A philosophical tour de force melding astrophysics and grief by the American maestra of the prose poem “If memory serves, it was five years ago that yours began to refuse,” Rosmarie Waldrop writes to her husband in The Nick of Time. “Does it feel like crossing from an open field into the woods, the sunlight suddenly switched off? Or like a roof without edge or frame, pushed sideways in time?” Ten years in the making, Waldrop’s phenomenally beautiful new collection explores the felt nature of existence as well as gravity and velocity, the second hemisphere of time, mortality and aging, language and immigration, a Chinese primer, the artist Hannah Höch, and dwarf stars. Of one sequence, “White Is a Color,” first published as a chapbook, the Irish poet Billy Mills wrote, “In what must be less than 1000 words, Waldrop says more about the human condition and how we explore it through words than most of us would manage in a thousand pages.” Love blooms in the cut, in the gap, in the nick between memory and thought, sentence and experience. Like the late work of Cézanne, Waldrop’s art has found a new way of seeing and thinking that “vibrates on multiple registers through endless, restless exploration” (citation for the Los Angeles Times Book Prize).

Charlotte is out in the woods on her own one day when something mysterious happens - she walks along a row of stones laid like stepping stones on the forest floor . . . and finds herself in another age. She has somehow slipped back to 1955, and is now, in the same woods, on the site of a very unique school, an open-air school for sick city children. No one believes her tales of the world she's come from, her mobile doesn't work and she can't see how on earth she's going to get back. A friendship with another pupil proves the key - is Jack more than he seems?

A new collection of prophetic essays from one of the sharpest practitioners of the form Mark Slouka writes from a particular vantage point, one invoked by Thoreau, who wished "to improve the nick of time . . . to stand on the meeting of two eternities, the past and future." At this bewildering convergence, Slouka asks us to consider what it means to be human and what we must revive, or reject, in order to retain our humanity in the modern world. Collected over fifteen years, these essays include fascinating explorations of the relationship between memory and history and the nature of "tragedy" in a media-driven culture; meditations on the transcendent "wisdom" of the natural world and the role of silence in an age of noise; and arguments in defense of the political value of leisure time and the importance of the humanities in an age defined by the language of science and industry. Written in Slouka's supple and unerring prose, celebratory, critical, and passionate, Essays from the Nick of Time reawakens us to the moment and place in which we find ourselves, caught between the fading presence of the past and the neon lure of the future.

In this pathbreaking philosophical work, Elizabeth Grosz points the way toward a theory of becoming to replace the prevailing ontologies of being in social, political, and biological discourse. Arguing that theories of temporality have significant and underappreciated relevance to the social dimensions of science and the political dimensions of struggle, Grosz engages key theoretical concerns related to the reality of time. She explores the effect of time on the organization of matter and on the emergence and development of biological life. Considering how the relentless forward movement of time might be conceived in political and social terms, she begins to formulate a model of time that incorporates the future and its capacity to supersede and transform the past and present. Grosz develops her argument by juxtaposing the work of three major figures in Western thought: Charles Darwin, Friedrich Nietzsche, and Henri Bergson. She reveals that in theorizing time as an active, positive phenomenon with its own characteristics and specific effects, each of these thinkers had a profound effect on contemporary understandings of the body in relation to time. She shows how their allied concepts of life, evolution, and becoming are manifest in the work of Gilles Deleuze and Luce Irigaray. Throughout The Nick of Time, Grosz emphasizes the political and cultural imperative to fundamentally rethink time: the more clearly we understand our temporal location as beings straddling the past and the future without the security of a stable and abiding present, the more transformation becomes conceivable.

"Nick Saint never really put a lot of thought into his name until one snowy day in December he accidentally receives a letter meant for Saint Nick. Realizing that there is not much time left until Christmas, Nick opens the letter. The unexpected message inside ultimately leads him on a journey of understanding poverty, gratitude, and service to others while discovering the meaning of the holiday spirit."--Back cover."

The Bug Man is getting married on Saturday . . . if his fiancΘe can find him. Forensic entomologist Nick Polchak lives in a world of maggots and blow flies and decomposing bodies. No wonder he's still single. But Nick has finally found a woman as strange as he isùdog trainer Alena Savard, a woman who is odd, reclusive, and can seemingly talk to animals. It was a match made in heaven. Nick and Alena are scheduled to be married on Saturdayùbut there's one small problem. Nick has disappeared. Caught up in a murder case involving an old friend, Nick finds himself on a manhunt that's drawing him farther and farther from the church where Alena is waiting. But will he make it back in time? Could Nick's single-minded focus cause him to forget his own wedding? Is he really pursuing a killer, or is he running away from something else?

'A book dealing with modern problems and rightly longlisted for the Man Booker Prize. King is a writer's writer, his voice utterly convincing' Beryl Bainbridge, Books of the Year, Daily Telegraph Francis King's provocative and adventurous novel looks at the havoc wrought when a young Kosovan - an illegal immigrant - finds himself in London. Mehmet leads a double life befriending and lodging with an elderly woman who suffers from MS, while at the same time having an affair with a female doctor and throwing himself onto the London gay scene. Disaster looms when he begins a relationship with a gay protector - and is arrested because of his illegal status.