Set in a remote British penal colony in the late eighteenth century, Bring Larks and Heroes explores the early years of European settlement of desperate men and corrupt soldiers to Australia, the world’s end. Corporal Phelim Halloran, an honest man, poet and lover, attempts to make a home for himself while confronting the demands of his secret bride, a convict-artist, his Irish comrades, and his own conscience. Can he overcome the hellish, sun-parched landscape to believe in something greater than his own existence?

“Show me a hero and I will write you a tragedy” is the quotation from F. Scott Fitzgerald that supplies the poignantly appropriate title to this novel. The hero is a three-star general in field command of the U.S. Army in Korea. He is a magnificent hero—brave, profoundly patriotic, professionally skillful, intensely human. His tragedy is double-barreled: his position requires him to fight a containing war when he believes that he should fight a war to win; and his personal life is closing in defeat because his wife and son cannot share his devotion to the Army. But the book is far more than the personal tragedy of General Lark Logan. It gives a panoramic and detailed picture of a modern army action. It traces the peculiar and often humorous experiences of enlisted men; it presents the details of a grimly conscientious court martial; it follows the working press and the working espionage systems of both sides; it affords a touching picture of a brave and deeply religious superannuated chaplain. Each of the individual stories is interrelated in a fine and highly skilled mosaic of narrative that keeps the reader turning pages to see what happens next—and that always satisfies him with the solution of each dramatic situation as it develops. In the end, one is exalted by the fine picture of devoted Americans in action—Americans who, with all their blatancy and occasional commercial cynicism, live the sort of lives and perform the sort of actions which have made America great and must continue to do so.

Alarmed by the increasingly marginal status of Australian literature in the academy, Williamson has set out to reintroduce us to those key writers whose works we may have forgotten or missed altogether. His focus is on fiction that gives pleasure, and he is ardent in defence of books that for whatever reason sit uneasily in the present moment.

Helen Davenport, governess for a wealthy London household, spots an advertisement seeking young women to marry New Zealand's honorable bachelors and begins correspondence with a gentleman farmer. When her church offers to pay her travels under an unusual arrangement, she jumps at the opportunity. On the ship, she meets Gwyneira Silkham, traveling to meet a New Zealand baron who won her in a game of blackjack. When their new husbands turn out to be very different than expected, the women must help one another find the life they'd hoped for.

A lark for the sake of their country tells the tale of the upper and middle-class ‘volunteers’ in the 1926 General Strike in Great Britain. With behaviour derived from their play traditions - the larks, rags, fancy dress parties, and treasure hunts that prevailed at universities and country houses - the volunteers transformed a potential workers’ revolution into festive public display of Englishness. Decades later, collective folk memories about this event continue to define national identity. Based on correspondence and interviews with volunteers and strikers, as well as contemporary newspapers and magazines, novels, diaries, plays, and memoirs, this book recreates the context for the volunteers’ actions. It explores how the upper classes used the strike to assert their ideological right to define Britishness as well as how scholars, novelists, playwrights, diarists, museum curators, local historians, and even a theme restaurant, have continued to recycle the strike to define British identity.

This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile