Descartes made a sharp distinction between matter and mind. But he also thought that the two interact with one another. Is such interaction possible, however, without either a materialist reduction of mind to matter or an idealist (phenomenalist) reduction of matter to mind? These questions overshadow the Western tradition in metaphysics from the time of Descartes to present times. The book makes an effort to stay clear of reductivist views of the two Cartesian substances. It defends a dualistic psycho-physical parallel theory which reconciles freedom of action with determinism in nature. Basic problems in perception theory are also discussed, with special emphasis on hearing and sound. Because of the intrinsic interest of the subject and the author's non-technical presentation of it, the book should appeal to all readers with a serious interest in philosophy and psychology.

A superb text for teaching the philosophy of Descartes, this volume includes all his major works in their entirety, important selections from his lesser known writings, and key selections from his philosophical correspondence. The result is an anthology that enables the reader to understand the development of Descartes’s thought over his lifetime. Includes a biographical Introduction, chronology, bibliography, and index.

Focusing on the first four images of the Other mobilized in Descartes’ Meditations—namely, the blind, the mad, the dreamy, and the bad—Reading Descartes Otherwise casts light on what have heretofore been the phenomenological shadows of “Cartesian rationality.” In doing so, it discovers dynamic signs of spectral alterity lodged both at the core and on the edges of modern Cartesian subjectivity. Calling for a Copernican reorientation of the very notion “Cartesianism,” the book’s series of close, creatively critical readings of Descartes’ signature images brings the dramatic forces, moments, and scenes of the cogito into our own contemporary moment. The author patiently unravels the knotted skeins of ambiguity that have been spun within philosophical modernity out of such clichés as “Descartes, the abstract modern subject” and “Descartes, the father of modern philosophy”—a figure who is at once everywhere and nowhere. In the process, she revitalizes and reframes the legacy of Cartesian modernity, in a way more mindful of its proto-phenomenological traces.

Can one trust his senses when perceiving the outside world? When my sensations are the basis of my perceiving my own existence, what if these sensations are to be doubted - what can the proof of my own existence be? These questions, both simple and profoundly undermining, stand at the beginning of Modernity: the philosophy of Rene Descartes. A true compilation of the text of Descartes' writings, combined with thrilling comic book illustrations that evoke Prince Valiant (and address smaller children as well), this book drags its readers - and musketeer-like Mister Descartes himself - into the adventure of thinking. It gives a lively and fascinating introduction into Cartesian thought: the conception of Cogito, doubt, and certainty of self of this Father of Modern Philosophy.

In three beautifully wrought meditations on the import of Ren Descartes' legacy from a poet's perspective, Durs Grnbein presents us with a Descartes whom we haven't met before: not the notorious perpetrator of the mind-body-dualism, the arch-villain of Rationalism but the inspired and courageous dreamer, explorer, and fabulist. Reading Descartes against the grain of the widely accepted view of the philosopher as the proponent of a cut-and-dried, disembodied, and, hence, misguided view of humanity, Grnbein discloses the profoundly humane and poetic underpinnings of the legacy of this "modern man par excellence," and, by extension, of modernity as a whole. Uncovering the poetic foundations of Descartes' rationalism and, concomitantly, the poetic lining of the mantle of reason, Durs Grnbein, one of the world's greatest living poets and essayists, shows us that reason is never more alive than when it is most poetic.

How scientists through the ages have conducted thought experiments using imaginary entities—demons—to test the laws of nature and push the frontiers of what is possible Science may be known for banishing the demons of superstition from the modern world. Yet just as the demon-haunted world was being exorcized by the enlightening power of reason, a new kind of demon mischievously materialized in the scientific imagination itself. Scientists began to employ hypothetical beings to perform certain roles in thought experiments—experiments that can only be done in the imagination—and these impish assistants helped scientists achieve major breakthroughs that pushed forward the frontiers of science and technology. Spanning four centuries of discovery—from René Descartes, whose demon could hijack sensorial reality, to James Clerk Maxwell, whose molecular-sized demon deftly broke the second law of thermodynamics, to Darwin, Einstein, Feynman, and beyond—Jimena Canales tells a shadow history of science and the demons that bedevil it. She reveals how the greatest scientific thinkers used demons to explore problems, test the limits of what is possible, and better understand nature. Their imaginary familiars helped unlock the secrets of entropy, heredity, relativity, quantum mechanics, and other scientific wonders—and continue to inspire breakthroughs in the realms of computer science, artificial intelligence, and economics today. The world may no longer be haunted as it once was, but the demons of the scientific imagination are alive and well, continuing to play a vital role in scientists' efforts to explore the unknown and make the impossible real.

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