Tony Narducci fell in love with Tennessee Williamss poetry when he was fourteen years old. For Narducci, Williams was the genius who redefined theater in America, most accomplished modern playwright, and perhaps one of the greatest artists of the twentieth century. So when thirty-three-year-old Narducci met Williams at a Key West bar in February 1982, the encounter was more than coincidence. It was destiny. In In the Frightened Heart of Me, Narducci narrates the story of how, after that first meeting, he was drawn deep into Williamss life and worka journey that would change Narduccis life in every way. Companions until Williamss death in February 1983, this biography shares how their time together was an odyssey of adventure, emotional entanglement, and insight. While providing a glimpse into the Key West of the early 1980s, In the Frightened Heart of Me blends the events and sorrows of Williamss last year on earth with Narduccis life-changing story and the effects of their relationship. It tells how 1983 was the year Narducci evolved from a floundering, young aspiring artist to a focused business entrepreneur. It was the year he watched his literary hero, a titan of literature, become a frightened, dying old manand the year AIDS took the lives of many of his loved ones. It was the year that defined his life.

Now published for the first time as a trade paperback with a new introduction and the short story on which it was based. Williams wrote: “This is a play about love in its purest terms.” It is also Williams’s robust and persuasive plea for endurance and resistance in the face of human suffering. The earthy widow Maxine Faulk is proprietress of a rundown hotel at the edge of a Mexican cliff overlooking the Pacific Ocean where the defrocked Rev. Shannon, his tour group of ladies from a West Texas women’s college, the self-described New England spinster Hannah Jelkes and her ninety-seven-year-old grandfather, Jonathan Coffin (“the world’s oldest living and practicing poet”), a family of grotesque Nazi vacationers, and an iguana tied by its throat to the veranda, all find themselves assembled for a rainy and turbulent night. This is the first trade paperback edition of The Night of the Iguana and comes with an Introduction by award-winning playwright Doug Wright, the author’s original Foreword, the short story “The Night of the Iguana” which was the germ for the play, plus an essay by noted Tennessee Williams scholar, Kenneth Holditch. “I’m tired of conducting services in praise and worship of a senile delinquent—yeah, that’s what I said, I shouted! All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent and, by God, I will not and cannot continue to conduct services in praise and worship of this…this…this angry, petulant old man.” —The Rev. T. Lawrence Shannon, from The Night of the Iguana

Shadows on the wallNoises down the hallLife doesn't frighten me at all Maya Angelou's brave, defiant poem celebrates the courage within each of us, young and old. From the scary thought of panthers in the park to the unsettling scene of a new classroom, fearsome images are summoned and dispelled by the power of faith in ourselves.Angelou's strong words are matched by the daring vision of artist Jean-Michel Basquiat, whose childlike style reveals the powerful emotions and fanciful imaginings of childhood. Together, Angelou's words and Basquiat's paintings create a place where every child, indeed every person, may experience his or her own fearlessness.Celebrating its successful 25 years in print, this brilliant introduction to poetry and contemporary art features brief, updated biographies of Angelou and Basquiat, an afterword from the editor, and a fresh new look. A selected bibliography of Angelou's books and a selected museum listing of Basquiat's works open the door to further inspiration through the fine arts.

"I don’t believe in God, but I miss him." So begins Julian Barnes’s brilliant new book that is, among many things, a family memoir, an exchange with his brother (a philosopher), a meditation on mortality and the fear of death, a celebration of art, an argument with and about God and a homage to the writer Jules Renard. Barnes also draws poignant portraits of the last days of his parents, recalled with great detail, affection and exasperation. Other examples he takes up include writers, "most of them dead and quite a few of them French," as well as some composers, for good measure. The grace with which Barnes weaves together all of these threads makes the experience of reading the book nothing less than exhilarating. Although he cautions us that "this is not my autobiography," the book nonetheless reveals much about Barnes the man and the novelist: how he thinks and how he writes and how he lives. At once deadly serious and dazzlingly playful, Nothing to Be Frightened Of is a wise, funny and constantly surprising tour of the human condition.

The unusual colorful creatures a child sees each night after the lights go out don't frighten him, but an ordinary big brown owl does.

**Finalist for the 2018 International Prize for Arabic Fiction** A timely and haunting novel from an exciting new voice in international literature, set in present-day Syria In her therapist's waiting room in Damascus, Suleima meets a strange and reticent man named Naseem, and they soon begin a tense affair. But when Naseem, a writer, flees Syria for Germany, he sends Suleima the unfinished manuscript of his novel. To Suleima's surprise, she and the novel's protagonist are uncannily similar. As she reads, Suleima's past overwhelms her and she has no idea what to trust--Naseem's pages, her own memory, or nothing at all? Narrated in alternating chapters by Suleima and the mysterious woman portrayed in Naseem's novel, The Frightened Ones is a boundary-blurring, radical examination of the effects of oppression on one's sense of identity, the effects of collective trauma, and a moving window into life inside Assad's Syria.