A New York Times Best Mystery of the Year: A hard-drinking detective deals with double murder and an elusive vigilante. After much tragedy and violence, Jack Taylor has at long last landed at contentment. Of course, he still knocks back too much Jameson and dabbles in uppers, but he has a new woman in his life, a freshly bought apartment, and little sign of trouble on the horizon—until a wealthy Frenchman comes to him with a request to investigate the double murder of his twin sons. Jack is meanwhile roped into looking after his girlfriend’s nine-year-old, and is in for a shock with the appearance of a character out of his past. The plot is one big chess game and all of the pieces seem to be moving at the behest of one dangerously mysterious player: a vigilante called “Silence,” because he’s the last thing his victims will ever hear. This new novel filled with suspense and pitch-dark humor comes from a Shamus Award-winning author who’s been called “hard to resist, with his aching Irish heart, silvery tongue, and bleak noir sensibility” (TheNew York Times Book Review). “The Godfather of the modern Irish crime novel.”—Irish Independent

“They don’t come much tougher than Ken Bruen’s Irish roughneck, Jack Taylor,” and crime thrillers don’t get any better than this (The New York Times Book Review). Jack Taylor has never quite been able get his life together, but now he has truly hit rock bottom. Still reeling from a violent family tragedy, Taylor is busy drowning his grief in Jameson and uppers, as usual, when a high-profile officer in the local Garda is murdered. After another Guard is found dead, and then another, Taylor’s old colleagues from the force implore him to take on the case. The plot is one big game, and all of the pieces seem to be moving at the behest of one dangerously mysterious team: a trio of young killers with very different styles, but who are united their common desire to take down Jack Taylor. Their ring leader is Jericho, a psychotic girl from Galway who is grieving the loss of her lover, and who will force Jack to confront some personal trauma from his past. As sharp and sardonic as it is starkly bleak and violent, Galway Girl shows master raconteur Ken Bruen at his best: lyrical, brutal, and ceaselessly suspenseful.

Someone is scraping the scum off the streets of Galway, and they want Jack Taylor to get involved. A drug pusher, a rapist, a loan shark, all targeted in what look like vigilante attacks. And the killer is writing to Jack, signing their name: C-33. Jack has had enough. He doesn’t need the money, and doesn’t want to get involved. But when his friend Stewart gets drawn in, it seems he isn’t been given a choice. In the meantime, Jack is being courted by Reardon, a charismatic billionaire intent on buying up much of Galway, and begins a tentative relationship with Reardon’s PR director, Kelly. Caught between heaven and hell, there’s only one path for Jack Taylor to take: Purgatory.

Jack Taylor has finally traded in his violent life in Galway for a quiet retirement in the country. But on a day trip back into the city, Jack is hit by a truck and left in a coma, mysteriously without a scratch on him. When he awakens weeks later, he finds Ireland in a frenzy over the so-called 'Miracle of Galway'. People have become convinced that the two children who tended to him are saintly, and the site of the accident sacred. The Catholic Church isn't so sure, and Jack is commissioned to help find the children – to verify the miracle or expose the stunt. But Jack isn't the only one looking for these children, and he'll need all the help he can get – and a stiff drink of Jameson – once he finds them. Praise for Ken Bruen: 'Bruen is an Emerald Noir maestro' – DUBLIN SUNDAY INDEPENDENT 'The best-kept literary secret in Ireland' – INDEPENDENT 'One of Ireland's most original voices in crime fiction' – IRISH INDEPENDENT 'Bruen's visceral writing and anger brings a fierce, almost surreal intensity to this mad story of a heretical book that turns up in Galway' – METRO

Long recognized as perhaps the greatest non-fiction writer at work in Ireland, for his vast, polymathic accounts of nature and culture in the Aran Islands and Connemara, Tim Robinson is also an essayist of genius whose fascinations range across the globe. In Experiments on Reality, he shines the light of his intelligence on his own life, and on some of the most fascinating questions in science and culture. Robinson brings us to his boyhood in Yorkshire, National Service in Malaya in the 1950s, and his years as a visual artist in Istanbul, Vienna and London. He revisits some of the scenes of his researches for the maps he made of Aran and Connemara, places that continue to throw up remarkable stories and puzzles. And he performs astonishing literary thought-experiments, playing with the boundaries of the essay form, scientific inquiry, and storytelling. Experiments on Reality is a masterpiece from one of the great minds of our time. 'One of the greatest of all landscape writers ... When the material world is brought forth for us so beautifully, with such rapt attention and illuminating insight, we are reminded of how lucky we are to be part of it' Fintan O'Toole, Irish Times PRAISE FOR THE CONNEMARA TRILOGY: 'One of the most remarkable non-fiction projects undertaken in English' Robert MacFarlane, Spectator 'Robinson is a marvel ... the supreme practitioner of geo-graphy, the writing of places' Fintan O'Toole, Observer Books of the Year 'One of contemporary Ireland's finest literary stylists ... This is a book that does justice, in every sense of that phrase, to the frequently betrayed people whose stories it incarnates, and to their strange and beautiful corner of the world' Joseph O'Connor, Guardian 'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Tóibín, Irish Times Books of the Year 'One of the finest of contemporary prose stylists' John Burnside, Irish Times 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian 'Breathtaking ... the West of Ireland has found its ultimate laureate' Patricia Craig, TLS 'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller

Some lines should never be crossed. Police corruption, an investigation that ends in tragedy, and the mystery of a little girl’s silence—three unconnected events that will prove to be linked by one small town. While Detective Cormac Reilly faces enemies at work and trouble in his personal life, Garda Peter Fisher is relocated out of Galway with the threat of prosecution hanging over his head. But even that is not as terrible as having to work for his overbearing father, the local copper for the pretty seaside town of Roundstone. For some, like Anna and her young daughter, Tilly, Roundstone is a refuge from trauma. But even this village on the edge of the sea isn’t far enough to escape from the shadows of evil men.

Inheriting a Galway cottage may change a troubled woman’s life—but not the way she hopes—in this thriller from an “original, grimly hilarious” author (The Washington Post). Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly