The publication of Sophie's Choice, one of William Styron's greatest literary achievements, generated a new spark in the critical discussion of the author and is the main emphasis of the interview with Styron and one of the additional essays in this revised edition. The interview was conducted by Robert K. Morris; the essay on Sophie's Choice by Richard Pearce. Other essays include Jane Flanders on Styron's southern myth, Philip W. Leon on Styron's narrative technique, and Ardner R. Cheshire, Jr., and Mary S. Strine on The Confessions of Nat Turner. Originally published in 1975, The Achievement of William Styron was the first collection of critical essays on one of America's most distinguished contemporary fiction writers, and it has become a standard work. Essays from the original edition which are included in this revised edition are those by the editors, and by Louis D. Rubin, Jr., John O. Lyons, Jan B. Gordon, Robert Phillips, and George Core.

A military hospital is the setting for this darkly humorous play by the #1 New York Times–bestselling author of Darkness Visible and Sophie’s Choice. In the summer of 1943, a young Marine named Wally Magruder arrives at a Navy hospital in the American South, stricken with what doctors diagnose as a severe case of syphilis. Trapped in the stifling confines of the urology ward, Magruder and his fellow patients rebel against the authoritarian Dr. Glanz, a physician who delights in the power that sickness gives him. But as they seek to reclaim their identities against dehumanization, the ward becomes a hell more real than any of them could have imagined. Inspired by Styron’s own experience, In the Clap Shack is a searing indictment of military brutalization and a brilliant defense of individualism and personal freedom from the National Book Award and Pulitzer Prize–winning author of The Confessions of Nat Turner and other acclaimed works. This ebook features new manuscripts, rare photos, and never-before-seen documents from the William Styron archives at Duke University.

Two extraordinary works about soldiers in a time of dubious peace by a writer of vast eloquence and moral authority. With stylistic panache and vitriolic wit, William Styron depicts conflicts between men of somewhat more than average intelligence and the military machine. In The Long March, a novella, two Marine reservists fight to retain their dignity while on a grueling exercise staged by a posturing colonel. The uproariously funny play In the Clap Shack charts the terrified passage of a young recruit through the prurient inferno of a Navy hospital VD ward. In both works, Styron wages a gallant defense of the free individual--and serves up a withering indictment of a system that has no room for individuality or freedom.

In 1950, at the age of twenty-four, William Clark Styron, Jr., wrote to his mentor, Professor William Blackburn of Duke University. The young writer was struggling with his first novel, Lie Down in Darkness, and he was nervous about whether his “strain and toil” would amount to anything. “When I mature and broaden,” Styron told Blackburn, “I expect to use the language on as exalted and elevated a level as I can sustain. I believe that a writer should accommodate language to his own peculiar personality, and mine wants to use great words, evocative words, when the situation demands them.” In February 1952, Styron was awarded the Prix de Rome of the American Academy of Arts and Letters, which crowned him a literary star. In Europe, Styron met and married Rose Burgunder, and found himself immersed in a new generation of expatriate writers. His relationships with George Plimpton and Peter Matthiessen culminated in Styron introducing the debut issue of The Paris Review. Literary critic Alfred Kazin described him as one of the postwar “super-egotists” who helped transform American letters. His controversial The Confessions of Nat Turner won the 1968 Pulitzer Prize, while Sophie’s Choice was awarded the 1980 National Book Award, and Darkness Visible, Styron’s groundbreaking recounting of his ordeal with depression, was not only a literary triumph, but became a landmark in the field. Part and parcel of Styron’s literary ascendance were his friendships with Norman Mailer, James Baldwin, John and Jackie Kennedy, Arthur Miller, James Jones, Carlos Fuentes, Wallace Stegner, Robert Penn Warren, Philip Roth, C. Vann Woodward, and many of the other leading writers and intellectuals of the second half of the twentieth century. This incredible volume takes readers on an American journey from FDR to George W. Bush through the trenchant observations of one of the country’s greatest writers. Not only will readers take pleasure in William Styron’s correspondence with and commentary about the people and events that made the past century such a momentous and transformative time, they will also share the writer’s private meditations on the very art of writing. Advance praise for Selected Letters of William Styron “I first encountered Bill Styron when, at twenty, I read The Confessions of Nat Turner. Hillary and I became friends with Bill and Rose early in my presidency, but I continued to read him, fascinated by the man and his work, his triumphs and troubles, the brilliant lights and dark corners of his amazing mind. These letters, carefully and lovingly selected by Rose, offer real insight into both the great writer and the good man.”—President Bill Clinton “The Bill Styron revealed in these letters is altogether the Bill Styron who was a dear friend and esteemed colleague to me for close to fifty years. The humor, the generosity, the loyalty, the self-awareness, the commitment to literature, the openness, the candor about matters closest to him—all are on display in this superb selection of his correspondence. The directness in the artful sentences is such that I felt his beguiling presence all the while that I was enjoying one letter after another.”—Philip Roth “Bill Styron’s letters were never envisioned, far less composed, as part of the Styron oeuvre, yet that is what they turn out to be. Brilliant, passionate, eloquent, insightful, moving, dirty-minded, indignant, and hilarious, they accumulate power in the reading, becoming in themselves a work of literature.”—Peter Matthiessen

A “mesmerizing” biography of the #1 New York Times–bestselling author of Sophie’s Choice, The Confessions of Nat Turner, and Darkness Visible (Entertainment Weekly). William Styron was one of the most highly regarded and controversial authors of his generation. In this illuminating biography, James L. W. West III draws upon letters, papers, and manuscripts as well as interviews with Styron’s friends and family to recount in rich detail the experiences that shaped each of his groundbreaking books. From Styron’s Southern upbringing, which deeply influenced the Pulitzer Prize–winning The Confessions of Nat Turner and National Book Award–winning Sophie’s Choice, to his feud with Norman Mailer and the clinical depression that led to his acclaimed memoir Darkness Visible, West’s remarkable biography provides invaluable insight into the life and works of a giant of American literature.

Most kid write stories. A few of them grow up to be successful authors. Before Stephen King created Carrie, he created Jhonathan, at age nine. And before there was Rabbit Angstrom, there was Manuel Citarro, detective in John Updike's hard-boiled mystery, written at fourteen. Before Jurassic Park, there was young Michael Crichton's story about the mysteriously wounded man lying unattended in the street. Editor Paul Mandelbaum persuaded our most popular American authors to share their childhood writings and their treasured photographs. What he's gathered is a fascinating, delightful collection of writing and early snapshots that reveal young minds at work, wrestling with early versions of ideas that were to take hold of their writings in later years. Of course, the young Madeline L'Engle would wonder about space and the meaning of eternity. Of course, Margaret Atwood would question conventional female behavior, arguing for the right to smoke cigars. First Words is an inspiration to budding writers and enthusiastic teachers, and a revelation for readers everywhere. This revised and condensed edition includes the following writers: Margaret Atwood Roy Blount, Jr. Paul Bowles Pat Conroy Michael Crichton Rita Dove Clyde Edgerton Gail Godwin Allan Gurganus Charles Johnson Stephen King Maxine Hong Kingston Ursula LeGuin Madeleine L'Engle Jill McCorkle Norman Mailer Joyce Carol Oates William Styron Amy Tan John Updike Gore Vidal Tobias Wolff