In the Image of Orpheus tells the inner story of Rilke's literary career, tracing--step by step--the mythopoetic journey inscribed in the interweaving lines of the poet's life and art. Blending biography with in-depth analyses of Rilke's poetry and prose (from his little-known Visions of Christ through the Sonnets to Orpheus), the lively narrative draws upon Hillman and Jung, Plato and Petrarch, Apuleius, Ibn Arabi and Lou Andreas-Salom as it unfolds the poet-seer's vision of the nature and destiny of the human soul--a vision as timely as it is timeless.

This culmination of award-winning author Andrew Harvey’s life’s work bridges the great divide between spiritual resignation and engaged spiritual activism. A manifesto for the transformation of the world through the fusion of deep mystical peace with the clarity of radical wisdom, it is a wake-up call to put love and compassion to urgent, focused action. According to Harvey, we are in a massive global crisis reflected by a mass media addicted to violence and trivialization at a moment when what the world actually needs is profound inspiration, a return to the heart-centered way of the Divine Feminine, the words of the mystics throughout the ages, and the cultivation of the nonviolent philosophies of Gandhi, Nelson Mandela, Aung San Suu Kyi, and the Dalai Lama. Harvey’s concepts of radical passion and sacred activism fly in the face of restraint, of pessimism, of denial, of all that is inhumane, fusing the mystic’s passion for God with the activist’s passion for justice and for healing the division between heaven and earth, heart and will, body and soul, prayer and action. Sacred activism asks that we engage deeply on a personal, spiritual, and political level so as to become a fully empowered, fully active, and contemplative humanity that can turn tragedy into grace, and desolation into the opportunity to build and co-create a new world. Unlike many spiritual books, Radical Passion does not veil the dark with artificial hope. It explores the catastrophes of our current times and celebrates the ecstatic hope and divinity that is possible—right now and in the future.

Travelogue, literary autobiography, and journalistic exposé of the mores of capital punishment, Rue Rilke chronicles its author's initiatory Rilke pilgrimage to France and Switzerland and—upon his return to America—his up-close involvement in death penalty politics. Immersed in the legal and human drama unfolding in Houston in the days leading up to an impending execution, the intimate linkage of love and death learned from Rilke aid him in his efforts to confront his country's sanction of lethal violence and make spiritual sense of his torn, too often black-and-white world. “Poetry matters and this book shows us why. The astonishing range of Rue Rilke—a travel diary, a meditation on Rilke, and a gripping account of efforts to oppose an unjust judicial execution—reveals the essense of what James Hillman calls soul-making. Poet, essayist, and passionate abolitionist, Daniel Polikoff gives us a book dedicated to the fiery poetry of life itself.” SUSAN ROWLAND, author of Jung as a Writer and The Ecocritical Psyche “In his stunning early book Rue Rilke, Daniel Joseph Polikoff offers us an impassioned and stylistically brilliant travelogue. With Rilke as his Virgil, he descends in quest of the feminine values he must labor to integrate into contemporary life. Never before has Rilke’s mythic identification with the prodigal son been so personally authenticated, taken up with such imaginative immersion and inquisitive grace. A remarkable achievement.” BRUCE BOND, University of North Texas, author of Immanent Distance “Polikoff's is a profound and spacious spiritual imagination. That passionate young man who wrote of his experiences one summer more than two decades ago was filled with the old wisdom of The Poet, the song-lines of landscape, and the prophetic voice that dares confront “the fear that guts the spiritual house of this land.” We need his voice now in our own deeply disturbed times.” NAOMI RUTH LOWINSKY, author of The Sister from Below and The Faust Woman Poems Poet, translator, and internationally recognized Rilke scholar Daniel Joseph Polikoff received his Ph.D. in Comparative Literature from Cornell University and his Diploma in Waldorf Education from Rudolf Steiner College. In addition to work in numerous literary journals, he has published five books of poetry, translation, and criticism, incuding In the Image of Orpheus: Rilke—A Soul History and a bilingual translation of Rilke's Sonnets to Orpheus. Dr. Polikoff has taught literature in Waldorf high schools as well as courses in literature and depth psychology at Sonoma State University and the California Institute of Integral Studies. He has shared his passion for Rilke in a wide variety of venues in the United States and abroad, including annual meetings of the International Rilke and Jean Gebser Societies, the San Francisco Jung Institute, and the Napa Valley Writer's Conference. His webinars on Rilke: Poetry and Alchemy and Rilke and the Hermetic Tradition are available through the Asheville Jung Center. He resides with his wife Monika and family in the San Francisco Bay area. More information is available at danielpolikoff.com.

Spanning four centuries from the Renaissance to today's avant-garde, Migration and Mutation explores how the sonnet has evolved in and out of translation. Contributors examine little-studied translation trajectories in the early modern period, such as the pivotal role of France between Italy and England or the first German sonnets and their Italian, French, Dutch and Scottish origins. Essays then shed new light on major European sonneteers In the 19th and 20th centuries, including Shakespeare, Keats, Yeats, Rilke and Pessoa, alongside lesser-known contemporaries and with novel approaches. And finally, contributors explore how translation and adaptation create metaphorical space in the 21st century. Migration and Mutation also pays attention to the political or subversive dimension of the sonnet, with essays on women, gay or postcolonial reclaimings of the sonnet and recent experiments such as post-Soviet Sonnets on shirts by Genrikh Sagpir. It takes the sonnet out of the confines of enclosed national traditions bringing it into renewed contact with mostly European, but also other, cultures.

In part through critical biography, in part through a close reading of almost all of the poems Rilke wrote, including many poems from his Diaries, this large book challenges new ideas about what went into the making of Rilke over twenty years of production, from his early beginnings under the tutelage of Lou Salomé, right through, to his famous final works, the 'Sonnets to Orpheus' and the 'Duino Elegies.' Volume 1 focuses largely on 'The Book of Hours'; Volume 2 on 'The Book of Images,' the two parts of 'New Poems,' 'The Notebooks of Malte Laurids Brigge,' and the first Elegies written while at Duino; Volume 3 on those all-crucial, self-transforming ten years beyond Duino that lead up to the 'Sonnets to Orpheus' and Rilke’s eventual completion of the Elegies. Two major theses are put forward in this book, the first touching on Rilke’s well-known relationship to his former lover and mentor, Lou Salomé, who is understood to have been a far more problematic influence on him than we had supposed, the second touching on an equally crucial and at some point saving influence on Rilke from the literary sphere, which is shown to be that of the great visionary poet who went by the name of Novalis. Behind the grand story of Rilke’s poetic emergence lies the fundamental and long-standing reality of his repression by Lou and what that would sow, paradoxically, by way of a sublimated achievement as sublimely poignant as it is finally tragic. JOHN O’MEARA received his PhD from the University of East Anglia in 1986. He taught for many years at the University of Toronto and the University of Ottawa. He is the author of 'The Way of Novalis' and 'Remembering Shakespeare.' Visit the author’s website at johnomeara.squarespace.com

This book is devoted to the study of the bilingual “parallel poems” of Ludwig Strauss (Aachen 1892 ˗ Jerusalem 1953) created between 1934 and 1952 in Palestine/Israel and which exist in two variants, a Hebrew and a German version, one of which is the original and the other a self-translation. The aim of this study is to compare the versions and their interpretation based on Strauss’s theoretical essays on poetry and translation, his political writings and works of literary criticism. Special attention is paid to Strauss’s concept (linked with the idea of messianic redemption) of poetry as a “fore-image” of a future true community of men and as “the earthly expression of the Absolute” directed at interpreting divine revelation and its “translation” into human language. In examining Strauss’s experiments with self-translation, by which he aimed at establishing a dialogue between languages, and between people and nations, this study considers the two processes of translation: from divine speech into human language and from one human language into another.