In the Footsteps of Flora Tristan is the first ever study devoted to Jules Puech (1879-1957), and is a double biography that examines his life's work on Flora Tristan (1803-1844), feminist and socialist. It begins by examining newly found press reports of Flora Tristan during her lifetime and subsequently, then positions Puech's discovery of her, as a postgraduate student in Paris in the 1900s. It continues with an account of how he embarked on the first in-depth biography published in 1925. Puech was unmatched in his expertise as a writer on Flora Tristan having discovered her papers through his numerous political connections and having become a historian of Proudhon's legacy on the international aspirations of the labour movement. Together with his wife Marie-Louise Milhau (1876-1966), suffragist feminist, he was a militant in the early twentieth-century pacifist movement that advocated international arbitration. His research on Flora Tristan was enriched by his other projects but was thwarted by the wars of 1914-1918 and 1940-1945. The circumstances of the long gestation of Puech's biography are drawn from his letters and papers, hitherto unseen. The correspondence curated brings a new understanding to the multi-faceted nature of Puech's activism and rate of progress in the publication of his findings on his subject, Flora Tristan.

This book scrutinizes the events of 1919 from below: the global underside of the Wilsonian moment. During 1919 the Great Powers redrew the map of the world with the Treaties of Paris and established the League of Nations intending to prevent future war. Yet what is often missed is that 1919 was a complex threshold between war and peace contested on a global scale. This process began prior to war’s end with mutinies, labour and consumer unrest, colonial revolt but reached a high point in 1919. Most obviously, the Russian Revolutions of 1917 continued into 1919 which signalled a decisive year for the Bolshevik regime. While the leaders of the Great Powers famously drew up new states in their Parisian hotel rooms, state formation also had a popular dynamic. The Irish Republic was declared. Afghanistan gained independence. Labour unrest was widespread. This year witnessed the emergence of anti-colonial insurgency and movements across Europe’s colonies; in metropolitan centres of Empire, race riots took place in the UK and during the ‘red summer’ in the US, anti-colonial movements, as well as an important moment of political enfranchisement for women but their expulsion from the wartime labour force. 1919 has many legacies: the first Arab spring, with the awakening of nationalism in the Wilsonian and Bolshevik context; the moment (as a consequence of Jallianwala Bagh) that Britain definitively lost its moral claim to India; the definitive announcement of Black presence in the UK; the great reversal of women’s participation in the skilled occupations; the first Fascist movement was founded.

This volume offers a new perspective on the political history of the socialist, communist and alternative political Lefts, focusing on the role of networks and transnational connections. Embedding the history of left-wing internationalism into a new political history approach, it accounts for global and transnational turns in the study of left-wing politics. The essays in this collection study a range of examples of international engagement and transnational cooperation in which left-wing actors were involved, and explore how these interactions shaped the globalization of politics throughout the 20th century. In taking a multi-archival and methodological approach, this book challenges two conventional views - that the left gradually abandoned its original international to focus exclusively on the national framework, and that internationalism survived merely as a rhetorical device. Instead, this collection highlights how different currents of the Left developed their own versions of internationalism in order to adapt to the transformation of politics in the interdependent 20th-century world. Demonstrating the importance of political convergence, alliance-formation, network construction and knowledge circulation within and between the socialist and communist movements, it shows that the influence of internationalism is central to understanding the foreign policy of various left-wing parties and movements.

In February 1843 Flora Tristan began to write a journal as she set out on her tour of France wherein she recorded her experience of feminist socialist militancy. This is a unique record of gender politics and political and socio-economic conditions in twenty-two towns of provincial France on the eve of the 1848 revolution. It came to an abrupt end with her illness and death in Bordeaux in November 1844. The long-awaited first complete translation of Flora Tristan's journal is presented with an analytical introduction, an index and bibliographical footnotes. Contents: Presentation of Text: Flora Tristan's diary as historical witness. The private passions of a public woman--Introduction to Translation--The text of the diary subdivided into sections on the towns visited--Bibliographical guide--Index. The Editor and Translator: Maire Fedelma Cross is Professor of French at the University of Sheffield where she teaches courses on the history of political ideas in nineteenth- and twentieth-century France. Among her publications are the coauthored works, The Feminism of Flora Tristan (with Tim Gray), Berg, 1992, and Early French Feminisms. A Passion for Liberty 1830-1940 (with Felicia Gordon), Elgar, 1996. She is a member of the editorial board of Modern and Contemporary France.

The earliest known literary productions by women living in Europe were probably written by French writers. As early as the 12th century, women troubadours in the south of France were writing poems. French women continued writing through the ages, their number increasing as education became more available to women of all classes. And yet, of the great number of works by women writers who preceded the current feminist movement, very few have survived. A few writers such as Marie de France, George Sand, and Simone de Beauvoir became part of the canon. But critics, mostly male, had judged the works of only a few women writers worthy of recognition. As part of the feminist move to reclaim women writers and to rethink literary history, scholars in French literature began to take a new look at women writers who had been popular during their lifetimes but who had not been admitted into the canon. This reference book provides extensive information about French women writers and the world in which they lived. Included are several hundred alphabetically arranged entries for authors; literary genres, such as the novel, poetry, and the short story; literary movements, such as classicism, realism, and surrealism; life-cycle events particular to women, such as menstruation and menopause; events and institutions which affected women differently than men, such as revolutions, wars, and laws on marriage, divorce, and education. The volume spans French literature from the Middle Ages to the present and covers those writers who lived and worked mainly in France. The entries are written by expert contributors and each includes bibliographical information. The entries focus on each writer's awareness of how her gender shaped her outlook and opportunities, on how categorizations, structures, and terms used to describe literary works have been defined for women, and the ways in which women writers have responded to these definitions. The volume begins with a feminist history of French literature and concludes with a selected, general bibliography and a chronology of women writers.

"Over two hundred entries on film actors, directors, producers, cinematographers, critics, film industry, film movements and festivals cover the entire spectrum of German-speaking cinema from the 1890s to the popular comedies of the 1990s. In-depth articles consider the artistic peaks of Weimer cinema, the emigre directors, film politics, and the star system of Nazi cinema, women and film, the New German Cinema and the revival of genre cinema since. Entries evaluate such notables as Fritz Lang, Marlene Dietrich, Leni Riefenstahl, Erich Pommer, Conrad Veidt, Wim Wenders and R.W. Fassbinder, as well as popular genres (the "Heimat" film, literary adaptations, musicals) alongside the major studios (UFA and DEFA) and international personalities such as Klaus Kinski, Wolfgang Petersen, and Michael Ballhaus. Leading international scholar Thomas Elsaesser also contributes an introductory essay on developments in post-unification German cinema, placing it in the context of its recent history and of general relations between Hollywood and European cinema."--Publisher description.