A young woman's coming of age, a romantic love story, and a spiritual journey—each infused with the lessons of history. In the Image is an extraordinary first novel illuminated by spiritual exploration, one that remembers "a language, a literature, a held hand, an entire world lived and breathed in the image of God." Bill Landsmann, an elderly Jewish refugee in a New Jersey suburb with a passion for travel, is obsessed with building his slide collection of images from the Bible that he finds scattered throughout the world. The novel begins when he crosses paths with his granddaughter's friend, Leora, and continues by moving forward through her life and backward through his, revealing the unexpected links between his family's past and her family's future. Not just a first novel but a cultural event—a wedding of secular and religious forms of literature—In the Image neither lives in the past nor seeks to escape it, but rather assimilates it, in the best sense of the word, honoring what is lost and finding, among the lost things, the treasures that can renew the present. Reading group guide included.

ONE OF TEN LONGLISTED IN THE 2021 SHELF UNBOUND BEST INDIE BOOK COMPETITION FINALIST FOR THE 2021 FOREWORD INDIES AWARDS A naked boy wanders alone through a divided land carrying precious rocks, and seeks refuge in a cave below a hidden monastery in the mountains. A middle-aged man returns to the home of his youth in Lebanon, to a cave where he confronts a thief with a camera and protects a sacred, centuries-old piece of art. Months later, carrying the treasured face in his briefcase, the photographer faces the utter loss of all he has hoped for. Three stories. Three men. One image: a timeless work of art. The Image is a profound and compelling collection of linked short stories about faith, hope, belonging, and the search for meaning within a holy land.

Based on events surrounding efforts to authenticate the Shroud of Turin, BeauSeigneur takes readers on a brilliantly researched and vividly imagined journey to find whether a forbidden experiment will lead to the Triumph of Man--or the Wrath of God.

Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.

To look at one was to see the other. For family, even the girls' own father, it was a constant guessing game. For strangers, the surprise was overwhelming. And for the twins Olivia and Victoria Henderson, two remarkable young women coming of age at the turn of the century, their bond was mysterious, marvelous, and often playful--a secret realm only they inhabited. Olivia and Victoria were the beloved daughters of a man who never fully recovered from his wife's death bearing them in 1893. Shy, serious Olivia, born eleven minutes before her sister, had taken over the role of mother in their lush New York estate, managing not only a household but her rebellious twin's flights of fancy. Free-spirited Victoria wanted to change the world. She embraced the women's suffrage movement and dreamed of sailing to war-torn Europe. Then, in the girls' twenty-first year, as the first world war escalated overseas, a fateful choice changed their lives forever. It began when Victoria's life was about to become a public scandal. It led to a painful decision, and brought handsome lawyer Charles Dawson into the Henderson's life and family. Hand-picked by the twins' father to save his daughter's reputation, Charles was still mourning his wife's death aboard the Titanic, struggling to raise his nine year-old son alone, determined never to lose his heart again. Charles wanted to believe that, for the sake of his son, he could make an unwanted marriage work. But in an act of deception that only Olivia and Victoria could manage, the twins took an irrevocable step, which changed both their lives forever; and took one of the twins to the battlefields of France, the other into a marriage she longed for but could not have. From Manhattan society to the trenches of war-ravaged France, Mirror Image moves elegantly and dramatically through a rich and troubled era. With startling insight, Danielle Steel explores women's choices: between home and adventure, between the love for family and the passion for a cause, between sacrifice and desire. But at the heart of Mirror Image is a fascinating, realistic portrait of identical twins, two vastly different sisters who lead their lives and follow their destinies against a vivid backdrop of a world at war.

Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. ​In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think.

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.