Jim Leighton has spent a lifetime in soccer, and now the former Scotland goalkeeper shares the memories of a remarkable career in this volume. He unveils the depths of his misery and tells why he will never again speak to Sir Alex Ferguson. He also breaks his silence to explain the real reason behind his shock decision to quit Scotland's squad as he neared a century of caps. Leighton admits that the domestic and European success he enjoyed during his first spell with Aberdeen, the club with whom he launched his career, made him totally unprepared for the agony of becoming a Manchester United reject.

A unique and compelling portrait of William F. Buckley as the champion of conservative ideas in an age of liberal dominance, taking on the smartest adversaries he could find while singlehandedly reinventing the role of public intellectual in the network television era. When Firing Line premiered on American television in 1966, just two years after Barry Goldwater’s devastating defeat, liberalism was ascendant. Though the left seemed to have decisively won the hearts and minds of the electorate, the show’s creator and host, William F. Buckley—relishing his role as a public contrarian—made the case for conservative ideas, believing that his side would ultimately win because its arguments were better. As the founder of the right’s flagship journal, National Review, Buckley spoke to likeminded readers. With Firing Line, he reached beyond conservative enclaves, engaging millions of Americans across the political spectrum. Each week on Firing Line, Buckley and his guests—the cream of America’s intellectual class, such as Tom Wolfe, Noam Chomsky, Norman Mailer, Henry Kissinger, and Milton Friedman—debated the urgent issues of the day, bringing politics, culture, and economics into American living rooms as never before. Buckley himself was an exemplary host; he never appealed to emotion and prejudice; he engaged his guests with a unique and entertaining combination of principle, wit, fact, a truly fearsome vocabulary, and genuine affection for his adversaries. Drawing on archival material, interviews, and transcripts, Open to Debate provides a richly detailed portrait of this widely respected ideological warrior, showing him in action as never before. Much more than just the story of a television show, Hendershot’s book provides a history of American public intellectual life from the 1960s through the 1980s—one of the most contentious eras in our history—and shows how Buckley led the way in drawing America to conservatism during those years.

"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).

This entertaining work, sprinkled with illustrative real-life anecdotes, is a comprehensive guide to the techniques, rhetorical devices and principles of successful argumentation. The author, a debater since age thirteen, has lectured widely. Publisher of the National Review, Rusher is also a television commentator and syndicated columnist. Originally published by Doubleday in 1981.

Robert William Chambers (May 26, 1865 – December 16, 1933) was an American artist and fiction writer, best known for his book of short stories titled The King in Yellow, published in 1895.

He became John Major's most trusted lieutenant, and held a unique and trusted place at the very heart of the crumbling Conservative government. These are Brian Mawhinney's observations of the final weeks of power and his understanding of the reasons for their defeat at the polls.