What child is this Who is born here Where the oxen Stomp and peer . . . When Christmas in the Barn was first published in 1952, it demonstrated all of Margaret Wise Brown's mastery at skillfully fashioning a truly childlike interpretation of the Nativity story. For this larger, full-color edition, Caldecott Honor artist Diane Goode has created a new tableau of visitors to the barn that will delight generations of new readers.

For years people have claimed to see a mysterious white deer in the woods around Chinaberry Creek. It always gets away. One evening, Eric Harper thinks he spots it. But a deer doesn’t have a coat that shimmers like a pearl. And a deer certainly isn’t born with an ivory horn curling from its forehead. When Eric discovers the unicorn is hurt and being taken care of by the vet next door and her daughter, Allegra, his life is transformed. A tender tale of love, loss, and the connections we make, The Unicorn in the Barn shows us that sometimes ordinary life takes extraordinary turns.

An Indie Next List Pick! "A glorious tribute to Brown's timeless classic." —Booklist (starred review) Perfect for fans of Goodnight Moon, The Runaway Bunny, and Big Red Barn, this never-before-published picture book from beloved children’s book author Margaret Wise Brown tells the comforting, snowy story of animals seeking shelter from the cold in a big warm barn. Brought to beautiful life by Caldecott Medalist and multiple award-winner Jerry Pinkney, this is a must-have for every child’s library and is perfect for cozy wintertime readings. Outside in the cold, hear the wind rattle, come to the barn, keep warm with the cattle...

“About the subtlest, most sane-making book on contemporary spirituality that I’ve read in years. It’s also the funniest.”—Joanna Macy, author of Active Hope Deciding that her life was insufficiently grounded in real-world experience, Mary Rose O’Reilley, a Quaker reared as a Catholic, embarked on a year of tending sheep. In this decidedly down-to-earth, often-hilarious book, O’Reilley describes her work in an agricultural barn and her extended visit to a Buddhist monastery in France, where she studied with Thich Nhat Hanh. She seeks, in both barn and monastery, a spirituality based not in “climbing out of the body” but rather in existing fully in the world. “O'Reilley has obviously mastered the craft of writing. Her rich, allusive prose draws on Catholicism, Quakerism, Buddhism, monastic tradition, Shakespeare and the Bible. Her short vignettes are luminous with faith matters, yet full of the earthy details of animal husbandry, resulting in a style that's a cross between Kathleen Norris and James Herriot.”—Publishers Weekly “This enjoyable book offers lingering pleasure.”—Library Journal

Facing his share of ordinary challenges, from local bullies to his father's failed expectations, eleven-year-old Jack Clark must also deal with the effects of the Dust Bowl in 1937 Kansas, including the rising tensions in his small town and the spread ofa shadowy illness.

Their childhood was dominated by pain and fear. They escaped the darkness at first chance, but darkness is a beast that doesn't let go easily, and now it's found them. It will be a battle that will threaten their lives and souls. The time to fight is almost at hand and this time, they can't run. Fear. That's the first word that came to mind when she thought of her childhood.She ran away from home to escape an abusive father, and to protect her unborn child, leaving everything behind except for memories of the boy in the barn and childhood dreams that could never come true. Twenty years passed and she is now a woman. A woman who learned to put the past and her dark secrets behind her, to stand on her own and build a life for her and her son. But the past and those dark secrets have returned and she's about to discover if she has the strength to face the horrors of the past. Once again, it's flight or fight and this time, she'd won't run. It's a fight to the death and one she is not at all sure she can

Finalist for the 2022 Minnesota Book Award in Poetry “Sometimes,” Michael Kleber-Diggs writes in this winner of the Max Ritvo Poetry Prize, “everything reduces to circles and lines.” In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor. But Worldly Things refuses to “offer allegiance” to this centuries-old status quo. With uncompromising candor, Kleber-Diggs documents the many ways America systemically fails those who call it home while also calling upon our collective potential for something better. “Let’s create folklore side-by-side,” he urges, asking us to aspire to a form of nurturing defined by tenderness, to a kind of community devoted to mutual prosperity. “All of us want,” after all, “our share of light, and just enough rainfall.” Sonorous and measured, the poems of Worldly Things offer needed guidance on ways forward—toward radical kindness and a socially responsible poetics. Additional Recognition: A New York Times Book Review "New & Noteworthy Poetry" Selection A Library Journal "Poetry Title to Watch 2021" A Chicago Review of Books "Poetry Collection to Read in 2021" A Reader's Digest "14 Amazing Black Poets to Know About Now" Selection A Books Are Magic "Recommended Reading" Selection An Indie Gift Guide 2021 Indie Next Selection