Desire In The Desert by Mary Lyons released on Apr 24, 1984 is available now for purchase.

His purview ranges from casino art galleries to spectacular animal collections like those of magicians Siegfried and Roy and Mandalay Bay's Shark Reef exhibit, from the environmental and psychological impact of lavish water displays in the arid desert to the artistic ambiguities intrinsic to Las Vegas's floating world of showgirls, lapdancers, and ballet divas. This compelling, disturbing discussion of entertainment and the arts in Las Vegas shows how our insatiable modern appetite for extravagance and spectacle has diminished the power of unembellished nature and the arts to teach and inspire us, and demonstrates the way our libertarian society privileges private benefit over public good."--BOOK JACKET.

“A landmark work of lesbian fiction” and the basis for the acclaimed film Desert Hearts (The New York Times). Against the backdrop of Reno, Nevada, in the late 1950s, award-winning author Jane Rule chronicles a love affair between two women. When Desert of the Heart opens, Evelyn Hall is on a plane that will take her from her old life in Oakland, California, to Reno, where she plans to divorce her husband of sixteen years. A voluntary exile in a brave new world, she meets a woman who will change her life. Fifteen years younger, Ann Childs works as a change apron in a casino. Evelyn is instantly drawn to the fiercely independent Ann, and their friendship soon evolves into a romantic relationship. An English professor who had always led a conventional life, Evelyn suddenly finds all her beliefs about love, morality, and identity called into question. Peopled by a cast of unforgettable characters, this is a novel that dares to ask whether love between two women can last.

Sheikh Najib blasted into Rosalind Lewis’s life and staked a sultan’s claim on her son! Her denial of the boy’s royal lineage was met with deaf ears—and relentless kisses. When danger threatened, mother and child were whisked into Najib’s exotic world, a faraway place where protection meant marriage. But with every night in the arms of her sheikh “husband,” Rosalind’s secret threatened to surface. Would the truth bring a bitter end—or a heartfelt vow?

NATIONAL BESTSELLER • From the bestselling author of How the Irish Saved Civilization comes a compelling historical narrative about Jesus—an obscure rabbi from a backwater of the Roman Empire who became the central figure in Western Civilization. "Divertingly instructive...gratifying...[Cahill] makes Jesus a still-living literary presence." —The New York Times In his subtle and engaging investigation into the life and times of Jesus, Thomas Cahill shows us Jesus from his birth to his execution through the eyes of those who knew him and in the context of his time—a time when the Jews were struggling to maintain their beliefs under overlords who imposed their worldview on their subjects. Here is Jesus the loving friend, itinerate preacher, and quiet revolutionary, whose words and actions inspired his followers to journey throughout the Roman world and speak the truth he instilled—in the face of the greatest defeat: Jesus' crucifixion as a common criminal. Daring, provocative, and stunningly original, Cahill's interpretation will both delight and surprise.

Desire in L.A. confronts limitless longing in a city that is itself without limits. In these poems, the object of desire is decidedly missing, whether that object be love or beauty or the past. Shifting even within a single poem, and certainly from section to section, the objects of desire in Martha Ronk's poetry become as elusive as the unnamed Marilyn Monroe--"that image of another's skirts"--of the title poem, or the moment captured in "A photograph as good as a picture": "He leans forward with such / fervor, yet isn't young and something / decidedly is happening, even / to the beefy fellow in his white / short-sleeved shirt. A photograph-- / oh, perhaps not the same as a / Manet, but it is Auden, and / for whatever reason he stares at / the square flesh neckline / of her dress. He is forward / in his chair, rumpled about / the collar and everyone is wearing / black and white. It is the formal / occasion of how much he cares / to be there, Venice, 1951 / and how much I care to see him / no matter what for, longing / like that." Moving from thwarted examples of family and place to language and its corruptions, from classical Japanese love poems to failed love in the southwestern desert, from emotionality to artifice, the book ends with a series focused on the slipperiness of all categories.