This is a fascinating overview of music's intriguing and enduring relationship with the dark side. Much of the music discussed in Gathering Of The Tribe deals with the special power of sound and tone. Frank Zappa may have said that ‘writing about music is like dancing about architecture,’ but this book explains how music can - or for a moment believed it could - move mountains. It is a matter of record that over the centuries composers and musicians have been consistently inspired by the occult. Few music lovers can fail to have been intrigued by the rumours of magick and mysticism that surround many of their favourite albums. In chapters that cover the different musical styles, from jazz through folk, rock, pop, noise and experimental forms, Gathering Of The Tribe sketches a fascinating overview of this provocative and enduring relationship with heavy conscious creation, offering en route a guide to the ultimate occult record collection, ranging from the Beatles to the Stones, Led Zeppelin to Nick Cave, Captain Beefheart to the Wu Tang Clan, Debussy to Throbbing Gristle, Charles Manson, Barbara the Gray Witch, Coven and more.

Neal Preston's legendary music images include some of the most memorable ever made of rock's most iconic stars. If this era could be described as a hurricane, Neal captured this from his unique position in the eye of the Rock'n'Roll hurricane. In a room with five people or 50,000, Neal always seems to find a place of his own, to capture a moment not noticed or looked for by anyone else. His live photography perfectly relays the feeling of having been at that concert, to feel the excitement and energy and to visualise the music and identity of the subject. Neal has toured with Led Zeppelin, The Who, Queen, Fleetwood Mac, Bruce Springsteen, and countless others. This special, limited edition book has been produced in collaboration with The Lightpower Collection and features some of the greatest highlights from Neal's 40-year career, carefully selected to represent the finest work from his extensive catalogue. Produced to coincide with an exhibition at the Frankfurt Musikmesse in April 2015, this book has accompanying text in English and German.

In 1964, fifteen-year-old Mike Frankel found himself among professional photojournalists covering a Beatles concert during the band’s first tour in the United States. A few years later, he was a regular photographer at the Fillmore East, a storied venue in classic rock. And in 1969, he was onstage at Woodstock, documenting one of the most important events in American music history. Featuring Frankel’s stunning photographs of nearly every major rock figure from the 1960s and ’70s—including Led Zeppelin, Pink Floyd, the Rolling Stones, Janis Joplin, and the Grateful Dead—as well as many unpublished images of the Beatles, Hurricanes of Color chronicles an extraordinary moment. Frankel, who was for a time a personal photographer for Jefferson Airplane and Hot Tuna, developed an innovative style—one that layered images with multiple exposures to capture the spirit of the music of the era and the experience of listening to the bands live. A must-have for fans of classic rock, this is a spectacular and profound collection of photography that complements the music of the world’s biggest performers.

Dick Stewart was recently inducted into the 2016 New Mexico Music Hall of Fame Richard Stewart is one of those large numbers of fanatical early ’60s rock-and-roll guitarists, who never received national attention and all its glory but, instead, came darn close regardless of the frequent and, on occasion, precarious roadblocks that he encountered, especially during the innocent years of early rock and roll. He endured excessive corporal punishment at school and at home; he explored and mapped privately owned lots in which he and his neighborhood, preteen gang members built forts; he was a Pachuco in an Hispanic gang while in high school; he witnessed despicable bigotry toward Native Americans, Mexican Americans, and African Americans; he fought forest fires in the Pacific Northwest, one of which nearly took his life; he suffered extreme hazing at the hands of his Kappa Sigma active brothers at the University of New Mexico; and the arrival of the Beatles in America dashed his dream of having a national, rock-in-roll guitar instrumental hit. All musicians, high profile or not, of this new mainstream music genre that the teens embraced and called their very own, have an interesting story to tell, but most of the wannabe breakout artists just keep putting it off. Well, this writer didn’t. Stewart’s experiences from the moment the Second World War ended in July of 1945 to the beginning of the psychedelic rock period in 1967 are just too powerful, suspenseful, historic, excruciating, humorous, scary, and on occasion, downright life threatening that needs to be told in detail. This is a read that you will have difficulty putting down.

Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.

Over 60 gripping accounts tracking the dark side of rock 'n' roll from the early days of the drugs-and-drink culture, and the birth of rock 'n' roll, through The Beatles, Stones, Sex Pistols, Madonna, Kurt Cobain and Oasis, to Amy Winehouse, Pete Doherty and other stars of the current rock-music scene. From trashed hotel rooms to cars in swimming pools, all rock 'n' roll's excesses are here, including murder and sexual deviancy, surprising brushes with the law that the stars thought they'd kept quiet, early and tragic deaths, drug overdoses, robbery, mis-marriages and groupies by the truckload

Author Luke Longstreet Sullivan has a simple way of describing his new memoir: “It's like The Shining . . . only funnier.” And as this astonishing account reveals, the comment is accurate. Thirty Rooms to Hide In tells the story of Sullivan's father and his descent from being one of the world's top orthopedic surgeons at the Mayo Clinic to a man who is increasingly abusive, alcoholic, and insane, ultimately dying alone on the floor of a Georgia motel. For his wife and six sons, the years prior to his death were years of turmoil, anger, and family dysfunction; but somehow, they were also a time of real happiness for Sullivan and his five brothers, full of dark humor and much laughter. Through the 1950s and 1960s, the six brothers had a wildly fun and thoroughly dysfunctional childhood living in a forbidding thirty-room mansion, known as the Millstone, on the outskirts of Rochester, Minnesota. The many rooms of the immense home, as well as their mother's loving protection, allowed the Sullivan brothers to grow up as normal, mischievous boys. Against a backdrop of the times—the Cold War, the Cuban Missile Crisis, fallout shelters, JFK's assassination, and the Beatles—the cracks in their home life and their father's psyche continue to widen. When their mother decides to leave the Millstone and move the family across town, the Sullivan boys are able to find solace in each other and in rock 'n' roll. As Thirty Rooms to Hide In follows the story of the Sullivan family—at times grim, at others poignant—there is a wonderful, dark humor that lifts the narrative. Tragic, funny, and powerfully evocative of the 1950s and 1960s, Thirty Rooms to Hide In is a tale of public success and private dysfunction, personal and familial resilience, and the strange power of humor to give refuge when it is needed most, even if it can't always provide the answers.