. Garvey is kind, funny, smart, a loyal friend, and he is also overweight, teased by bullies, and lonely. When his only friend encourages him to join the school chorus, Garvey's life changes. The chorus finds a new soloist in Garvey, and through chorus, Garvey finds a way to accept himself, and a way to finally reach his distant father—by speaking the language of music instead of the language of sports.

Marcus Garvey founded the Universal Negro Improvement Association in 1914. He was one of the first black leaders to encourage black people to discover their cultural traditions and history, and to seek common cause in the struggle for true liberty and political recognition. This book discusses his philosophy and opinions.

A vital and timely reminder that modern life owes as much to outlandish thinking as to dominant ideologies What do the Nag Hammadi library, Dan Brown’s The Da Vinci Code, speculative feminist historiography, Marcus Garvey’s finances, and maps drawn by asylum patients have in common? Jonathan P. Eburne explores this question as never before in Outsider Theory, a timely book about outlandish ideas. Eburne brings readers on an adventure in intellectual history that stresses the urgency of taking seriously—especially in an era of fake news—ideas that might otherwise be discarded or regarded as errant, unfashionable, or even unreasonable. Examining the role of such thinking in contemporary intellectual history, Eburne challenges the categorical demarcation of good ideas from flawed, wild, or bad ones, addressing the surprising extent to which speculative inquiry extends beyond the work of professional intellectuals to include that of nonprofessionals as well, whether amateurs, unfashionable observers, or the clinically insane. Considering the work of a variety of such figures—from popular occult writers and gnostics to so-called outsider artists and pseudoscientists—Eburne argues that an understanding of its circulation and recirculation is indispensable to the history of ideas. He devotes close attention to ideas and texts usually omitted from or marginalized within orthodox histories of literary modernism, critical theory, and continental philosophy, yet which have long garnered the critical attention of specialists in religion, science studies, critical race theory, and the history of the occult. In doing so he not only sheds new light on a fascinating body of creative thought but also proposes new approaches for situating contemporary humanities scholarship within the history of ideas. However important it might be to protect ourselves from “bad” ideas, Outsider Theory shows how crucial it is for us to know how and why such ideas have left their impression on modern-day thinking and continue to shape its evolution.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Algernon Blackwood (1869-1951) was an English short story writer and novelist, one of the most prolific writers of ghost stories in the history of the genre. Blackwood wrote a number of horror stories. His most work seeks less to frighten than to induce a sense of awe. Table of Contents: The Empty House A Haunted Island A Case of Eavesdropping Keeping His Promise With Intent to Steal The Wood of the Dead Smith: An Episode in a Lodging-House A Suspicious GiftThe Strange Adventures of a Private Secretary in New York Skeleton Lake: An Episode in Camp

Arguing that the accomplishments of Jamaican activist Marcus Garvey and his followers have been marginalized in narratives of the black freedom struggle, this volume builds on decades of overlooked research to reveal the profound impact of Garvey’s post–World War I black nationalist philosophy around the globe and across the twentieth century. These essays point to the breadth of Garveyism’s spread and its reception in communities across the African diaspora, examining the influence of Garvey’s Universal Negro Improvement Association (UNIA) in Africa, Australia, North America, and the Caribbean. They highlight the underrecognized work of many Garveyite women and show how the UNIA played a key role in shaping labor unions, political organizations, churches, and schools. In addition, contributors describe the importance of grassroots efforts for expanding the global movement—the UNIA trained leaders to organize local centers of power, whose political activism outside the movement helped Garvey’s message escape its organizational bounds during the 1920s. They trace the imprint of the movement on long-term developments such as decolonization in Africa and the Caribbean, the pan-Aboriginal fight for land rights in Australia, the civil rights and Black Power movements in the United States, and the radical pan-African movement. Rejecting the idea that Garveyism was a brief and misguided phenomenon, this volume exposes its scope, significance, and endurance. Together, contributors assert that Garvey initiated the most important mass movement in the history of the African diaspora, and they urge readers to rethink the emergence of modern black politics with Garveyism at the center.

Certain houses, like certain persons, manage somehow to proclaim at once their character for evil. In the case of the latter, no particular feature need betray them; they may boast an open countenance and an ingenuous smile; and yet a little of their company leaves the unalterable conviction that there is something radically amiss with their being: that they are evil. Willy nilly, they seem to communicate an atmosphere of secret and wicked thoughts which makes those in their immediate neighbourhood shrink from them as from a thing diseased. And, perhaps, with houses the same principle is operative, and it is the aroma of evil deeds committed under a particular roof, long after the actual doers have passed away, that makes the gooseflesh come and the hair rise. Something of the original passion of the evil-doer, and of the horror felt by his victim, enters the heart of the innocent watcher, and he becomes suddenly conscious of tingling nerves, creeping skin, and a chilling of the blood. He is terror-stricken without apparent cause....

"Africa for the Africans" was the name given in Africa to the extraordinary black social protest movement led by Jamaican Marcus Mosiah Garvey (1887-1940). Volumes I-VII of the Marcus Garvey and Universal Negro Improvement Association Papers chronicled the Garvey movement that flourished in the United States during the 1920s. Now, the long-awaited African volumes of this edition (Volumes VIII and IX and a forthcoming Volume X) demonstrate clearly the central role Africans played in the development of the Garvey phenomenon. The African volumes provide the first authoritative account of how Africans transformed Garveyism from an external stimulus into an African social movement. They also represent the most extensive collection of documents ever gathered on the early African nationalism of the inter-war period. Here is a detailed chronicle of the spread of Garvey's call for African redemption throughout Africa and the repressive colonial responses it engendered. Volume VIII begins in 1917 with the little-known story of the Pan-African commercial schemes that preceded Garveyism and charts the early African reactions to the UNIA. Volume IX continues the story, documenting the establishment of UNIA chapters throughout Africa and presenting new evidence linking Garveyism and nascent Namibian nationalism.